2005/2/28
Limor Fried, the designer of the home-made Altoids-tin MP3 player and television-sensitive sunglasses, has done it again, with a honest-to-goodness DIY analogue TB-303 clone. The x0xb0x, as she calls it, is apparently as close to a real 303 as one can get; Fried and her collaborators actually took apart a 303 and analysed the characteristics of all the components. Where it differs from a 303 is that it has USB and MIDI (and can be, literally, computer controlled), can control external synths, and has extra modes in the firmware. The unit will be available in kit form for around US$300 (about £160 or A$400); additionally, the designs will be released as open-source, which means that if you can source the exotic transistors used in it (and a list is given), you can make your own.
Also from MusicThing, Led Zeppelin drum outtakes, studio-clean and (apparently) free for the sampling; now you too can sound like the early Beastie Boys. And Casio keyboard boomboxes.
2005/2/27
Seen at Speaker's Corner in Hyde Park this afternoon:
He didn't speak, though did spend some time staking out a corner with his eclectic collection of signs and printed materials. For some reason, nobody seems to have gone up to him and asked about the finer points of Christian Atheism.
One of his signs:
A bit further on, a chap in a baseball hat was either waving or threatening to burn an American flag; a crowd had gathered around him and were remonstrating vigorously with him. Not far from there, Cory Doctorow and his posse of copyright-policy troublemakers had set up and addressed the crowd on the evils of the broadcast flag and WIPO treaties.
2005/2/26
Humorless animal-rights activists have succeeded in getting sweets shaped like roadkill withdrawn from sale, on the grounds that it could make children believe that cruelty to animals is delicious. (via bOING bOING)
at the risk of sounding like the Daily Mail or someone, this sounds like an instance of political correctness run amok. Are children really sufficiently susceptible to influence that a piece of macabre candy can instill sadistic tendencies in them? I guess that explains why the baby boomers who grew up in the 1950s, the golden age of ghoulicious children's entertainment, all turned out to be murderous psychopaths.
Or, to quote The Parking Lot Is Full:

2005/2/25
The upcoming Royal Wedding Mk. II isn't exactly looking like the finest hour in the history of the house of Saxe-Cobourg-Gotha; first it got rescheduled to a town hall or somesuch because they couldn't legally have it at the cathedral, then the Queen decided not to attend (whilst strenuously denying that her action was in any way a snub), and now it turns out that the only way that Prince Charles is going to get to marry Camilla is by invoking a European human-rights law guaranteeing the right to marriage. Which is not the most dignified state of affairs. That and the danger that the IRA may bomb the wedding to protest not being allowed to get away with the robbery they didn't commit.
Not surprisingly, the prospect of having what is becoming the World's Most Expensive Reality TV Show at the helm of state has stoked the embers of the Australian republican debate, as Graham has pointed out.
I'm not one of the year-zero republicans who believes that Australia's British colonial heritage is evil and must be repudiated like an abusive parent (after all, we did get a lot of good things from Britain; the rule of law, Westminster-style democracy, an appreciation of good tea and a sense of irony, to name four). However, an Australian head of state would be good, especially given that the present monarchy is starting to look somewhat ridiculous.
Having said that, one good thing about the monarchy is that the head of state (which, in reality, is the governor-general) is above the ebb and flow of politics, and can keep a cooler head. Replacing them with a party-political President elected every four years would lose that. Graham's idea of a purely ceremonial president is good; I have always liked the idea of making the Moomba monarch (usually a footballer, soap star or other celebrity) the purely ceremonial head of state for a year, during which they would cut ribbons and attend state occasions. However, a one-year term may be a bit too short. Recently, I have been thinking that, to get the advantage of the monarchy that it is above the cycle of politics, the head of state's term should be longer than four years. Perhaps 10- or 12-year terms would be best. This would also encourage the election of figures with more staying power than, say, some footballer or Australian Idol finalist.
As for the title of the head of state, "president" sounds too political (not to mention too reminiscent of France, the US, Italy or other horrible examples). "King" or "queen" sounds a bit silly, and "monarch" would, technically, be inaccurate as the figure would not actually rule. "Taoiseach" may appeal to the Fenian wing of the republican movement (i.e., the ones who wanted to give Australia a green flag), though most Australians would probably not be able to pronounce it. One idea would be to find a word in an Aboriginal language meaning "chieftain" or "wise person" and use that; however, now that reconciliation has been binned, that would seem somewhat patronising.
And if all else fails, we could do what Murgatroyd suggested and establish a cadet monarchy, with a lesser member of the British royal family emigrating to Australia and becoming the resident monarch.
The Scissor Sisters cover Franz Ferdinand's Take Me Out, giving it the '70s-Elton-John treatment, live on radio. (low-bit-rate MP3). Let the it-band love-in begin. (via here)
Also recently on the Net, a symphonic darkwave/trip-hop cover of Pet Shop Boys' West End Girls from London rivethead muso Deathboy (MP3). It's pretty good, and manages to steer well clear of the bad industriogothic cliches.
Hamster controlled MIDI sequencer.
Each voice was controlled by two hamsters: one that was responsible for adjusting the rhythmic qualities of the melody and another that modified the note sequence. With all of these elements in combination, an output was produced with very musical qualities.
I wonder whether the hamsters actually responded to the sound, introducing feedback into the system, or merely acted as a source of randomness.
Today, a pregnant teenager was slashed with a meat cleaver by her boyfriend when a spontaneous axe fight broke out at Mile End tube station.
Now that is so London.
2005/2/24
Since buying a decent digital camera in 2002, I have taken a lot of photos (more than 7,000, including ones immediately deleted; those kept are probably a little over half of that). Recently, I found myself going through my collection, and started assembling some of the better ones I took in Melbourne between August 2002 and August 2004 (when I left for the UK) into a set of themed galleries.
These galleries are now online. There are a few themed galleries, consisting of the best ones fitting into a certain category (i.e., photos involving water, light (as a featured element), skies, graffiti/stencil/paste-up art and miscellaneous scenes from North Fitzroy), while others are sets taken together in one place and time.
2005/2/23
The Russian scientists behind RU-21, a pill originally developed to allow KGB agents to drink and remain sober, have now developed a pill which keeps you drunk for longer.
