The Null Device

2005/7/31

Londoners probably shouldn't relax too soon, if The Times' claim that a third terror cell is poised to strike are correct. The claims apparently come from a Special Branch conference at Scotland Yard, though elsewhere, the authorities have been downplaying them. In any case, this matter is far from over, and it may take months to find those behind the bombings. The fact that one of them managed to slip through the net and leave the country a few days after the alarm was raised doesn't raise one's confidence.

In other news: it emerges that the Oval bomber tried to have an imam sacked for being too moderate, and the bomber held in Rome tells all to an Italian newspaper, claiming that they only planned a "demonstration attack" and didn't intend to kill anyone; perhaps his handlers told him that the backpack he was carrying contained a large red flag with "BANG!" printed on it or something? Meanwhile, the youth wing of a mainstream UK Muslim group is calling for jihad against the infidels (i.e., us), and details are emerging about the psychology of the failed suicide bombers. And if there's one phrase that says "loser in the game of life", it would be "failed suicide bomber":

Elie Godsi, a consultant clinical psychologist, says that there is a huge stigma attached to terrorists who fail which means they are unable to return to their communities.
"There is a great deal of stigma in having not succeeded," said the forensic psychologist from the University of Nottingham and author of Making Sense of Madness and Badness. "They will regroup and try again or try to take their own lives."

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I went to see Charlie and the Chocolate Factory on Friday night. It had some good elements, though ultimately left something to be desired.

The look was very stylised; it seemed to be set in a Northern English city which somehow had seceded from Britain and joined the US at some time in the past, and thus had Wallace & Gromit-style row houses along with US Postal Service mailboxes and New York-style fire hydrants, and the mostly British population drove on the right and used US dollars. At one side of the city was the eponymous chocolate factory. The rooms inside the factory were one of the best parts of it, and were very stylised, often harking back to 1960s high-modernism. They were full of machines, though these, more often than not, looked a bit obviously computer-generated. Also good were the Oompa-Loompa song-and-dance routines, which combined Roald Dahl's lyrics, Danny Elfman's command of kitsch and a Bollywood-influenced sense of colourful excess.

Unfortunately, the rest of the film was a bit disappointing. Beneath Burton's magpie-like cultural appropriations, it seemed like the same movie Hollywood makes every time, with the same, mechanistically predictable, character development archetypes. In particular, there was the whole angle of Willy Wonka redeeming his relationship with his father, which seemed to be tacked on because those are the rules. Though I get the feeling that Burton sensed and acknowledged this; the hasty and deliberately wooden way he executed the moment of redemption seemed perhaps somewhat sarcastic. All in all, this was not, IMHO, a great auteurial coup or memorable work, but just another Hollywood formula flick, albeit with some skilled artisans involved in the process.

The trailers before the film were obviously calculated to appeal to the audience, and included the next Harry Potter film (which got cheers from the audience), Tim Burton's upcoming piece of animated goth-candy The Corpse Bride (which, I notice, already has collectible figurines in the shops), and the upcoming feature-length Wallace & Gromit film (which appears to reference Hammer horror films extensively).

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2005/7/30

Spare a thought for Michael Jackson, found innocent of child abuse in a court of law but guilty of general creepiness in the court of public opinion; his recently released greatest-hits album has sold just 8,000 copies in its first week, a far cry from the zillions of copies of Thriller sold and even the relatively respectable two million copies of his last original album, Invincible. (Remember that one? Me neither.) Meanwhile, the former fans aren't the only ones who don't want to have anything to do with him:

"He came to me a month ago and I turned him down," [PR troubleshooter] Mr Clifford said. "It would be the hardest job in PR after Saddam Hussein and I would be astounded if he could turn things around. "People were extremely offended by even some of the things he admitted in court.
Meanwhile, Saddam Hussein, former dictator and bad novelist, has his own courtroom woes, with an unidentified man attacking him in the courtroom.

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Unicorns have been taking a bit of a pasting from the hipsters recently; First there was the Threadless "Afternoon Delight" T-shirt, and now this delightful design. Beware of bad embedded MIDI files and/or permanent scarring of childhood memories.

Along similar lines, there are apparently T-shirts reading "DOLPHINS ARE GAY SHARKS".

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2005/7/29

All four July 21 bombing suspects have been captured; two were taken down, using SAS tactics, in Notting Hill (just off Portobello Road) and Kensington, and a third was nabbed by Italian anti-terrorism units in Rome (perhaps he was going to hook up with the Grey Wolves, who apparently maintain a presence in the Eternal City and have connections to Islamist radical groups?). And then there's the alleged mastermind, who has been picked up in Zambia; the US also want him, so he may well end up in Gitmo or farmed out to the Syrians or someone for "extraordinary rendition"; couldn't happen to a nicer guy...

