The Null Device

Dragged kicking and screaming into the world of time-squeezed Anglocapitalist efficiency, the French have been taking to McDonalds in droves. Well, someone in France has, with the chain making more money in France than in Britain and reporting record profits. The funny thing is, it's never any French person anyone has actually met; all interviewed profess an existential disgust of le macdoh.

“No,” says Magali. “It is not. A croque is something ... beautiful. But thees is ... my god.” Correction. Magali is not appalled. This is something deeper than appalled. This is existential.

Magali doesn't eat in McDonald's. In fact, she says, she doesn't know anybody who eats in McDonald's. Stop any Frenchman on the street - and we stop plenty - and he will shrug and snarl and say that he doesn't eat in McDonald's, either.

At the next table a family are eating together. “We're only in here because we're in a rush,” says the father, much like a husband explaining a mistress to his incredulous wife. “It's not normal. We would never eat in McDonald's usually.” He says that he is from Montreal, anyway, and that we may refer to him only as Mr X. The rest of the family stay silent, and munch, and blush.

rench obesity rates have rocketed in recent years. According to estimates, 11 per cent of the French are obese and 40 per cent are overweight. This is better than the UK or the US, but it grows by about 5 per cent every year. One thinks of those previously untouched indigenous tribes that manage to wipe themselves out in a generation after being introduced to booze. The French are failing to eat in moderation. For a culture that prides itself on its waistline, this is a difficult failing to accept.

In recent years, at least in Paris, there has been a boom in fast-food eateries of the sort described above. The pioneer in this respect is a newish chain called Cojean. It was set up in 2001 by Alain Cojean, who had spent the previous 15 years working in research and development for - yes - McDonald's. Cojean is a very different beast.

We visit the branch across the road from the Louvre. Cool and airy, it is tastefully converted from an elaborately corniced patisserie. It sells fresh salads, proper coffee and sandwiches that are resolutely not triangular. We pick a ham and melon salad with noodles and rocket. The melon tastes as if it has just fallen from a tree, and the ham just scraped from a happy pig. There is a surprise bit of jagged plastic lurking in the middle, true enough, but we are not in McDonald's so we have no urge to sue. It just adds to the sense of handmade authenticity.

¶ france fast food culture junk food globalisation [no comments]

You know those cocaine-smuggling submarines operating out of South America? Well, apparently, they're run by Hezbollah. Yes, the Lebanon-based Shi'ite Islamist militant group have submarine capability, and it's all in Latin America, earning good money. For the jihad, of course.

So what's the Hezbollah connection? "I continue to be concerned about the tri-border area [between Argentina, Brazil and Paraguay]," Stavridis said. "It is, in my view, principally Hezbollah activity. There is clearly fund-raising, money laundering, drug trafficking. And, certainly a portion of the funds that are raised in that are making their way back to the Middle East."

¶ bizarre terrorism cocaine crime drugs south america hezbollah wtf [1 comment]

The Chinese government has hit upon a novel solution for preventing troublesome protests from erupting at Olympic events: surreptitiously lose most of the tickets, and bus in well-disciplined cheer squads to fill the empty seats, taking place of unpredictable members of the public:

Blocks of tickets went to government departments, Communist party officials or state-owned companies, which have quietly obeyed orders not to hand them out. “People are so angry because they slept all night outside ticket booths and got nothing and now they see this,” said one blogger, Jian Yu.

At some football matches in the northern city of Shenyang, only a third of the seats were taken. Even some gymnastics finals, usually one of the biggest attractions on the programme, were not sold out.

And here is Charlie Brooker's take on it.

¶ china the spectacle totalitarianism olympics deception [no comments]

The Independent has a list of what it claims are the 50 best jokes from the Edinburgh Fringe:

"I told the ambulance men the wrong blood type for my ex, so he knows what rejection feels like" – Pippa Evans

"The Scots invented hypnosis, chloroform and the hypodermic syringe. Wouldn't it just be easier to talk to a woman?" – Stephen Brown

"'What's a couple?' I asked my mum. She said, 'Two or three'. Which probably explains why her marriage collapsed" – Josie Long

"If Britons were left to tax themselves, there would be no schools, no hospitals, just a 500-mile-high statue of Diana, Princess of Wales" – Andy Zaltzman

"My granny was recently beaten to death by my granddad. Not as in, with a stick – he just died first" – Alex Horne

¶ humour comedy edinburgh fringe [no comments]

A few interesting presentations from this year's SIGGRAPH computer graphics conference:

Firstly, a team of researchers has developed a way of enhancing video using still photographs. Consumer-grade video is notoriously poor in quality, while consumer-grade photographs are considerably better. So what they do is essentially build a map of points in the scene from the video and map detail from the photographs onto it, and, presto, instant high-quality video. What's more, if they process the photographs beforehand (i.e., by making HDR images from multiple exposures, or applying Photoshop filters), the effects are automatically propagated into the video. The technique can also be used to interpolate the background behind inconveniently located objects, removing them from the scene. Anyway, watch the video on the page; it is quite impressive.

