The Null Device
I picked up a copy of The Clientele's most recent album, The Violet Hour, today. As far as sound goes, it's much the same sort of thing as their previous album, Suburban Light; reverbed vocals and slide guitars and live drums, a bit like a less twangy, more ethereal Mojave 3, or perhaps like the Warm Inventions with male vocals instead of Hope Sandoval.
Anyway, this CD came with a data section containing two MPEG files of videos for various songs. These videos take the form of two monochrome Super 8 movies, and suit the music perfectly. The Reflections After Jane video consists of shots out of the window of a moving train at passing houses and trees, reflections of trees and the sky in puddles, and two blokes walking along a path. It appears to have been filmed in the environs of London or nearby, and makes no attempt to hide the everyday nature of its setting. We see rows of terrace houses, post-war brutalist tower blocks and semi-detached suburban houses go past, amidst the everyday magic of the play of light. Which, I suspect, is the whole point of the title of their first album.