The police have announced that the investigation and the threat are far from over, and that the assumption is that there may be other suicide teams and/or cells at large. Quite a few other people have been arrested, and the authorities are still appealing for information.

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Arising from the question of "why doesn't the UK have an EFF?", there is now a proposal to create a British digital-rights campaign group. This has taken the form of a PledgeBank pledge for people to sign, pledging to set up a standing order for £5 a month to fund such a body. The target is to have 1,000 people sign the pledge; so far, 493 have signed it.

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Psychologists are now looking at magic tricks for answers to how the mind works. Developed and refined over centuries, such tricks and techniques are now being recognised as containing a lot of folk knowledge about the low-level workings of consciousness and perception:

A card trick that lasts four or five minutes, for example, might have 20 pages of detailed text to describe exactly where to look, what to say, what to do and so on. And a lot of the understanding of a trick has to be from the perspective of the audience.
Our brains filter out a huge amount of the mass of sensory input flooding in from our environment. Kuhn explains that we see what we expect to see and what our brains are interested in. "Our visual representation of the world is much more impoverished than we would assume. People can be looking at something without being aware of it. Perception doesn't just involve looking at an object but attending to it."

(via mindhacks) consciousness deception magic misdirection perception psychology 0 Share

The various reviews of Tim Burton's Charlie and the Chocolate Factory look encouraging; it looks like he has neither Americanised it (as, common sense has it, is essential for a story to be universal and sell well) nor turned it into a Gloom Cookie-esque steaming pile of gothsy clichés (the aesthetic, thankfully, seems to owe more to Carnaby Street circa 1967 than Camden High Street circa 2005). It also features Noah "young Adolf Hitler/Nick Cave lookalike" Taylor as Charlie's dad, and they used real squirrels in the filming. Hmmm...

Another thing I didn't know until today: that the Childcatcher in Chitty Chitty Bang Bang was created by Roald Dahl, who worked on the script for that film.

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A researcher at the veritable MIT Media Lab is mining volunteers' mobile phone location and call data, and using it to determine all sorts of things, from simple things such as how long people work and how much they procrastinate to which people are friends and which ones are merely coworkers. Not only that, but the data can predict people's behaviour:

Given enough data, Eagle's algorithms were able to predict what people -- especially professors and Media Lab employees -- would do next and be right up to 85 percent of the time.
Eagle used Bluetooth-enabled Nokia 6600 smartphones running custom programs that logged cell-tower information to record the phones' locations. Every five minutes, the phones also scanned the immediate vicinity for other participating phones. Using data gleaned from cell-phone towers and calling information, the system is able to predict, for example, whether someone will go out for the evening based on the volume of calls they made to friends.
Eagle was also able to see that the Red Sox's improbable breaking of the World Series curse shook even the world of MIT engineers. "I actually saw deviation patterns when the Red Sox won," Eagle said. "Everyone went deviant."
The information was recorded by special custom programs running on the phone; the same information is gathered by the mobile network operators, though is not available to the general public. However, it is available to law-enforcement agencies, and is probably being used right now for assembling automated dossiers on entire populations.

(via schneier) bluetooth data mining mit mit media lab mobile phones surveillance 0 Share

Could this be the creepiest building in existence? The Ryugyong Hotel, a gigantic jagged, windowless edifice that stands balefully in the middle of Pyongyang like a Mordorian volcano. It was to have 3,000 rooms, far more than there would be demand for, and was started in response to a South Korean firm completing a hotel in Singapore; construction cost an estimated 2% of North Korea's GDB, and was halted in 1992. To this day, the unfinished hotel is omitted from maps of Pyongyang and North Koreans will strenuously deny any knowledge of it, despite its gargantuan bulk being visible from anywhere in Pyongyang.

(via The Fix) buildings north korea pyongyang 1 Share

MP3s of indie bands covering well-known songs; includes covers of Whitney Houston, Kylie Minogue, ABBA, Ace of Base and various R&B/rap artists, by the likes of The Flaming Lips, The Mountain Goats, Belle & Sebastian, and some bloke named Ben Gibbard who gets featured twice. Interesting that they have covers of REM and the Yeah Yeah Yeahs, but omit covers of The Smiths and Talking Heads.

(via substitute) covers indie mp3s 3 Share

2005/7/28

Rubbing their hands with glee, the Australian government reveal that not only will their industrial-relations reforms scrap unfair dismissal laws and reduce holiday entitlements to 10 days a year (well, officially, allow workers the freedom of cashing in 10 days, but when this decision is written into employment contracts and there's always someone behind you willing to sign if you're not, your chances of keeping four weeks of leave are looking somewhat slimmer), but also to allow workers to trade away their lunch breaks for more money. Again, similar provisos come into it: there won't be a guarantee of those wishing to keep lunch breaks being able to do so.