Meanwhile, an Israeli team has developed a tool for automatically beautifying images of human faces; it does this by finding ratios between points on the faces, comparing them to ratios with higher attractiveness ratings, and warping the image to improve attractiveness (which, as one Slashdot commenter wrote, often comes down to "add symmetry and make thinner"). Interestingly, they promise a to make a demo program (presumably for Windows) available soon; I wonder whether its handiwork will soon start making its way onto dating websites and Facebook profiles.

(via /.) ¶ siggraph tech video beauty [no comments]

The latest salvo from the culture war: Canada's conservative government has scrapped a programme to help Canadian musicians and artists abroad because it was going to "fringe art groups that were unrepresentative or offensive", with one example being the electronica outfit Holy Fuck.

¶ culture war canada fuck censorship art rightwingers [no comments]

A few weeks ago, a man by the name of Clark Rockefeller entered the news, after having abducted his daughter who was visiting him in Boston. Not much was mentioned about him, except that he was not believed to be related to the famous oil family. Gradually, an increasingly bizarre story emerged. "Clark Rockefeller", it seemed, was a German man named Christian Gerhartsreiter, who left for America at the age of 17 in 1978 to seek his fortune. Along the way, he tried (unsuccessfully) to get into acting in Hollywood, before discovering that his true talent lay in fashioning new identities and stories for himself, always coming up with a new one when his inevitably grandiose and narcissistic claims (or, in one case, quite possibly murdering his landlord) compromised his current one. He became Christopher Chichester, a British aristocrat who was moving his castle to America, then Christopher Crowe, a Wall Street stockbroker, and finally Clark Rockefeller, brilliant mathematician/physicist and scion of fabulous old money; along the way, a family he was renting from in California disappeared (unidentified remains were found under their house a decade later), and later, "Christopher Crowe" tried to sell their old truck, making a hasty exit to rescue his parents who had been kidapped in South America before the police could question him. Not to mention thad he lost his stockbroking job after using the social security number of the Son of Sam serial killer on his licence application.

Anyway, Gerhartsreiter is now in custody and has been identified as such. I imagine he'll have a much harder time getting away this time.

¶ clark rockefeller deception crime bizarre psychopaths [no comments]

For those in the UK, BBC Radio has a 30-minute programme on single B-sides, their origins and decline, and the way different artists and producers have used the flipside of the single. It's listenable for about three more days, so you'll have to be quick.

(via ithinkihaveacat) ¶ bbc music culture [1 comment]

Having invaded Georgia and crushed its military, a newly emboldened Russia has told the West that it can forget about Georgia's territorial integrity, and the Russian-speaking enclaves in the country won't be returned to Georgian sovereignty. And short of provoking a nuclear stand-off, there is little the West is likely to be able to do about it.

If (as is likely), Russia gets away with slicing bits out of Georgia, I wonder who will be next in its sights. Ukraine, which is looking towards joining the EU and NATO, is one candidate, though pro-Western tendencies there may be checked merely by supporting pro-Russian parties and threatening to turn off the gas. And Poland, which recently signed a deal with the US to host missile interceptors (designed, ostensibly, against Iranian rogue nukes, though it's likely that a rising China is the real motivation), drawing threats of military strike from Russian commanders, can't be sitting too comfortably. Though in my (entirely amateur) opinion, the Baltic states—Lithuania, Latvia and Estonia—may have the most to worry about.

Consider the following: The Baltic states are a thin panhandle, connected to the EU by a narrow border. They are the only part of the EU to have recently been part of the Soviet Union, and thanks to Stalin's population transfer programmes, have a substantial ethnic Russian minority, many of whom resent being coerced into learning the local language (after decades of Russian being the official language of government); reports of discrimination are common. Furthermore, there is the question of Kaliningrad, a Russian territory which is cut off from mainland Russia by Poland and Lithuania; for a resurgent regional power, this must be a terrible loss of face. An invasion of Lithuania, prompted by the prerogative to defend Russian-speaking minorities and resulting in a land corridor being carved out to Kaliningrad (and the Baltic states being conveniently isolated by land from the EU proper) could look tempting now.