My only question is: why? Would having another drink be too enjoyable or something?
2005/2/22
Shortly after the McLibel defendants won the right to legal aid and a retrial, the British government is making sure that something like that doesn't happen again, by pushing to criminalise the handing out of leaflets, along with many other forms of protest (now redefined as harassment).
Last night, Murdoch cable channel Sky One aired a programme titled Chavs, a documentary of sorts, written and presented by Julie Burchill, on chav culture. I tuned in to see if it was going to be interesting or insightful, shedding any light on this phenomenon. It turned out to be more an op-ed piece, with Burchill, ever the contrarian, proudly hoisting the Burberry flag, declaring herself to be a chav and accusing those who have a problem with chav to be classist snobs.
Burchill's arguments hinged on one assumption: that chav and working-class culture were synonymous. (A piece of background: Burchill is the most self-announcedly "working class" public figure since Damon Albarn.) By her reasoning, all cultural figures of note from Mozart to the Mods were chavs, and the anti-chav camp only had horsy aristocrats and the likes of Prince Harry among them. Oh, and wearing in-your-face quantities of gold jewellery bought on QVC, drinking cheap lager and smoking like a chimney are just wholesome working-class ways of enjoying life, and those who would begrudge them that are hateful snobs and/or resentful of those who made it without middle-class privilege.
The fatal flaw in Burchill's argument is in the definitions; she plays fast-and-loose with what she means by "chav", switching between it meaning any happily working-class person at any time in history and the loutish subculture it commonly denotes. She also whitewashes the meaning to fit her argument, not mentioning the pseudo-criminal posturing (i.e., the combination of baseball caps and hooded tops, initially worn by muggers to avoid identification by CCTV cameras, now part of inner-city youth uniform) that's part of chav (or, indeed, the recent finding that 1 in 4 teenage boys is a serious or habitual offender), and sweeping things like drunken violence and football hooliganism under the carpet. It's not surprising that chav can start to look defensible and even pluckily admirable when you airbrush out all the negative parts of it.
Chavs was more of a snappily-edited tabloid opinion piece than anything else, and was also light on analysis, preferring to stick to simple assertions and soundbites. For example, while it asserted that the Mods of the 1960s were chavs (that is, if one ignores the difference between sharply-tailored suits and tracksuit pants), it failed to point out the one deeper connection between the two movements, i.e., that both appropriated (images of) black American culture (the Mods with soul and the "White Negro" ideal, and the chavs with their adoption of bling-bling and thug posturing from commercial gangsta rap).
It was also interesting to note that The Sun now has a "Chav and Proud" logo on its pages. It looks like the anti-anti-chav-backlash-backlash is beginning.
Today is Free Mojtaba and Arash day, an international campaign to free two Iranian bloggers imprisoned in a crackdown on online publishing. To see how you can help, follow the link above.
2005/2/21
This looks cool; it's a web/DHTML-based bitmap font editor, like those ones they had in the 8-bit days. Once you've finished your font, press the button and it sends you a TrueType file of it.
Melbourne new-wave revivalists Snap! Crakk! have announced that they are breaking up. They were like a more electrocoolsie Vivian Girls or something.
2005/2/20
The Maoist International Movement's review of SimCity 3000:
"Sim City" has completely bourgeois assumptions, which is why it is not MIM's favorite economic strategy game. The mayor has the power to set tax rates and this influences the level of development. There is no option to nationalize factories. The whole assumption of the game is that private enterprise will create everything in the zones legally established by the mayor.
An example of the importance of the game designer's analyses or opinions is the mayor's choice to build police stations. In actual fact in the capitalist world, having more or fewer police stations does not affect the crime rate, but in "Sim City 3000," police hiring levels affect the crime rate and thus property values. This is an example why it is important for Maoists also to write computer games. Propaganda and conventional wisdom say that police exist to reduce crime instead of perpetrating it. The truth that there is no effect of police hiring or budget levels on crime is difficult for the public to swallow. "Sim City" reflects the dominant but wrong view.
Meanwhile, Ikea now sells a rug for Objectivists. (via bOING bOING)
Sticker seen on a cash machine in west London, 18/2/2005:
My first thought was that it must be a very specialised market. Not many ladies have beards, after all.
I just watched an episode of Nathan Barley. It's rather amusing; a sitcom set among a bunch of obnoxious coolsie wide-boys in some trendy part of London. They run in-your-face web sites and magazines (there's one named RAPE, which may or may not be a reference to Vice, present employers of Jim "Answer Me!" Goad), rap Streets-style over distorted beats, either take lots of drugs or act like it, wear ridiculous clothes and generally go around being insufferable twats to all concerned. It's written by Chris Morris, who also did controversial satirical TV series Brass Eye and wrote the lyrics to Stereolab's Nothing To Do With Me.
2005/2/18
Famous New York rock venue CBGB may soon be forced to close by rising property rents. Now where have I heard that before? (via bOING bOING)
Every so often, it seems, some stuffed shirt at Time-Warner decides that maximising shareholder value requires them to "update" their Looney Tunes brand to make it "more relevant" to today's 12-year-olds. In the 1990s, they gave Bugs & Co. a ghetto makeover, dressing them in hip-hop street fashions and posing them like gangsta rappers, and undoubtedly moving quite a few Tweety-the-thug T-shirts. Now, the classic properties are getting an extreme makeover, redrawn to look more edgy and hardcore and techno-tough for a new generation of kids. Oh, and they live in a spaceship and fight crime. Nobody will accuse this Bugs, I mean Buzz Bunny of being sexually ambiguous.
Popular Science looks at how hard it would be for terrorists to build a nuclear bomb. The answer: not too hard, if they could obtain some uranium, settled for a simple, Hiroshima-type device, and could find a way of getting such a device weighing several tonnes into position without it tripping radiation detectors. As far as radioactive mayhem goes, a dirty bomb would be considerably easier, and capable of turning Manhattan into Pripyat.
On a tangent: the UK Atomic Energy Authority says that 30kg of plutonium that went missing from Sellafield (i.e., 7 nuclear bombs' worth) is just a "paper loss", and nothing to be worried about.