"The reason why many of them are much happier to work say a 36-hour week without smokos is because you leave for home earlier ... what we want to do is give people maximum flexibility in relation to hours and the right to negotiate."
Hang on, isn't Australia already on a 38-hour week, or is the choice between 40+ hours with lunch breaks or 36 hours without them?

Now it looks like two right-wing senators (one from Christian Fundamentalist party Family First and one from the right-wing lesser partner in the governing coalition, the National Party) are making noises about blocking the changes on grounds of family values.

How much do you want to bet that the Tories will attempt to trade them a wowseristic legislated-morality campaign unconnected with workers' rights (i.e., tougher censorship laws, minor symbolic restrictions on abortion, perhaps even the national internet firewall Family First wanted) in return for their cooperation in this matter?

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C86, a compilation tape released in 1986 by NME (then a more leftfield, not to mention left-leaning, paper than the meretricious publication we see today) ended up giving a name to a whole genre of shambolic, wet jangle-pop and influencing everything from Sarah Records to Belle & Sebastian to commercial alternative music, is now online in downloadable MP3 form. I can recommend Primal Scream's Velocity Girl, The Bodines' Therese, the Shop Assistants' It's Up To You and the surreal head trip that is Stump's Buffalo. The Half Man Half Biscuit track isn't bad either, though, not having grown up in England in the 1980s, I don't get the references. Actually, you may as well get the whole lot and make up your own mind.

As someone pointed out in the comments, it's about time someone put up the preceding NME cassette, C81, which features significant post-punk/new-pop artists such as Pere Ubu, Orange Juice, Aztec Camera, Cabaret Voltaire and the Buzzcocks.

And what is today's answer to C81 and C86? Well, don't look to anything quite so groundbreaking NME for it; the closest they'd give you would be things like NME Britpack, with the latest watered-down, sharp-suited Gang Of Four/Duran Duran copyists, tediously derivative retro-rockists like Razorlight and Yourcodenameis:Milo and, of course, Dionysiac Genius of Rock, Pete Doherty.

(via sweepingthenation) c86 indiepop mp3s 5 Share

A list of some of the most unusual questions sent in to urban-legend researchers snopes.com, revealing the anxieties of the public:

I just read a blurb that pre-packaged foods can cause people to turn gay because of too much estrogen. If I was only allowed one question for snopes, I would ask if this is true. Is it?
They say that if a person has a pet cat and dies, if the person's body is not found fairly soon after death, the cat, having not been fed, will become ravenously hungry and eat the dead person's face off--JUST the face!
Is this true? My cat often looks me in the face. I used to think he was just being friendly. Now I know he's just sizing me up, like a chef at a butcher shop, waiting for "the big day". Since hearing this rumor, every time my cat licks his chops it gives me the willies!
I've heard that it is impossible to take a lightbulb out of your mouth once one puts it in, without either breaking the bulb or dislocating the jaw.
Do you know if this is true? I'm counting on you - my husband is really curious, and I don't want to have to drive him to the hospital...

(via The Fix) bizarre cats gay snopes urban legends wtf 0 Share

Times columnist Amir Taheri claims that much of contemporary "Islamic" attire is a symbol of militant extremism, or "adverts for al-Qaeda" as he puts it:

Muslim women should cast aside the so-called hijab, which has nothing to do with Islam and everything to do with tribal wear on the Arabian peninsula. The hijab was reinvented in the 1970s as a symbol of militancy, and is now a visual prop of terrorism. If some women have been hoodwinked into believing that they cannot be Muslims without covering their hair, they could at least use headgears other than black (the colour of al-Qaeda) or white (the colour of the Taleban). Green headgear would be less offensive, if only because green is the colour of the House of Hashem, the family of the Prophet.
Muslim men should consider doing away with Taleban and al-Qaeda-style beards. Growing a beard has nothing to do with Islam; the Prophet himself never sported anything more than a vandyke. The bushy beards you see on Oxford Street are symbols of the Salafi ideology that has produced al-Qaeda and the Taleban.
Some Muslims also use al-Qaeda and Taleban-style clothing to advertise their Salafi sentiments. For men this consists of a long shirt and baggy trousers, known as the khaksari (down-to-earth) style and first popularised by Abu Ala al-Maudoodi, the ideological godfather of Islamist terrorism. Muslims who wear such clothes in the belief that it shows their piety, in most cases, are unwittingly giving succour to a brand of Islamist extremism.