Of course, as the Baltic states are NATO members, such an incident would be likely to trigger a war between Russia and NATO in its entirety (which, of course, includes the US, an even more powerful superpower). Though Russia might calculate that, with the US and other allies being overstretched and worn down in the Middle East, they may be somewhat weakened.

¶ geopolitics russia europe georgia politics [2 comments]

US Republican electoral strategists' latest tactic against Barack Obama: ads that insinuate that he is the Antichrist, in the hope of getting evangelical Christian voters out to vote for McCain. They're careful not to say outright that Obama is the Antichrist, of course, as that would make them look like lunatics to non-Evangelical voters. Rather, the ad (titled "the One") has an innocuous surface message, ostensibly poking fun at Obama's messianic image, though is peppered with coded references to popular American Christian thriller series Left Behind:

As the ad begins, the words “It should be known that in 2008 the world shall be blessed. They will call him The One” flash across the screen. The Antichrist of the Left Behind books is a charismatic young political leader named Nicolae Carpathia who founds the One World religion (slogan: “We Are God”) and promises to heal the world after a time of deep division. One of several Obama clips in the ad features the Senator saying, “A nation healed, a world repaired. We are the ones that we’ve been waiting for.”

Sapp knows that the phrasing and images could just be dismissed as a peculiar coincidence. After all, it was Oprah Winfrey who told an Iowa crowd that Obama was "the one!" But, he insists, "the frequency of these images and references don't make any sense unless you're trying to send the message that Obama could be the Antichrist." Mara Vanderslice, another Democratic consultant, who handled religious outreach for the 2004 Kerry campaign, agrees. "If they wanted to be funny, if they really wanted to play up the idea that Obama thinks he's the Second Coming, there were better ways to do it," she says. "Why use these awkward lines like, 'And the world will receive his blessings'?"

It’s not hard to see how some Obama haters might be tempted to make the comparison. In the Left Behind books, Carpathia is a junior Senator who speaks several languages, is beloved by people around the world and fawned over by a press corps that cannot see his evil nature, and rises to absurd prominence after delivering just one major speech. Hmmh. But serious Antichrist theorists don’t stop there. Everything from Obama’s left-handedness to his positive rhetoric to his appearance on the cover of this magazine has been cited as evidence of his true identity. One chain e-mail claims that the Antichrist was prophesied to be “A man in his 40s of MUSLIM descent,” which would indeed sound ominous if not for the fact that the Book of Revelation was written at least 400 years before the birth of Islam.

(via Mind Hacks) ¶ usa politics religion religiots antichrist barack obama dog whistles [2 comments]

It has long been said that it's grim up north, and now a new report by a right-wing think tank claims that the north of England is doomed and should be abandoned. The report by Policy Exchange, a think tank closely connected to the Conservative Party, states that northern cities which sprung up during the industrial revolution, and declined with the collapse of manufacturing, are beyond hope of regeneration:

The authors concluded that coastal cities like Liverpool and Sunderland had "lost much of their raison d'etre" with the decline of shipping and had "little prospect of offering their residents the standard of living to which they aspire".

It was time to be "realistic about the ability of cities such as Manchester, Leeds and Newcastle to regenerate struggling nearby towns such as Liverpool, Bradford and Sunderland.

"We should consider expanding both dramatically, just as Liverpool and Manchester expanded in the 19th Century. Dynamic economies require dynamic economic geography."

¶ uk england the north tories [no comments]

Good tidings come from Neukölln: Momus informs the world that his upcoming album is almost complete. A collaboration with Joe Howe of Germlin/Gay Against You, the album (initially referred to as "Joemus", though now probably named "Mr. Proctor") promises to be an intriguing melange of breakneck digital glitch mentalism and Momus' erudite, askew music-hall pop:

2. Widow Twanky (3.12): Basically inspired by Cliff Richard and big melodramatic 1950s ballads, this is the tale of a man who becomes a transvestite in order to incorporate the lost woman he loves. Joe blows a plastic sax solo in the middle. There's already an Idle Tigers cover version of this, though it's a bloody odd one.