A BNG spokesman said: "There is no evidence to suggest that any of the apparent losses reported were real losses of nuclear material.
That's good to know; all of us here in London are very relieved to hear that.
In Israel, life imitates a Monty Python skit:
An indignant Israeli is suing a pet shop that he says sold him a dying parrot, reports the Ma'ariv newspaper. Itzik Simowitz of the southern city of Beersheba contends the shop cheated him because the Galerita-type cockatoo not only failed to utter a word when he got it home, but was also extremely ill. Mr. Simowitz adds that the shop owner assured him the parrot was not ill but merely needed time to adjust to its new environment.
(via bOING bOING)
Tonight, I went along to the Open Knowledge Forum, which Cory Doctorow posted about on bOING bOING. It was fairly interesting.
They had several speakers, most of them originators of various projects to make civic data accessible to and easily navigable by the people who have a stake in politics (read: you and me); there was one of the authors of the genuinely awesome They Work For You and the connected Public Whip project, as well as someone from MySociety, the troublemakers behind FaxYourMP, WriteToThem.com, and the BBC's iCan project. And, toward the end, Cory spoke from behind his sticker-covered PowerBook and recounted his work with the EFF, recent happenings at the World Intellectual Property Organization (which he's in Europe to keep an eye on), new database copyright laws which allow organisations to own facts, and more.
Some interesting points came up: that non-profit projects in the public interest should not ask for permission before using government data (both for tactical reasons, namely, had they done so, they would have been kept waiting for much longer than it took to code the project and subjected to onerous restrictions, and moral reasons, i.e., a permission-based democracy not being a democracy), that such projects are not about "political reengagement" or restoring some lost state, but about reinventing democracy, and that a few Crown Copyrighted data sets, such as the (heavily monetised) Ordnance Survey geographic data and the Royal Mail's copyright on postcodes, are still impeding the ability to make civic information available freely (and free means free-as-in-speech, including the freedoms to syndicate, modify and incorporate information into other things).
2005/2/17
Moby (yes, the purveyor of bland wallpaper music for the upwardly mobile and darling of advertising agencies everywhere) has a cover of New Order's Temptation; and it's actually not bad. Somewhat slower and sparser than the original, and almost jumping on the glitchgazer bandwagon (i.e., he's found the Bitcrusher plug-in). It's better than most New Order covers I've heard (though a lot of them are shockingly bad), and not too unlike his take on OMD's Souvenir.
More news on the Australian Liberal Party's project to establish a US-style religious-right power base: it now emerges that the Hillsong Church, a hardline, US-style Pentecostal church with links to the Liberal Party, has received almost A$800,000 in funding from various government agencies; this included funding for community programmes and "emergency relief", and more than $300,000 from the Department of Workplace Relations in the last financial year alone.
The Bremerhaven Zoo in Germany has abandoned plans to break up homosexual penguin couples, to encourage the penguins to breed, after gay rights groups picked up their case, in an example of interspecies solidarity:
Gay groups had protested against "the organised and forced harassment through female seductresses" in an open letter to Bremerhaven Mayor Joerg Schulz and called on him to stop the program.
Zoo keepers discovered that the homosexual couples had gathered rocks that they coveted like eggs and fooled their keepers for years into thinking they were boy-and-girl duos.
The zookeepers realised that the penguins were somewhat on the lavender side after some "exotic Scandinavian birds" (phwoar!) specially flown in for their benefit failed to rouse their libidos.
The Graun's Alexis Petridis looks at why the (ostensibly) mentally disturbed make such compelling rock stars:
According to Oliver James, a clinical psychologist and author of They Fuck You Up: How to Survive Family Life, the rise in numbers and popularity of emo acts may be linked to a rise in mental illness among their obvious target market of 18- to 24-year-olds (the age group most likely to be affected by psychological problems, according to studies published in Europe and Australia).
But if fans buy into it, that may be because rock music, unlike other art forms, is depicted as benefiting from being created by those with mental illness. Most critics would tell you Van Gogh's paintings are great despite, rather than because of, his psychiatric problems - but that's not true of the Beach Boys' Smile or Barrett's The Madcap Laughs or Nirvana's In Utero, for example, whose greatness is widely held to be inexorably entwined with their creators' mental problems.
It's the whole dionysiac genius thing; the myth, deeply ingrained in the Rockist mindset, that primal authenticity and true brilliance comes not from carefully honed technique, deep knowledge of the genre, cleverness or anything so square and totally un-rock-and-roll, but from abandoning oneself to the frenzy like a Viking berzerker. To give a topical example, crack-smoking, junk-shooting fuckup Pete Doherty is one of the greatest geniuses of our time, and his new band Babyshambles is ten times the band that The Libertines (who kicked him out) were, as the world would find out if he'd ever get his shit together for long enough to actually play a gig.
The article also mentions Ol' Dirty Bastard, as an example of the fine line between empathy and voyeurism. One notable omission, though, is Wesley Willis, described by Jello Biafra as one of the most punk-rock artists ever.
Of course, with the rising popularity of emo and various forms of fuckedupcore came a lot of opportunists putting on the "tortured genius" act, acting like caricatures of pissed-off, fucked-up, tantrum-throwing teenage nihilists and raking in the cash. Thirtysomething Universal Music executive and part-time teenage mook Fred Durst is one name that's mentioned there; and I'm sure you can think of other notable examples (anyone remember Vanilla Ice's reinvention as a tortured, angry-white-guy rap-metal mook? Or cyberpunk boy-band Information Society's post-Reznorian take-a-walk-through-my-nightmares industriogothic makeover?)
(On a tangent: Wikipedia's lists of songs about bipolar disorder and suicide)
2005/2/16
The SHA-1 hash function, touted for a few years as more secure than MD5, has apparently been broken. What this means is that (assuming that the details check out), for any file (such as a digital signature) with a SHA-1 checksum, an attacker can create an alternative file with the same checksum in a sufficiently short time to make it practical. Which means that, with a modern computer, script kiddies, online fraudsters and others will soon be able to create genuine-looking digital signatures on demand. (via Techdirt)
jwz on what's wrong with the idea of groupware, and how a focus on groupware (imposed from above by management) killed Netscape:
If you want to do something that's going to change the world, build software that people want to use instead of software that managers want to buy. When words like "groupware" and "enterprise" start getting tossed around, you're doing the latter. You start adding features to satisfy line-items on some checklist that was constructed by interminable committee meetings among bureaucrats, and you're coding toward an externally-dictated product specification that maybe some company will want to buy a hundred "seats" of, but that nobody will ever love. With that kind of motivation, nobody will ever find it sexy. It won't make anyone happy.