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After six and a half years, Graham of Virulent Memes calls it a day, closes down his blog. Though for all we know, he may resume blogging in some form or other soon enough; then again, perhaps he'll devote his online publishing energies to minting LiveJournal user icons and posting photos of agricultural shows and indie-rock gigs to Flickr or somesuch. Or maybe his girlfriend made him give it up or something; who knows?

Anyway, VM was a very entertaining blog, especially when it ran special features like the Chockablock Players or Hernan "the Boa Constrictor" Mendez or went into full-on rant mode, not to mention quite astute without owing allegiance to any one dogma (which, I imagine, comes from straddling the twin worlds of rural Australia and the rootless cosmopolitans). Though I must admit I did tune out whenever he started discussing the football in depth.

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2005/7/27

Some interesting observations on Australasian demographics, from the most recent KPMG Population Growth Report. The report confirms the "bloke drought" some Australian women have observed, and blames it on globalisation, with eligible bachelors decamping to more vital and/or exciting parts of the world. As one might expect, New Zealand is more affected by this than Australia:

"If you are a 34-year-old heterosexual woman in New Zealand, you have as much chance of finding a male partner of your own age as does an 85-year-old woman."
He believes this trend has contributed to New Zealand's "matriarchal society" - both its prime minister and governor-general are women.
(New Zealand is a matriarchial society? Perhaps the Doug Anthony Allstars were onto something...)

Another part of the report highlights the "sea change movement", i.e., Australian aspirationals moving to small coastal towns:

Mr Salt believes the so-called sea change is now a legitimate "third Australian culture". "First it was the bush, then it was the 'burbs, and now it is the beach".
Interesting how that list of "legitimate Australian cultures" omits the inner cities, without which Australia would have been little more than a nation of bourgeois curtain-twitchers eating Yorkshire puddings and mashed potatoes around the telly and tut-tutting disapprovingly along with the Herald-Sun. Could they have bought into the Howard-era silent-majoritarian doctrine that such rootless cosmopolitanism is somehow inherently un-Australian?

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Meanwhile, Japanese roboticists have developed a lifelike "female" android. Apparently Repliee Q1, which moves and even appears to breathe like a human, is so realistic that unconsciously, people forget that it is a non-sentient machine:

"More importantly, we have found that people forget she is an android while interacting with her. Consciously, it is easy to see that she is an android, but unconsciously, we react to the android as if she were a woman."
The researchers plan to make even more realistic robots (all of which, for some reason, tend to be modelled on women or young girls; perhaps that has something to do with the objectification of women Japanese culture or something?), and believe that they can get robots which can fool humans into believing they are real for up to 10 minutes in controlled situations.

Putting this together with the recent Swiss cockroach robot research suggests a lot of opportunities. Maybe we'll see Japanese android trials involving fembots successfully luring sararimen out of karaoke bars, or something similar.

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It turns out that web filtering software from US company Symantec has been blocking anti-war emails. Mails containing links to www.afterdowningstreet.org were blocked by Symantec's anti-spam software, because the link allegedly received 46,000 complaints. Which means either that all it takes to censor the public's email in the US (and, presumably, other countries which buy Symantec software) is the capacity to send a lot of complaints (which is not hard these days), or that it is Symantec policy to use its power in the marketplace to impose a specific political ideology, à la Wal-Mart. (Does anybody know whether the owners of Symantec have a specific political bias?)

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2005/7/26

Scientists in Switzerland have developed a robot cockroach convincing enough to infiltrate cockroach societies and subvert them from within, with the other roaches never twigging to the fact that their new companion was a robot:

That's part of what the scientists have been successful at showing with InsBot. In their latest experiment, the miniature robot drew the group of insects from a darkly lighted den to a more lit location, despite the roaches' affinity for low lighting. The roaches followed InsBot for the companionship.
Scientists believe that if they can use robots to mimic and respond to animals then they could eventually control the animals' behaviour. For example, they could use robots to stop sheep from jumping off cliffs or to migrate cockroaches out of infested homes. Progress in the field could ultimately influence and aid in scientific fields like medicine, agriculture and ethology (which is the study of animal behaviour).