12. The Man You'll Never Be (5.56): The newest song on the album -- written and recorded this morning, in fact -- is the one I like best at the moment (but the latest always is). Over a Pachelbel-like cycle of fifths, a woman (me in electronic voice drag, as I was in Widow Twanky) tells a man that she doesn't care who he is or what he does, because to her he'll always be "the man you'll never be". Because of the uniqueness of who he'll never be, she tells him, she loves No Other -- and No Other's brother, and the art school lab technician too.

13. Fade to White (4.28): Imagine an 80s Italian disco diva reciting T.S. Eliot while mouldering in an early grave. That's what this song sounds like. Stabbing, nagging synth riffs never sounded so decadent and delicate.

¶ momus germlin music [2 comments]

The tragedy of the commons occurs when there is insufficient ownership of common assets, which, as a result, become overused. But now, in the age of monetisation, copyright expansionism and corporate legislative power grabs, we are seeing the opposite: the tragedy of the anticommons, where there are too many rightsholders needed to negotiate with and pay off (each doing their duty to their shareholders by being as greedy as they can be), and many endeavours are no longer viable:

The commons leads to overuse and destruction; the anticommons leads to underuse and waste. In the cultural sphere, ever tighter restrictions on copyright and fair use limit artists’ abilities to sample and build on older works of art. In biotechnology, the explosion of patenting over the past twenty-five years—particularly efforts to patent things like gene fragments—may be retarding drug development, by making it hard to create a new drug without licensing myriad previous patents. Even divided land ownership can have unforeseen consequences. Wind power, for instance, could reliably supply up to twenty per cent of America’s energy needs—but only if new transmission lines were built, allowing the efficient movement of power from the places where it’s generated to the places where it’s consumed. Don’t count on that happening anytime soon. Most of the land that the grid would pass through is owned by individuals, and nobody wants power lines running through his back yard.

Recent experimental work by the psychologist Sven Vanneste and the legal scholar Ben Depoorter helps explain why. When something you own is necessary to the success of a venture, even if its contribution is small, you’ll tend to ask for an amount close to the full value of the venture. And since everyone in your position also thinks he deserves a huge sum, the venture quickly becomes unviable. So the next time we start handing out new ownership rights—whether via patents or copyright or privatization schemes—we’d better try to weigh all the good things that won’t happen as a result. Otherwise, we won’t know what we’ve been missing.

(via Boing Boing, /.) ¶ copyfight galambosianism copyright intellectual property economics behavioural economics [no comments]

The latest threat to America's children is digital drugs, or MP3 files which affect the listener's brain to induce illegal and dangerous states of consciousness. Called "idozers", they're sold from web sites by evil drug dealers:

Some sites provide binaural beats that have innocuous effects. For example, some claim to help you develop extrasensory powers like telepathy and psychokinesis.

Other sites offer therapeutic binaural beats. They help you relax or meditate. Some allegedly help you overcome addiction or anxiety. Others purport to help you lose weight or eliminate gray hair.

However, most sites are more sinister. They sell audio files ("doses") that supposedly mimic the effects of alcohol and marijuana.

But it doesn't end there. You'll find doses that purportedly mimic the effects of LSD, crack, heroin and other hard drugs. There are also doses of a sexual nature. I even found ones that supposedly simulate heaven and hell.

The fact that the audio files are allegedly being "sold" by evil drug dealers is a dead giveaway. If today's kids are willing and able to download the latest movies and music, would they really pay or MP3s alleged to get them high or simulate heaven or hell?

I wonder what the provenance of this absurdity is. Could it be a particularly desperate RIAA-instigated black-ops campaign to bring the full force of the War On Drugs to bear against uncontrolled file-sharing and/or lock down the internet?

(via substitute) ¶ paedoterrorists fear drugs hoax war on drugs bizarre wtf [2 comments]

American soul singer Isaac Hayes has died at 65. He was once best known for the Theme From Shaft, though now most people would know him primarily for playing the Chef on South Park (a husky-voiced black lothario whose characterisation undoubtedly owes a good deal to his contemporary Barry White) and quitting this show after it made fun of his religion, Scientology. Most people probably won't remember him for having been a Ghanaian king with the title Nene Katey Ocansey, though he was.