So I said, narrow the focus. Your "use case" should be, there's a 22 year old college student living in the dorms. How will this software get him laid? That got me a look like I had just sprouted a third head, but bear with me, because I think that it's not only crude but insightful. "How will this software get my users laid" should be on the minds of anyone writing social software (and these days, almost all software is social software).
2005/2/15
According to The Law West of Ealing Broadway, the conspiracy of traffic light controllers (London branch) has been pressed into the service of the 2012 Olympic bid. As the Olympic Committee visits London, prior to making its decision, they will experience preternaturally smooth traffic flow, as London's traffic flow computers tweak light sequences to give them priority. (Which, of course, means that the poor bastards on other roads will be stuck in worse congestion than normal.) Meanwhile, all public transport the Committee will see will be scrubbed to Working-Title-romantic-comedy-set levels of shininess.
(Candidate cities attempting to woo the International Olympic Committee by dishonest means? Say it ain't so!)
2005/2/14
Via bOING bOING, a gonzo guide to weird stuff to see in Tokyo; from prog-rock cafés to rockabilly shopping malls, from places to people-watch to shops selling all sorts of bizarre fetish materials, there's a lot here for the connoisseur of the extreme and the strange.
Via the ads on Pitchfork (where else?), this company (based in Brooklyn, NY) makes custom coolsie hipster apparel, printed with the name of your hometown, in various fonts, and various icons (soccer numbers, skulls, hearts, and such). The order form lets you select neighbourhoods from various cities across the world, or enter free text of your own choosing; interestingly enough, Melbourne is the only Australian city in their database.
Police in Cumbria are concerned that an underwater gnome garden which claimed the lives of 3 divers has returned. The garden, consisting of several garden gnomes surrounded by a picket fence, was established at the bottom of Wastwater in the Lake District a few years ago. News got around and divers flocked to see it; at least 3 got so engrossed in looking at or for it that they forgot to come up for air and, consequently, died. Police removed the garden in the interest of public safety, though there are now rumours that it has returned, at a deeper location where police divers cannot legally go.
(Apparently, in England, police divers can only dive to 50 metres at most; so should you ever want to establish, say, an underwater anarchist state or something, you know where to do it.)
Update: more details about the deadly gnome garden here:
One gnome is sitting on a wooden aeroplane while another is cemented onto a brick. Another has a lawnmower and one has been affectionately named Gordon.
The War On Copying heats up in the Philippines, with anti-terrorism police in Manila searching subway passengers and confiscating all optical media, just in case it contains pirated movies or evil, evil MP3s.
He says that it's a new policy of theirs, imposed, if I understand correctly, by the VRB, to curb piracy. They're supposed to confiscate all recordable discs and especially obviously pirated purchases (which by the way could land you in jail for at least six months if you're caught selling them, but what the hey). So recordable discs including those that come from the workplace and are legit? I ask them, with an eyebrow raised. And he says flatly, yes, because, you know, how can we ever be sure?
(via bOING bOING)
The Rockbox iRiver porting effort is making some progress. They now have it booting on an iRiver H140 and presenting the file browser that will be familiar to Archos Rockbox users. Not only that, but someone has coded a GameBoy emulator plug-in, which the iRiver is powerful enough to run.
Now all they need to do is make it play sound; unlike the Archos, the iRiver has no hardware MP3 decoder, so they need to graft an entire codec API onto the system. With such a big step, of course, come plenty of possibilities; already there is talk of having the unit play tracker modules and Commodore 64 SID chiptunes, not to mention lots of lossy and lossless audio formats.
Hopefully they'll get it working on the H3xx series (that's the newer one, with a colour screen and two USB ports) too. It'll be less annoying than the stock iRiver firmware.
2005/2/13
A new study has found that men with feminine faces are attractive to more women. Square-jawed he-men are preferred by women who consider themselves highly attractive (and, according to an earlier study, are healthier), though their more androgynous brethren are preferred by a greater number and variety of women.
"Those women who prefer masculine men are selecting genetic benefits for their children, despite the fact that high testosterone levels can also increase the likelihood that the male will have an affair.
Which makes sense; the women selecting he-men consider themselves to be highly attractive, which suggests a calculation that they could prevail in competition.
Meanwhile, another study by the same group has shown that women seen with a dominant male were considered more attractive by other men.
Salon has an interesting piece on H.P. Lovecraft, cosmic horror writer and abuser of adjectives:
Lovecraft's narrators routinely rave about the "hideous," "monstrous" and "blasphemous" nature of their revelations. Wilson went on, again quite reasonably, to observe, "Surely one of the primary rules for writing an effective tale of horror is never to use any of these words -- especially if you are going, at the end, to produce an invisible whistling octopus." That octopus crack is a particularly low blow, since the most celebrated of Lovecraft's stories and novels partake of what has been dubbed the Cthulhu Mythos, an alternative mythology involving an enormous and malevolent being whose tentacled head resembles a cephalopod.
The truth, however, is that hardly any reader finds Cthulhu frightening. In fact, by all indications, the public is very fond of the creature. You can check in regularly at the Cthulhu for President site ("Home Page for Evil"), purchase a cuddly plush Cthulhu or behold the adventures of Hello Cthulhu, a cross between Lovecraft's "gelatinous green immensity" and the adorable, big-eyed Sanrio cartoon character. Sauron never inspired this kind of affection.
At root, all of Lovecraft's phobias seemed to come down to an elemental dread of the human body: the tentacles and gaping abysses with their obvious genital associations (hence Stephen King's comment), reproduction's disorderly tendency toward mutation and of course the horror writer's primal muse -- the death and decay that lie in store for every living thing. If not all of us share the specific racial and sexual manifestations of that dread, we all feel some version of it. Lovecraft, in his fiction at least, abandoned himself to it with a kind of warped gallantry.