(via techdirt) cockroaches deception robots science 0 Share

As London anxiously gets back onto the tube trains, the familiar discomforts of the journey are taking on new dimensions of psychological anxiety:

It's a mind-game being played out all over the Tube network, and indeed on many trains and buses throughout the country. It's performed in silence, with people unsure of their neighbours' motives and guilty about their own feelings of suspicion.
Even though people say little when they're travelling, there's plenty going on inside - fears of danger, changed routes, calculations to avoid risks, guilt at making stereotypical assumptions, anger at being unfairly distrusted.
"I do not take my rucksack to work anymore, which had my lunch and work shirt. I would rather wear a dirty shirt left at work than be looked at suspiciously. I also wear a T-shirt to work now, as I am afraid to wear too much, after the shooting," he writes.
"As I got on the tube with my rucksack, a fellow passenger saw me, waited a second then got up, to wait on the platform for the next train," writes Dev.
South Asian and Middle Eastern-looking commuters with large bags, as one might imagine, are feeling the brunt of the distrust:
Marcus, who says his family are Greek-Cypriot, has devised a strategy to avoid "odd looks" on the Tube (which he attributes to his Mediterranean appearance). To make himself seem non-threatening, he now wears a Make Poverty History wristband and makes a point of reading the Economist.
I can't avoid carrying a big rucksack with my mobile office in when I travel. As I'm an Asian male that's been getting suspicious looks, I've taken to carrying a bottle of wine as if I'm taking it home for dinner. It's ironic, I don't even like wine, but it's a clear visual symbol that says I'm not a fanatic Islamic bomber.

Of course, now that the secret's out, the next crop of suicide bombers could well be queueing up for Make Poverty History armbands, wine bottles and other non-threatening-looking props.

There are also people who have stopped wearing their MP3 players or iPods because of worries about trailing wires or not hearing orders from the police.

Though, OTOH, one of the original bombing victims reportedly retained her hearing because of the iPod earphones she was wearing shielding her ears (and her life because the laptop on her back took the brunt of the blast). Perhaps Apple should use her in an ad campaign?

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Everybody Loves Eric Raymond, a web comic for penguinheads, involving Richard M. Stallman, Linus Torvalds and Eric S. Raymond living in a shared house.

And then there's Buzz Aldrin's Conspiracy Smackdown:

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It looks like the new Doctor Who will be attired in a suit, a trenchcoat and sneakers, in what the BBC are calling a "geek chic" look; in other words, somewhere between John Constantine in the Hellblazer comics and Jarvis Cocker sans glasses.

For a while they had me worried that the BBC were trying to jump on the NME New Wave Glamorous Indie™ Art Rock™ Revival bandwagon and making the Doctor an emaciated androgyne in a tight-black-suit/black-shirt/anorexically-thin-red-tie combo.

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Russia's biggest spammer found battered to death in his Moscow apartment. Insert repurposed jokes about disliked professions here.

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No, this blog isn't dead; Your Humble Narrator was away in Italy for the weekend, with limited internet access. On Thursday, I managed to dodge suicide bombers to get to the airport in time for the plane. Friday and part of Saturday I spent in Florence, managing to take quite a few photos (btw, that Hemingway chocolate place is as good as Cory says it is; particularly the Montezuma). I also visited a few other places; more photos to be posted.

Btw, seen on one of those scooter-trucks belonging to a maintenance firm in Florence:

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2005/7/21

More explosions on the Tube, this time using only detonators. Which is either the terrorists showing that they can strike again, the terrorists showing that they can't strike again because they don't have explosives, or bored teenagers thinking it'd be a fun prank. No casualties are reported.

(Apparently the devices exploded at Warren Street, Shepherd's Bush, Oval and on a bus in Bethnal Green. Shepherd's Bush and Bethnal Green are both areas with many South Asian immigrants living in them. Could it be neo-Nazi skinheads or football hooligan types deciding to "avenge" the 7/7 bombings, in typically moronic fashion?)

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You've probably heard anecdotes about the writers of blurbs for posters, DVD covers and other promotional material egregiously twisting unfavourable reviews to produce glowing praise (apparently, as long as the words in the blurb appear in the review in the same order, anything goes). Now here's proof of this practice, with a selection of blurbs and the reviews they came from. They really are shameless:

The Girl in the Café (HBO)
Oregonian: "An endearing romantic comedy."
Actual line: "This new offering from HBO Films is at its heart a bit of political propaganda wrapped into an endearing romantic comedy that starts losing its laughs when it gets to Reykjavik and decides its teachable moment has arrived."
People Are Living There
New York Times: "Exquisite! Very rewarding performances by the four actors."
Actual line: "Things do pick up, however, in the play's second half, when Milly decides that the way to show up her boyfriend is to celebrate. What follows is the worst birthday party of all time, and Suzanne Shepherd, the director, stages it with exquisite patience, including a long, silent stretch of eating that will leave any dietitians in the audience appalled and everyone else laughing. ... Apparently it's no fun turning 50 whether you live in South Africa or in Elizabeth, N.J. That may be the main insight to be gleaned from the Specific Theater Company's revisiting of 'People Are Living There,' an unrewarding Athol Fugard play that benefits from some very rewarding performances by the four actors."