¶ obituary isaac hayes [no comments]

Belgian artist Pascal Bernier makes works which comment on the relationship between human civilisation and nature. His works include "Accidents de chasse" ("hunting accidents"), a series of glum-looking stuffed animals in bandages, as well as mockups of nightmarishly extreme industrial farms and memorials for tinned fish:

¶ art pascal bernier taxidermy [no comments]

With the iPhone, Apple have been expanding the boundaries of how much control a consumer electronics company can exercise over its products and their users. Much has been said about the iPhone's locked-down software distribution model, which has more in common with proprietary gaming consoles than with mobile phones (let alone Apple's wide-open OSX computers), and strict enforcement of carrier contracts. Now iPhone hacker Jonathan Zdziarski has discovered that Apple seem to have a central blacklist of banned iPhone applications. This is presumably to allow them to remotely kill any applications that made it through the approval process by mistake. (Apple could also use it to remotely kill applications that never were approved in the first place, installed on jailbroken iPhones—that is, assuming that the hacks for jailbreaking these phones don't start blocking the blacklist.)

(via Engadget) ¶ iphone apple architectures of control tech security [no comments]

Chinese authorities arrested several British protesters who unfurled banners protesting the Chinese occupation of Tibet. The protesters have been released, though not before the archives of one protester's travel blog were amended, confessing that she had been influenced by "militant Free Tibet organisations". The revisions were not executed particularly professionally either; they appear next to unexpurgated accounts of the "atmosphere of oppression" in Tibet, and did not look like her usual writing style.

Why the Chinese government (or, more probably, some petty official within it) bothered is not clear; all it did was make them look ridiculous. Still, when one is the Chinese government, one can probably afford to look ridiculous, what with power coming from the barrel of a gun and all.

¶ china tibet revisionism [no comments]

The Times has an interesting article about pieces of music banned by the BBC at various times. There are, of course, the obvious examples (The Sex Pistols' God Save The Queen, Frankie Goes To Hollywood's Relax, John Lennon's Imagine during the Gulf War), but there are also far more bizarre ones, in which the BBC's Reithian paternalist tradition (now, seemingly, relinquished to Blairite market-pleasing) translated into a heavy-handed, stentorian authoritarianism, often quite arbitrarily:

If Celine Dion had been around during the Second World War, she would have been silenced by the Dance Music Committee. One 1942 directive read: “We have recently adopted a policy of excluding sickly sentimentality which, particularly when sung by certain vocalists, can become nauseating and not at all in keeping with what we feel to be the need of the public in this country in the fourth year of war.”

“The head of religious broadcasting was a bit of a tyrant,” Leigh says. “Don Cornell's Hold My Hand, which was a No 1 in 1954, was banned because he didn't think a relationship with a girl could be likened to the ‘Kingdom of Heaven'.

Equally sinful, in the committee's eyes, was having the audacity to reshape a classical tune into something more swinging. One barbarian at the gates was Perry Como: I'm Always Chasing Rainbows was his rendition of Chopin's Fantasie Impromptu in C sharp minor. “This is a bad perversion of a Chopin melody and should be barred,” the BBC snarled, and, even in 1963, they stopped Ken Dodd's cover version from being broadcast.

¶ censorship music bbc uk culture [no comments]

A study recently published in the Australasian Psychiatry journal has found correlations between musical preferences and a variety of mental illnesses and antisocial tendencies, and recommends that doctors ask their teenaged patients what sorts of music they listen to. The study, by Dr. Felicity Baker of the University of Queensland, is not online, but these articles contain various points from it. Among them:

• There are associations between listening to heavy metal and suicidal ideation, depression and drug use, while both metal and trance, techno and "medieval music" are connected with self-harm (though, apparently, only when associated with the goth subculture). Outside of the goth subculture, it seems, dance music is just associated with drug use.
• Different forms of rap/hip-hop are associated with different levels of criminality and delinquency, as well as violence and misogyny; apparently the worst is "French rap". I wouldn't have guessed that enough Australian teenagers would understand French well enough to get into the sound of les banlieues. Could it be that teenagers are learning French for the street cred?
• Those who are into jazz tend to be misfits and loners (one could presumably call this the Howard Moon Effect?) Is jazz a big thing among today's teens, or did they lump in a whole bunch of non-pop/non-dance genres, like post-rock, krautrock, Balkan/klezmer/gypsy and nu-gazer, with jazz?

(via xrrf) ¶ music culture psychology mental health stereotypes [1 comment]

There's an intriguing article in the Guardian about the descendents of German Nazis who converted to Judaism and moved to Israel. The article interviews several such converts (the son of a SS man who's an Orthodox rabbi, a left-wing lesbian campaigner for Palestinian rights, and a professor of Jewish Studies who is related to Hitler, and who describes his (Israeli-born, Arab-hating) son as a "fascist").