2005/2/12
Your Humble Narrator went to the Prince Charles Cinema off Leicester Square for the launch of the second Goodies DVD compilation, picking up a copy of said DVDs.
The launch consisted of a screening of two of the episodes on the discs (The Movies and Bunfight at the OK Tearooms); not my absolute favourites from the compilation (that'd probably be South Africa or Radio Goodies), but enjoyable anyway.
After the screening, the lights went on and the three Goodies took their seats on the stage. Tim still looked like Tim Brooke-Taylor, only without the Union Jack waistcoat (maybe he'll wear one during the upcoming Australian tour; who knows?), and Bill looked like an older version of his younger self. Graeme, however, was nigh-unrecognisable without his trademark sideburns (when asked by a member of the audience whether he'd grow them for the tour, he said he may buy a pair to wear).
Anyway, the Goodies answered questions from the audience. Some points that emerged from the session: there is a third 8-episode 2-DVD set planned, for later this year, by when, it is hoped, all the popular and interesting BBC episodes will be available (the Goodies reckon that there are 24 that fall into this category), and possibly some episodes from the final ITV series. Some episodes may not make it to release, due to licensing issues (apparently Michael Jackson is refusing rights to some Beatles material in Goodies Rule OK). The Goodies are about to embark on an Australian performance tour; one audience member asked whether they'd do any UK shows; they said that it's less likely, given that the BBC hasn't screened any Goodies episodes for a few decades, cutting down on the potential following. So it looks like the Aussies reading this should count themselves lucky.
The DVD itself is pretty good. It has eight episodes, and also a good deal of extras. I get the feeling that while the first one was made (relatively) quickly and cheaply, its sales exceeded expectations, resulting in more being put into the second one. As well as the episodes, we get several shorter sketches from other shows, commentary tracks, and PDF files of the scripts, in various revisions, not to mention a somewhat fancier animated DVD menu.
The DVD is listed as Region 2, though the first one (which was also thus listed) was Region 0 (i.e., playable anywhere); no idea whether this one is. It's also coming out in Australia in a month or so, and will probably be somewhat cheaper there.
A 26-year-old Oregon man has been arrested for organising an Valentine's Day suicide pact, using a chat room. Had he succeeded, as many as 32 users of a chat room, presumably all strangers brought together by a shared sense of hopelessness and disaffection, may have committed suicide on 14 February.
The authorities are busy trying to track down all chat room participants in order to prevent them from communicating on Valentine's Day, and thus from carrying out the synchronised mass suicide. Meanwhile, across the interweb, a thousand lonely misanthropes are probably kicking themselves for not having thought of it first. Though, given the existence of the Werther effect, i.e., the tendency of reports or fictional accounts of suicides to inspire waves of copycat suicides, one wonders whether the news of this foiled plan will be, in itself, enough to kick off a tradition of Valentine's Day online mass suicides.
This evening, Your Humble Narrator went to the Hope & Anchor in Islington to see The Smyths, who are, as you may expect, a Smiths cover band. They were quite enjoyable.
The band came on after another band, and the first thing I noticed was that they were a five-piece with two guitarists, as if no one mortal man born of woman could possibly be the match of Johnny Marr. Anyway, they played for over an hour, starting off with The Queen Is Dead (with lyrics changed to "dressed in Camilla's bridal veil"), and playing most of the Smiths favourites (This Charming Man, Shoplifters Of The World Unite, Sheila Take A Bow, William, It Was Really Nothing and Ask were just five), and a few Morrissey tracks. The front man, a chap with a quiff and glasses, played the part mostly well, singing much like Morrissey, and doing the mannerisms, albeit somewhat exaggerated (at the start, it looked a bit as if he were taking the piss, but then he started channeling the spirit of Moz in earnest), and gradually trying to wriggle out of his shirt. He didn't wear a hearing aid, though, and while there was a bunch of flowers on stage, he didn't put them in his back pocket. The audience treated the songs as singalongs, and the singer at times stopped singing to give them a chance; I believe many of them were regulars at Smyths gigs.
Anyway, it was an entertaining night, and about as close as one is going to get to seeing a Smiths gig (with the possible exception of Morrissey's solo gigs, which come pretty close too). They're certainly worth seeing if you're a Smiths fan from way back looking for a fun night out.
2005/2/11
Christian missionaries working as part of the tsunami relief effort in India have ignited outrage after allegedly refusing to give aid to people who did not convert:
Jubilant at seeing the relief trucks loaded with food, clothes and the much-needed medicines the villagers, many of who have not had a square meal in days, were shocked when the nuns asked them to convert before distributing biscuits and water.
Which is another reason that, when I donate to a charity, I avoid religious charities. If I give money to a cause, I want that money to be used to help those in need, not to finance some religion's marketing campaign. Mind you, in the tsunami relief effort, funds were pooled between charities and parcelled out, with specific charities specialising on specific tasks. If the relief supplies being used as Jesus' Loss Leaders in this instance were paid for from these pooled funds, there should be a full inquiry, and action taken to ensure that such abuses of funds do not take place again.
The MPAA have taken over BitTorrent pirasite hub LokiTorrent; not only that, but they have captured all site logs, which they intend to use to prosecute users of the site, and quite possibly the US$40k LokiTorrent "fighting fund", contributed to by those opposing Big Copyright's heavy-handed tactics, which may now go directly to the MPAA's war chest to fund the raids and prosecutions. This means that anyone who visited the site can possibly expect to have their equipment seized in a SWAT-style dawn raid and be given the choice between a five-figure out-of-court settlement or a much more expensive lawsuit, with the prosecution funded by the money donated by those considerate EFF-supporter types. If you've visited this site, incinerate your hard disks immediately.
And, from this discussion, it appears that it may have been the site operator's plan all along to collect the "defense fund" for a plea bargain and sell out his subscribers (all conveniently identifiable by login information; no idea whether credit card information is included, though if donors' card/PayPal information can be connected to accounts, it could be nasty).
An Australian company is trialling a testosterone spray to boost the female sex drive. The spray, designed for post-menopausal women, also works on young women wanting to get their bootywhang on; the only side-effect so far is abnormal hair growth.