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2005/7/20

The Howard government's fondness for censorship and kneejerk moralism strikes again: now they're pushing to have the film Mysterious Skin banned. Attorney-General Philip Ruddock ordered a review of the film's classification because the puritanical wowsers from the Australian Family Association and evangelical Christian groups read a summary of the film and decided that it could titiliate paedophiles or help them seduce children. Which, as anyone who has seen the film will tell you, is absurd. But it plays well with the Hillsong/Family First constituency who have the government's ear, so the rest of Australia have to make do with the cultural products our appointed spiritual leaders decide are appropriate.

(The film showed here in the UK some months ago, and there was no outcry whatsoever; to people here, it was just another small indie film. But for some reason, Australians cannot be trusted with the same amount of leeway they have elsewhere.)

Anyway, if you live in Australia and are displeased with small-minded petty theocrats from one-book households deciding what you can and cannot legally see, write a letter to a newspaper. It's important that someone lets the censors of Canberra know that they are answerable to people other than religious prudes. (Perhaps it's time someone printed stickers that said "I Watch Controversial Arthouse Films And I Vote"?)

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News Corp. buys MySpace, which was the next Friendster/Orkut and/or where all the angsty emo teenagers moved to after LiveJournal became too full of grown-ups. Murdoch paid US$580m for it. No word on whether MySpace.com is going to start showing prominent flags, "We Support Our President" banners and/or ads for Ann Coulter books (or, in Britain, a "Chav And Proud" logo in Burberry check).

(More seriously, News Corporation is known for its fine-grained news-management deployed strategically to influence elections. Perhaps their acquisition of a social-network site, and building up an internet division, could be used to enhance this on an even finer level. Imagine, for example, if they have a system capable of predicting a user's political sympathies, based on their social contacts, web links, and/or keyword analysis of their comments/journal entries. Those with political opinions in line with News Corp. strategic goals could be served with ads and/or news content designed to stir them into activism, whereas those with opposing inclinations could be fed toned-down versions of news articles and ads for escapist entertainment designed to depoliticise them. The possibilities are endless.)

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To commemorate the Apollo 11 Moon landing, Google have released Google Moon, a Google Maps for the moon. It's not searchable, and has only six locations in it (i.e., the six moon landings); when you zoom right in, however, it reveals the true composition of the Moon.

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An interesting and comprehensive documentary about the Amen break (QuickTime video), giving examples of its history from The Winstons' B-side Amen Brother to its influence on hip-hop and jungle, its appropriation and fetishisation by pretentious people with PowerBooks, and its subsequent ubiquitification into the wallpaper of consumer culture, and the (increasingly paradoxical) issues of copyright.

(One of the claims made is that The Winstons do not defend their copyright of the Amen break, though that hasn't stopped sample-CD companies from releasing their own versions of it and claiming copyrights on them.)

(There's also one on the cultural history of the Roland TB-303, though I haven't seen that yet.)

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2005/7/19

An Indian singer without a record deal is financing his career by selling shares in himself on eBay. £3,000 will get you 0.25% of Shayan's total earnings in music (including copyright and writing royalties).

"If you put £3,000 in me, and I sell 100,000 albums, you double your money," he added.
He pointed out that, while the investors were taking a big risk, they were getting investment in the copyright, which exists 70 years after his death in the UK, and 60 years in the US.
Which sounds like an argument for perpetual copyrights; there is no reason for an artist to have the rights to their works for 70 years after their death, though if they can trade part of those rights away, they can make money earlier. And the longer the rights last, the more they're worth being traded away.

Though before embracing the new share-selling future, it may be worth considering the implications of such a model spreading. Imagine, in future, if instead of government-funded education (please stop laughing, Americans Australians in the audience) or student loans, students wishing to undertake expensive university degrees sell shares in themselves. The shares entitle shareholders to a slice of one's future income. To protect their investment, shareholders have power of veto over lifestyle choices which may impair income; this can include everything from the ability to sue an asset who decides to get a tattoo to, if you're majority-owned by others than yourself, the ability to relocate you to a highly profitable hellhole where their investment can be maximised. Which sounds rather like a finer-grained slavery, though think of the efficiencies it'll bring into the marketplace.

(via techdirt) a modest proposal corporations personal securitisation 5 Share

2005/7/18

Seen recently at a North London railway station:

A chap in an olive-green shirt (not unlike those German army shirts, only without the flags on the sleeves). Both sides of the shirt was stencilled with a variety of slogans, in black, white, bright red, sky-blue and cyan, and a ransom-note array of fonts.