One somewhat obvious explanation for this phenomenon is that of assuagement of guilt by rejecting the oppressor population one came from identifying with the victims, and this explanation is floated by an expert on the psychology of the children of perpetrators. Interestingly, though, none of those interviewed, when asked for why they converted to Judaism, mention the Holocaust or Nazism, instead giving theological reasons:

"During my theological studies at university it became clear that I couldn't be a minister in the church," he says. "I concluded that Christianity was paganism. One of [its] most important dogmas is that God became man, and if God becomes man then man also can become God." He pauses. "Hitler became a kind of god."

I tell Bar-On they talk obsessively about the Trinity. But is incredulity really a reason for abandoning a religion with a three-in-one god for one that still believes bushes talk and that waves are parted by the will of God? "That is another way of saying what I have already told you," he says. "They want to join the community of the victim. They may have their own way of rationalising it."

¶ jewish germany nazi israel culture religion history psychology [no comments]

Google adds Australia to Street View, meaning that large segments of road in Australian urban areas have been given the once-over by Google's camera trucks, producing panoramic images. The images are quite close together, meaning that you can take a virtual tour of various streetscapes.

The coverage seems quite comprehensive; Google's vans managed to trundle down most of the streets in the inner cities, some of those in the outer suburbs, and vast stretches of highway along the outback. Not only can you see inner Sydney and Melbourne, but unimaginable expanses of suburban cul-de-sacs (I imagine there are quite a few Britons who'd be excited by the fact that Pin Oak Ct., Vermont South, has been photographed), and sweeping expanses of outback and desert (they got most of the highway across the Nullarbor, for one). Everywhere from the CBDs and funky lattelands of the inner cities, to towns with one pub, two churches (Catholic and Anglican) and a war memorial, from golden beaches to the unforgivingly majestic landscapes far from anywhere where the idea of the "tyranny of distance", so key to understanding why Australia became what it is, is viewable and scrollable, in increments of ten or so metres. Most of these views will, in all statistical probability, never be looked at by a human being (other than Google's editorial staff).

Personally, the first places I visited when I found out about this were my former homes and old stomping grounds in Melbourne. It was reassuring to see that everything's still there (the flats I was living in in North Fitzroy still look as they did, the Tin Pot and Piedimonte's are still there, Brunswick Street's still unchanged, and even the Lord Newry Hotel looks like it might still serve as a pub, rather than upmarket apartments). A flat I lived in in Carnegie, and a childhood home near Caulfield Racecourse, were also faithfully recorded. The outer suburbs of Melbourne, however, fared somewhat more patchily; the two houses in the outer eastern wilderness where I spent my adolescence had both been passed over by the Google recording angel. Though the major roads were all there, as were the scenic routes leading out of the city.

Australia has stolen a march on much of the rest of the world with Street View. While the technology was, infamously, pioneered in the US (with the usual outcry about the privacy of scantily-clad sunbathers, porno-theatre patrons and housecats in windows being violated), coverage in Europe is presently limited to a few swathes cut through France. (Though, to their credit, the Street View mannequin rendered on French maps does appear to be wearing a beret.) Apparently Britain is on the way, though, as Google's vans have been seen on these shores.

¶ google australia personal [no comments]

Some concerned parties have started a new campaign: they are collecting pledges to donate to campaigns against AIDS, TB and malaria in the developing world, as soon as rock'n'roll businessman and public face of charity Bono retires from public life:

The RED campaign has managed to spend $40 million more on marketing that it has raised from RED product sales, while sending consumers a dangerous message. Read more

Many involved in the global fight against AIDS worry that RED will make it harder to raise funds, and that the oversimplified & disempowered image of Africa that Bono perpetuates, as exemplified in these incredibly condescending lyrics from the Band Aid Xmas song Bono helped create, obscures and undermines the assets African nations must focus on to defeat AIDS and poverty.

The grassroots leaders of the global fight against AIDS didn’t ask for Bono to be their frontman. Its time for Bono to step down. We’ll all pledge donations to the Global Fund, but no pledges are collected until Bono retires from public life.