Of course, the street finds its own uses for things. Viagra and its competitors have transitioned from prescription-only anti-impotence solution to nightclub party drug (in some places, drug dealers mix them with speed or the cocktail of dubious shit that goes into "ecstasy" tablets and call it "sex-tasy"), and young men with no medical problems can buy them online for recreational uses from dodgy pharmacies (sometimes with tragicomic effects, such as the teenaged schoolboys who thought it'd be cool to take Viagra before going to school one day, not thinking through the mortifying social consequences of spending a day in school with a conspicuous erection). And there's no reason why the same won't happen for the testosterone spray. One imagines rampaging hordes of young women huffing the stuff like Dennis Hopper in Blue Velvet and ravaging their way across the urban landscape like amazon Viking berzerkers, aggressively hitting on everyone in their path, their mustaches shining in the full moon, and occasionally getting into testosterone-fuelled "he's mine! no, mine!" fistfights.
In the latest phase of their world-domination-through-doing-good strategy, Google are offering to host content for Wikipedia and other Wikimedia projects. And about time that someone made such an offer, as half the time Wikipedia's servers seem to be in a world of pain.
2005/2/10
Q: Did you hear the one about the dyslexic porn spammer?
A: He was last seen in my spam filter, trying to sell "insect home video"
2005/2/9
A fairly informative dissection and analysis of Google Maps and how it does its magic. It's pretty interesting; unlike GMail (the other example of an impressive DHTML-based interface from Google), Maps doesn't use XMLRPC, but instead just fetches tiles in JavaScript and uses a hidden frame to communicate with the server, and the browser's inbuilt XSLT engine to parse the result. Which all makes for some very impressive hack value.
A long thread of stories about creepy people met in role-playing games; these range from those with a slight problem with reality (i.e., those who believe they really are elves or vampires or powerful sorcerers or that the Necronomicon is real; which is not too unlike religious fundamentalists, but I digress) to psychos who insisted on bringing weapons with them at all times, people who turned out to be child molesters or similar, people who insisted on taking games in peculiar directions, the disturbed, those whose lack of social skills included not knowing that certain bodily functions were inappropriate in company, and various of Cat Piss Man's brothers and sisters. (via MeFi)
2005/2/8
Google once again raises the bar of what you can do with a web browser. Their latest is Google Maps, an entirely DHTML-based, instantly responsive, scrollable, zoomable map. Functionally, it doesn't seem to do anything that online street maps haven't done for a few years now, but that's not the point; it's the way it does it. Where street maps until now have been clunky and slow, Google Maps feels instantaneous; you can drag the map around, zoom it in and out, and new tiles load on demand. (On a fast connection, it's not slow enough to be annoying.) And the way it displays signposts, with composited Gaussian-blurred shadows, looks pretty cool too. Currently, they only have North America, and only have detailed maps for the United States, but then again, it's still in beta, so hopefully they'll add other parts of the world soon.
2005/2/7
A man in China has devised a technique for growing his own chairs, by moulding elm branches into a chair shape while the trees are growing.
Mr Wu has one tree chair in his home, which he harvested last September, and six more growing in his field.
A h4x0r group named Shmoo has revealed a new web-spoofing attack which takes advantage of Unicode characters which look like ASCII characters but aren't, allowing spoofers to register sites like http://www.pаypal.com/ (note that the first 'a' isn't an 'a', but rather Unicode character #1072, the Cyrillic small 'a'). A demo page with two dodgy links is here.
Such attacks, of course, only work if Unicode domain names are allowed. This is one of the few times that Internet Explorer users are safer than Mozilla/Firefox users, as IE doesn't support international domain names out of the box. If you're using Firefox, you may be able to fix it by following the following procedure (via bOING bOING):
1) Goto your Firefox address bar. Enter about:config and press enter. Firefox will load the (large!) config page.
2) Scroll down to the line beginning network.enableIDN -- this is International Domain Name support, and it is causing the problem here. We want to turn this off -- for now. Ideally we want to support international domain names, but not with this problem.
3) Double-click the network.enableIDN label, and Firefox will show a dialog set to 'true'. Change it to 'false' (no quotes!), click Ok. You are done.
4) Go check out the shmoo demo again and notice it no longer works.
Of course, if you practice safe web access, you won't be entering your bank details or whatever after following a link (however kosher-looking) from an untrusted source in the first place, but only after having typed it in with your own hands or selected it from your local bookmarks.
In this pre-Valentine's Day romance-related-article silly season, health experts are claiming that unrequited love is a real illness that can kill.
He said many are "destabilised by falling in love, or suffer on account of their love being unrequited" and this could lead to a suicide attempt. Few studies deal with the "specific problem of lovesickness", he said.
Which sounds like a bit of a cop-out to me; I don't doubt that unrequited love has caused many mental breakdowns and suicides, though I wonder how much of that comes from the biology of the condition and how much comes from the social expectation that, when someone you fancy doesn't fancy you, you're entitled to whine, pout, go all emo and become temporarily unresponsible for your behaviour. For example, during the Victorian era, many women would faint in certain social situations. This was not due to the biology of the female gender being susceptible to sudden consciousness loss, but due to programmed-in social expectation. Could it be that losing one's shit over that one special person in the world who doesn't reciprocate one's passion is a similar case of cultural conditioning?
(Which is not to say that romantic love or sexual attraction is culturally constructed; I don't for a moment entertain the blank-slate theory of human nature. However, it's more than conceivable the expectations of how such urges are expressed, and how much they can affect one's behaviour, are strongly influenced by cultural expectations, and that, as biological and physical causes of behaviours are revealed, they gain more influence as the self-sustaining illusion of the sovereign free will becomes weakened.)
Then again, now that unrequited love is recognised as a bona fide medical condition, perhaps some pharmaceutical company will seize the opportunity and bring out an anti-unrequited-love drug, a sort of Prozac for the heart which quickly and conveniently cures this debilitating ailment, further streamlining the human condition.
Japan will soon have musical roads; the Hokkaido Industrial Research Institute has developed a way of encoding melodies in patterns of grooves on road surfaces so that, when a car drives over them, the vibrations reproduce the encoded melody. They are planning to encode different, locally appropriate, melodies on specific sections of roads.