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The slogans included "London", "Anarchy", "Gothic Dark", "I'm Cool", "Hell's Bells" and "I Pray For Sex".

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Casiopunk art-pop band ninetynine have a new best-of compilation out; titled Chapter Ninetynine, it has most of their essential tracks (Wöekenender, Super 8, Polar Angle, The Process and Cois Il Hamdu Lilah make it on), a few tracks from their last record-club-only EP, and a few more obscure gems (I'm glad to see that the sublime 180 Degrees (from the Anatomy of Distance compilation) made the cut); there are only a few omissions of note (one of Mesopotamia or Kinetic Factory would have been good, as would have The Specialist and, indeed, Popemobile).

Chapter Ninetynine is out on Strange Ones, a Barcelona-based indie label. No word on whether there will be an Australian release (or, indeed, whether it'll be through Chapter Music).

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The book is closed on another chapter of Melbourne music history, as Gaslight Records closes its doors. Gaslight has once been one of the places to get obscure imports, and was famed for its selection of local releases, its quirky calendars (which were second only to Astor Theatre calendars on the toilet doors of Melburnian hipsters) and its annual nude shopping days (a fine celebration of the Australian larrikin spirit); mind you, this is not entirely unexpected; Gaslight had been in decline since ChaosMusic (sort of an Australian cdnow.com) bought the shop in the late 1990s and its selection began to deteriorate somewhat; and the advent of internet commerce hadn't helped its import business either.

I remember Gaslight well; the last time I was there was in May, on my visit to Melbourne. Walking along Bourke St., I heard some particularly lovely post-rock ambience emanating from the shop; I stepped in, and ended up leaving with the new Laura album.

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2005/7/17

It looks like there's a Nathan Barley DVD coming out in late September. (It's only Region 2, btw; I have no idea whether this series has made it outside of Britain.) I wonder what extras it will have.

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Free raves have returned to the English countryside, driven by pill-poppers' disaffection with highly commercialised, expensive and increasingly London-centric superclubs. The "free parties" are secretively organised using disposable pre-paid mobile phones (as they are illegal under the Criminal Justice Act, which has not been repealed), are centred around hard house and trance, and are claimed to be more responsible than the raves of yesteryear; though locals and the authorities disagree, and are planning to step up prosecutions.

"You think it would be quite heavy but it's mellow and chilled. You don't see people passed out on the floor. You don't get stupid young girls who drink too much that you get in commercial clubs. They cause the trouble, they cause the fights. You get that in Lynn way too much."
"There were five or six police on duty in south Norfolk that night," he said. "They talked to people at the rave and decided they didn't want any confrontation and let it run its course. What I'd like to see is the organisers being arrested or their equipment confiscated so they can't do it again. If the police don't want confrontation, fair enough, but why not confiscate it at the end of the rave?"
Norfolk police are investigating a number of free party organisers with a view to prosecuting them. Supt Scully dismissed claims the organisers acted responsibly. "If you get 300 cars and 600 people gathering in a site of special scientific interest, how can you say you are being responsible?," he asked. "It's insulting to the local local communities to suggest that."

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Mark Davis, the Marxist academic best known for his pre-apocalyptic critiques of Los Angeles, now turns his attention to Dubai, the surrealistically larger-than-life high-tech pleasuredome, built on what is effectively slave labour:

The hotel driver is waiting for you in a Rolls Royce Silver Seraph. Friends have recommended the Armani Hotel in the 160-story tower or the seven-star hotel with an atrium so huge that the Statue of Liberty would fit inside, but instead you have opted to fulfill a childhood fantasy. You always have wanted to be Captain Nemo in Twenty Thousand Leagues Under the Sea.
Under his leadership, the coastal desert has become a huge circuit board into which the elite of transnational engineering firms and retail developers are invited to plug in high-tech clusters, entertainment zones, artificial islands, "cities within cities" -- whatever is the latest fad in urban capitalism. The same phantasmagoric but generic Lego blocks, of course, can be found in dozens of aspiring cities these days, but Sheik Mo has a distinctive and inviolable criterion: Everything must be "world class," by which he means number one in The Guinness Book of Records. Thus Dubai is building the world's largest theme park, the biggest mall, the highest building, and the first sunken hotel among other firsts.

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2005/7/15

The video game of the moment appears to be Katamari Damacy; it involves rolling a ball around a landscape, rolling over objects which become stuck to the ball, and graduating to larger and larger objects as the game progresses. Though, from what I hear, it's even more surreal than this somewhat prosaic description would suggest, with a bizarre and quirky soundtrack adding to the experience.