(via xrrf) ¶ bono hypocrisy aids charity celebrity africa [no comments]

Adbusters takes a hatchet to the "hipster" culture (think VICE Magazine/Nathan Barley/American Apparel/Kill Whitey/cocaine/MacBooks/fixed-gear bicycles/Lomography/Palestinian scarves), denouncing it as "The Rise of the Idiots Dead End Of Western Civilization", a culture whose more-ironic-than-thou detachment strips it of any potential for subversion or originality:

Lovers of apathy and irony, hipsters are connected through a global network of blogs and shops that push forth a global vision of fashion-informed aesthetics. Loosely associated with some form of creative output, they attend art parties, take lo-fi pictures with analog cameras, ride their bikes to night clubs and sweat it up at nouveau disco-coke parties. The hipster tends to religiously blog about their daily exploits, usually while leafing through generation-defining magazines like Vice, Another Magazine and Wallpaper. This cursory and stylized lifestyle has made the hipster almost universally loathed.

Punks wear their tattered threads and studded leather jackets with honor, priding themselves on their innovative and cheap methods of self-expression and rebellion. B-boys and b-girls announce themselves to anyone within earshot with baggy gear and boomboxes. But it is rare, if not impossible, to find an individual who will proclaim themself a proud hipster. It’s an odd dance of self-identity – adamantly denying your existence while wearing clearly defined symbols that proclaims it.

The dance floor at a hipster party looks like it should be surrounded by quotation marks. While punk, disco and hip hop all had immersive, intimate and energetic dance styles that liberated the dancer from his/her mental states – be it the head-spinning b-boy or violent thrashings of a live punk show – the hipster has more of a joke dance. A faux shrug shuffle that mocks the very idea of dancing or, at its best, illustrates a non-committal fear of expression typified in a weird twitch/ironic twist. The dancers are too self-aware to let themselves feel any form of liberation; they shuffle along, shrugging themselves into oblivion.

Hipsterdom is the first “counterculture” to be born under the advertising industry’s microscope, leaving it open to constant manipulation but also forcing its participants to continually shift their interests and affiliations. Less a subculture, the hipster is a consumer group – using their capital to purchase empty authenticity and rebellion. But the moment a trend, band, sound, style or feeling gains too much exposure, it is suddenly looked upon with disdain. Hipsters cannot afford to maintain any cultural loyalties or affiliations for fear they will lose relevance.

An amalgamation of its own history, the youth of the West are left with consuming cool rather that creating it. The cultural zeitgeists of the past have always been sparked by furious indignation and are reactionary movements. But the hipster’s self-involved and isolated maintenance does nothing to feed cultural evolution. Western civilization’s well has run dry. The only way to avoid hitting the colossus of societal failure that looms over the horizon is for the kids to abandon this vain existence and start over.

Here is the Metafilter thread dissecting the article, which makes some interesting points, such as this one from "nasreddin":

Hipster self-hatred is the return of the repressed appeal to authenticity. After all, hipsterdom incorporated into itself all of its predecessors. The self-hatred, then, is the condemnation of everything it stands for by the value systems it inherited--which provide the only semblance of a normative content hipsterdom can ever manifest. This means hipsterdom is constantly at odds with itself, unable to resolve the contradiction between its countercultural heritage and its thoroughly capitalized rejection of authenticity. Authenticity, within hipsterdom, is a zombie--dead, yet unkillable, and always threatening.

This contradiction lies behind the most familiar elements of hipster culture. Pabst, high-school sports T-shirts (until recently?), Bruce Springsteen, old vinyl, trucker hats--all these are the paraphernalia of a world where authenticity could be easily and unproblematically assumed, the earnest and unpretentious vanished world of the blue-collar male. Of course, this is ironic: in searching for authenticity hipsterdom once more encounters only its superficial, external expressions. (This was Derrida's point, in a way. The hipsters are looking for authenticity, "presence," but can only seem to reach it by constructing a "supplement," which seems like a pretty good facsimile of the real thing until you realize that it never resolves the aporia, the gap between the authentic and the fake, which made it necessary to begin with.)

Haddow seriously seems to be suggesting that carrying rocks rather than cameras would make these kids better and more advanced, rather than worse and more neanderthal. Smashing things is apparently what we're put on the planet to do. "Each successive decade of the post-war era has seen it smash social standards, riot and fight to revolutionize every aspect of music, art, government and civil society." Oh really? Is that why we're still mostly wearing jeans and listening to rock music, just like people fifty years ago? Maybe this "smashing" has always been mostly gestural. Maybe it's a blood-red herring, and maybe glorifying it is a kind of pointless machismo.

Hip subcultures have come into existence, it seems to me, mostly for the purpose of creating art, and of getting the more creative kids in any generation laid (the geeky ones tend to be the ones who need to rely on culture rather than mere nature when it comes to luring attractive partners into bed).