Also on Dottocomu, special Valentine's-day RAM modules.
Panzerfaust Records, one of the largest record companies in the neo-Nazi "white power" music scene, appears to have gone out of business after one of the owners accused the other of being half-Hispanic:
As a result, and Pierpont's refusal to take a DNA test, Calvert wrote last month that he would quit the company and so would its webmaster. The center reports that influential hate groups Hammerskin Nation and Volksfront also denounced Pierpont.
The Free Your Mind site said that any business done with Pierpont should be considered "an act of treason."
2005/2/6
The world's wrongest furry; a bit like a Furry version of that Aphex Twin video, only with extra wrongness. Along similar lines, this pair of hairy blokes in anime schoolgirl costumes.
Meanwhile, Target in Australia are now selling collectible Goth figurines, which, for some reason, are in the anime section. (Which is odd in itself; last time I was in a Target, they didn't have an anime section, let alone one with collectible figurines. Perhaps it's in the "grunge mall" Coles-Myer were planning to build in Melbourne or something?) Does this mean that the Goth subculture now has an anime series about it?
The Times' Weekend Review has an interesting piece on the influence of fonts:
Dr Sigman has studied the emotional impact of fonts and is convinced that they constitute a second dialogue. After analysing stern letters from bank managers, he concluded that they are increasingly using fluffy, friendly fonts in a vain attempt to humanise their message.
Font experts in the type-obsessed world of advertising advise against such obvious clashes between meaning and typography. I hate it when banks talk to youths in yoofy typefaces, says Julian Vizard, of the St Lukes agency. Its like William Hague turning up at the Notting Hill Carnival in a baseball cap.
The print edition also has a whimsical inset matching fonts to personality types. Apparently the font of choice of bloggers and web types is Verdana, Courier is used by embittered old journalists, people with an affinity for Gill Sans are "tasteful, design-conscious, probably gay or bi-curious and have a lot of brushed stainless steel in [their] kitchen" (umm...) and Comic Sans people desperately want to be loved. Oh, and the Prince of Wales is said to like Helvetica; that really says a lot.
2005/2/5
Apparently, one of the US-imposed laws in Iraq gives multinational agribusiness a monopoly on seeds. It is illegal for Iraqi farmers to save seeds from their crops, and the only seeds they can buy are genetically-engineered ones from Monsanto and such. Which should keep the profits flowing healthily back to Head Office.
2005/2/4
After some 15 years of development, the first program has run on the GNU Hurd, the earth-shatteringly nifty microkernel that will form the heart of the free-software-based GNU operating system and lead it into a shining future. Which means that we can soon expect to see GNU casting off the imperfect compromise that is the "Linux" kernel and assuming its rightful mantle of glory. Either that or a few wild-eyed, bearded GNU zealots and OS theoreticians vocally adopting the Hurd while the rest of the world says "yeah, whatever" and keeps using Linux (which, after all, is good enough and well-supported).
Or maybe none of the above; perhaps the Amiga will come back and dominate the OS world instead or something; who knows?
2005/2/3
Via found, a fascinating essay (PDF; ugly Google HTMLification available here) exploring the reasons why virtually every language in the world has words like "mama" and "papa" for "mother" and "father" (or sometimes vice versa). And no, it has nothing to do with any notion of those words having been inherited, miraculously unchanged, from a single ancestral language (the "Proto-World" hypothesis, now more or less universally derided among linguists, though still having a seductive popular appeal to the untrained, much like astrology or new-age mysticism), as the essay demonstrates.
The conclusion is inescapable. The mama/papa words are not fossilized relics of some ancient ancestral language at all. Instead, they are being created all the time. New examples of mama/papa words are constantly being invented and passing into use. At first these new words survive alongside the older ones as informal or intimate versions, but eventually they may take over completely and drive the older words out of the language.
The new examples, it is hypothesised, come from the sound babies make during their babbling phase. A babbling infant isn't trying to speak, but rather calibrating its vocal chords, though that doesn't prevent the proud parents from picking out its sounds and adopting them as informal terms for "mother" and "father" (and occasionally other things in the environment, such as older siblings or relatives; such words for younger siblings are conspicuously absent, as the theory would predict). The word sticks, and the child grows up calling its mother "mama" or similar. These new-formed words fall onto the conveyor belt of language, gradually fossilise into more formal forms, and ultimately fall into disuse as newer, fresher words take their place.
Another chapter in the annals of if-value-then-right: as maximalist interpretations of intellectual property dominate, defense contractors are fulfilling their duty to their shareholders by shaking model kit manufacturers down for hefty royalties, sometimes demanding as much as US$40 per kit. The old way of doing things, letting modelmakers sell kits for free and treating it as good publicity, is no longer accepted practice; these days, it's considered less as good publicity and more as negligence or mismanagement. Ironically, one effect this may have is the disappearance of kits for anything but royalty-free items, such as WW2 Nazi vehicles (for which there is no rightsholder*) and World War 1 items.
* Surely this is an oversight; had today's concept of intellectual property been current in 1945, the Allies would not have allowed the intellectual-property rights to Nazi vehicles to expire; perhaps they would have been auctioned to licensing companies shortly afterward. (On a tangent, had intellectual-property maximalism been the dominant doctrine in 1945, a lot of other things would have been possible, such assigning the swastika and the name and likeness of Adolf Hitler™ to an anti-Nazi foundation and allowing them to sue neo-Nazis for infringement, but I digress.)
Anyway, it's interesting to note that Allied vehicles from WW2 are still intellectual property. It was asserted, not too long ago, that the reason why historical cable-TV channels show so many World War 2 documentaries is because there is a lot of footage from that era which is in the public domain; elsewhere, it was suggested that in more recent documentary footage, if someone is accidentally filmed wearing a trademarked brand-logo hat, that requires the filmmaker to obtain rights from the owner of the trademark to use the footage. I wonder if whoever owns the rights to the Spitfire and such can figure out a way of putting these two facts together and monetising the rights to their trademarks appearing in WW2 documentary newsreels.
