The Null Device
Evil things afoot: The Reg reports from the SSSCA hearings. Critics of the draconian proposed law were not invited; nonetheless, an Intel representative had the temerity to question the need for legally mandated copy-denial technology in all hardware, and got blasted for it.
The 'some people' says it all. Most people are criminals, and only a tiny minority are honest and decent, Rosen assumes. This is the also official perspective of Hollywood -- of Eisner, and Valenti, and Hollings. It is a perspective natural to a certain class of person. Consider that we all imagine others to be more or less like ourselves. Decent people expect others to be decent, just like themselves. Criminals expect others to be criminals, just like themselves. When Eisner and Rosen and Valenti and Hollings see a world populated by cheats and frauds and freeloading scum, what does that say about them?
I went to the Empress this evening, to see a number of bands. First up were Tugboat, who were not bad. Then was English indie band Boyracer, or rather Stuart from Boyracer, his wife Jen (?) and someone else filling in on drums. It was an interesting show; Stuart played the guitar like a maniac, gurning and wibbling and jumping about, though it ended up sounding quite good (despite his guitar being a $120 one he picked up on Brunswick St. earlier; he didn't bring his famed Hello Kitty guitar this time). He also joined the Cannanes' lineup when they played afterward, doing various duties, though after breaking a maraca and a glass, he was relegated to playing the triangle. Towards the end he danced about on stage and then decided to help the drummer along, standing in front of him and hitting the drums.
Stuart is also the guy who runs 555 Recordings, formerly of Leeds and now based in the US, and they had a stall, where they sold various CDs for $10. I picked up two things from there: Soft Love: A Tribute to Soft Cell (which is interesting in places, consisting of various weird indie laptop electro-pop and such; New Waver's version of Numbers with the lyrics changed to be about office life is somewhat amusing), and Knowing We Was Right From Da Start, a label retrospective compilation (which I haven't heard all of yet). I also scored the Cannanes' album Communicating At An Unknown Rate.