Not only does Haddow fail to see that hip subculture is a big machine for creating sex and art, he fails to see that being hip can be a sort of code of honour, something sadly lacking in the cultural mainstream. The spiritual sloth Haddow accuses the hip subculture of is actually much more prevalent in the general population, which schlepps about in jeans and listens to shapeless, floppy music and sleepwalks through shapeless, floppy jobs. People in the hip subculture are more likely -- like chivalric aristocrats -- to pay attention to what they're wearing, to experiment, to innovate. As for the value of what they come up with, that brings us back to the hands-on prac crit the Adbusters article avoids, desperate to stay arm's-length.

(via MeFi) ¶ culture hipsters postmodernism rants momus [4 comments]

In the wake of Starbucks' Napoleonically epic retreat from Australia, The (Melbourne) Age has a piece on Melbourne's indomitable coffee culture, which apparently goes back long before mass Italian immigration in the 1950s and the resulting espresso boom:

In his entries on coffee and coffee palaces in the Encyclopedia of Melbourne, [historian Andrew Brown-May] retells the beginnings of Melbourne's coffee culture, traced back to the street stalls of the 1850s that offered caffeine hits to rushed city workers, then re-emerging as continental coffee houses in the interwar years of the 1920s and 1930s.

By the 1950s, the influx of Italian migrants had helped redefine coffee for Melbourne once again, serving it up in espresso cups instead of percolators. Yet two of the key proponents of the espresso bar were father and son team Harry and Peter Bancroft, Anglo-Australians who in 1953 secured the rights to manufacture Gaggia coffee machines and set up a cafe in St Kilda.

The article then points out that narratives framing the vanquishment of Starbucks in simple plucky-Aussies-vs.-Yankee-imperialists terms aren't entirely accurate; rather, it's a case of Starbucks sowing the seeds of their own defeat by not acknowledging that the café-culture experience they were trading on is essentially one of differentiation from the mainstream, and that a Starbucks in every suburban shopping mall destroyed a lot of the cachet behind the brand; it's the "nobody goes there anymore; it's too crowded" phenomenon that poisons cultural trends (from musical genres to fashions—think the trucker hat, the "Hoxton fin" haircut, or anything labelled "indie" in the UK) as soon as they become successful.

Writing in The Christian Science Monitor, Temple University historian Bryant Smith argues that when Starbucks began, it offered Americans an entree into a status-filled world with is own language of ventis, grandes, Tazo teas and special-blend coffees, all stamped with the company's distinctive green logo.

But by becoming too common — Starbucks first opened in Australia in 2000 and expanded to 84 stores in eight years — the company "violated the economic principles of cultural scarcity", Smith says.

¶ australia coffee history starbucks melbourne culture schadenfreude [2 comments]

Wired has a guide on how to turn anything into a screenplay, which is to say, into a screenplay marketable to Hollywood:

1. Create a protagonist
2. Establish what the protagonist wants
3. Be sure to have an antagonist.
4. Decide what the antagonist wants
5. You need a conflict to drive the plot
6. Don't forget a beginning, a middle, and an end

¶ howto film hollywood [no comments]

The Australian government is apparently planning to search MP3 players for illegally copied content at airports, with violators facing criminal penalties. It is not clear how the authorities would determine whether a file was illegally copied, especially since Australian copyright law allows format shifting. The proposal may be part of a new "anti-counterfeiting" treaty currently being thrashed out, which promises to give Big Copyright an even bigger stick in the War On Copying.

(via Wired News) ¶ copyfight australia authoritarianism [no comments]

Researchers at Columbia University have developed a new system for protecting the privacy of people who appear in photographs. Rather than blurring or erasing faces, the new software replaces facial features with others from a library:

The software randomly selects 33,000 photos of faces from picture-sharing sites like Flickr.com, then picks the most suitable faces for each person in shot. Only the eyes, nose and mouth are used, resulting in a composite image of the two people. "It matches subject pose, lighting conditions and image resolution," says Kumar. "The selected faces are aligned to common 3D coordinates, corrected for colour and lighting, and blended into the target image."

Aside from Street View, the system could be used to obscure the faces of military personnel or eyewitnesses to crime. It could also allow amateur photographers to improve group shots, by replacing frowning faces with better photos of the same people.

(via Boing Boing) ¶ privacy anonymity tech photography cs research [no comments]