A list of a notional worst blogs ever, which reads more like a list of canonical blogger clichés, including the likes of IWillLinkToYouIfYouLinkToMe.com, BourgeoisBohemianHipster.com, VelvetClad.ChunkyGothGirls.com, and, of course, EmotionallyStuntedPolemicist.com and snarkette.com (the last one actually exists, but isn't a blog, but rather a site with photos of cats). (via bOING bOING)
The privatisation of the space of concepts keeps marching on; now, it turns out likenesses of the Eiffel Tower are copyrighted, and cannot be published without a licence. The city of Paris and the company which maintains the tower managed to do this by adorning it with a distinctive lighting display, which they then copyrighted; consequently, any recent night-time photograph of the Eiffel Tower is a derivative work. In their infinite generosity, they have said that they are not interested in going after amateurs putting holiday photographs of the tower on their web sites; they are, however, technically in violation. Which means that this WikiMedia image is technically in violation. And so, the space of free public discourse narrows slightly.
I wonder what's next: perhaps Ken Livingstone will copyright the names of London Underground lines and stations and demand licensing fees from fiction authors who mention them or something?
Eventually, we will get to the situation where all real-world objects and likenesses are intellectual property and use of them requires licensing fees. (After all, the dominant Reaganite/Thatcherite ideology of our time says that the way to maximise the efficient use of any resource is to monetise it and place it on the market; coupled with intellectual property, the natural conclusion is what Lawrence Lessig calls an "if-value-then-right" intellectual property regime, where for any value in an item, there is a right assigned to a rightsholder, who can license that right on the open market. Think of the colossal economic waste we had in the bad old days of the public domain and Jeffersonian copyrights.) As depicting any public figure, fictional character, location or privatised folklore will require a licence, costing fees and giving rightsholders vetoes over works they find objectionable, stories (well, those without the corporate media backing required to resolve all the rights issues) will move to generic locations; nameless, nondescript buildings, cities, countries and characters will take hold. To which, Big Copyright will respond by copyrighting categories of ideas (in the way that Marvel and DC Comics claimed a joint trademark on superheroes), or by patenting common types of plot devices and settings (which is probably not legal now, though given sufficiently pliant legislators and international treaty bodies, anything's possible). Galambosianism, here we come.
The latest criminal fashion in Russia, a country with more than the usual share of clever people in need of money: street hypnotism, in which thieves adept in hypnotic techniques (said to range from ancient Gypsy mind tricks to cutting-edge neuro-linguistic programming techniques), manage to persuade victims to give up vast sums of money, and forget what happened: (via bOING bOING)
"The essence of the technique is, form replaces content. Our brain is built so it can process only so much information over a certain period of time. ... In cases where the flow of information is either too powerful and fast, or on the other hand, too slow ... the brain slows down, and the person's level of vigilance drops," he said.
2005/2/1
Entries in b3ta's Crap Computer Games challenge, in which contestants submitted demos (as animated GIFs or Flash; though at least one entrant wrote an actual ZX Spectrum program) of naff 8-bit computer games that never actually existed, both original ones and interpretations of pre-supplied concepts like Window Cleaner, Trade Union Organiser and a Spanish holiday simulator; anyway, you'll find these and more (including Football Text Adventure, the tape loader from Ocean's Last of the Summer Wine tie-in, and Mirrorsoft's Robert Maxwell Yacht Simulator) all (well, most) in pixellated 8-bit glory.
The contest was in connection with Look Around You, a BBC comedy series satirising 1970s educational television. The first episode of the new series (now changed from 9-minute "educational" programmes to a half-hour magazine-programme format; not unlike Curiosity Show for the Australians in the audience) aired last night. Unfortunately, I only managed to catch the last 5 minutes (did anyone manage to tape it?), though what I saw looked very amusing; perhaps even more so than the first series.
IMHO, Look Around You is the cream of British comedy these days. For all that is said about Little Britain, the usually cited candidate for this honour, there's no escaping the fact that it's basically a British version of The Comedy Company (right down to Vicki Pollard being a chav Kylie Mole). It inherits little from the great British absurdist tradition of the Goon Show and its heirs, instead throwing out the same predictable plots and trademarked catch-phrases in slightly different settings.
It looks like the next generation of Americans are finally getting over that "free speech" fad that gripped the country for 200 or so years. A survey of US schoolchildren has revealed that one in three believe the First Amendment goes "too far", Meanwhile, half of students believe that the government has the power to restrict any indecent material on the internet and newspapers should require government approval of stories for publication. This is in contrast with dangerously liberal views held by their pinko-coddling baby-boomer elders:
When asked whether people should be allowed to express unpopular views, 97 percent of teachers and 99 percent of school principals said yes. Only 83 percent of students did.
Eventually, though, the baby boomers will die away and America can complete its transformation into the new Sparta, all without anybody noticing that anything has changed. Or maybe it won't; perhaps this is not so much a trend as part of a cycle. I heard accounts of similar things happening during the McCarthy era (one in which someone once posted a copy of the Bill of Rights, without the heading, somewhere, attracting outraged complaints about "Communist propaganda").
A proposed solution to email spam, which takes into account advances in character-recognition algorithms (which can now trivially break many "captcha" schemes) and the economics of spammers hiring sweatshop workers to transcribe the codes in question. It involves automatic whitelists, disposable sub-addresses, and are-you-a-human tests based on interpreting computer-rendered scenes involved humanoid figures and flowers.
Following on from the fact about John Garden, a few more Goodies-related items. Firstly, the the second DVD compilation comes out in the UK in two weeks (there's an official launch in London's Prince Charles Cinema on the 12th), with Australia following on 3 March, and will include, among others, Radio Goodies and Sarth Efriker. Apparently a third DVD set is also in the works, on the strength of sales of the first set, so if your favourite episode isn't in the first two sets, it may well be there.
Secondly, Tim, Graeme and Bill are doing a Goodies tour of Australia, playing gigs on the East Coast (Sydney, Melbourne, Brisbane and Canberra) in early March. Australia seems to be the world leader in Goodies fandom, being more fond of the series than Britain (case in point: you can get Goodies T-shirts on Brunswick St., though you won't find them amongst the Michael Caine/Vespa/Atari/random-sexual-innuendo T-shirts all over Camden and Carnaby St.). I'm hoping, though, that they do some London shows at some stage, if only for the city's population of Australian expats.