Unfortunately, the only way to legally play Katamari Damacy outside of Japan involves moving to the U.S.; it's only out there, and only in region-locked PlayStation format. And with governments cracking down on the economic terrorism of modchips all across McWorld and Sony not deeming Katamari to be worth releasing in other territories, this looks unlikely to change.

However, an enterprising hacker has created a simple Flash game based on Katamari Damacy. It's very rudimentary; for example, it does away with the whole 3D thing and all the scenery, not to mention any sound, and merely involves the player rolling a ball around in 2D, collecting increasingly larger objects, which get stuck to it. Unfortunately, it only goes up to telephones, so eventually you end up rolling around picking up speck-sized telephones.

I wonder how long until some penguinhead tail-light chasers decide to do a FreeCiv on Katamari Damacy and make their own (perhaps with a gnu or a penguin pushing a ball around, or even filling it with unsubtle anti-Microsoft propaganda, à la FreeDroid). Bring it on, I say.

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The BBC has a special feature on Battersea Power Station (you know, the upside-down-coffee-table-shaped structure in south London, best known from Pink Floyd and Orb cover artwork), including panoramic views (the Art Deco control room looks fantastic, like something from a retrofuturistic scifi film), photographs from its past and sketches of development plans (apparently it is set to become a shopping centre/restaurant complex; let's hope they redevelop it sensitively).

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According to a new report, the widespread adoption of (commercial) hip-hop culture and the chav lifestyle by Britain's youth is affecting their educational and career prospects:

"The lure of popular 'bling bling' and Nike identities impacted on young people's engagement with schooling. A widespread and heavy investment in branded identities ("we're Nike people") shaped pupils' aspirations and engagement with schooling," the report continued.
"Desire for fashionable clothes, trainers and accessories meant that many young people wanted to leave school and start earning money as soon as possible. Higher education did not fit with these desired identities and was seen as an unattractive option that would not allow a young people to (afford to) 'be myself'," it said.

(One may well ask, what else is new. School has never been considered "cool", and dropping out to become a bricklayer or filing clerk, live in a bedsit and spend all one's money on flash clothes and partying all weekend dates back to the end of post-WW2 rationing. (Granted, the Mods who pioneered that did it with a lot more style than the thug-wannabes in gold jewellery and Burberry shellsuits.) Which left the picked-on high-school dorks to actually achieve anything other than a dead-end job later in life.

"Lot of the girls were coming into conflict with schools for 'speaking their mind' - there's a notion of being a strong woman - like Beyonce. This was being interpreted by schools as aggressive."
(Do they need Beyonce for that? I thought watching EastEnders would have been enough.)

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In 1987, the Hawke government tried, and failed, to push through its national ID card, the Australia Card. Now it looks like the Howard government is considering reviving it:

Mr Howard vigorously campaigned against the Australia Card proposal which was raised in 1987, but today he said times had changed. "That's 18 years ago and it may well be that circumstances have changed."
The Tories haven't decided on whether to adopt a national ID card (or, at least, so they say), but if they do, they will be able to get it through parliament, given that (with Australian's rigid party discipline) both houses of parliament are essentially rubber stamps for the Liberal/National Party caucus. Whether or not it would survive mass civil disobedience (the threat of which was instrumental in sinking the original Australia Card).

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2005/7/14

From a BBC article, asking what could motivate normal young men from Leeds to become suicide bombers:

"Then the government aren't helping that either because they approach people by putting labels on them.
"These kids, whoever they are, want to create their own identities but are being told they are Muslim, white, black or whatever.
"The majority of the lads just want to be British but ever since 9/11 they've been pushed back time and again onto a Muslim identity.
And elsewhere, questions are being asked about multiculturalism and its present implementation.

Could it be that multiculturalism, as practiced in Britain, overemphasises the rights of cultures over the rights of individuals to choose their own identities, discouraging them from joining the mainstream of British culture in the interest of diversity? In the multicultural age, the concept of assimilation is considered unfashionable, bordering on racism; the alternative, however, seems to encourage the formation of enclaves and ghettos, and the sorting of individuals into those by their ancestry or background. Could it be time to reassess this balance?

If someone is, say, Catholic or Jewish, that is treated as incidental to everything else they are, rather than as a primary and core part of who/what they are. (Well, except possibly by various Ulster unionists and BNP neo-Nazis). If someone is Muslim, however, that seems to be regarded as a fundamental part of their identity, an indicator of difference. The subtext seems to be "they're not like us": they pray differently, eat differently, drink differently, dress differently, and even if they don't, they have different values. Over time, this could become a self-fulfilling prophecy, an internalised mechanism of segregation.

Part of this is due to the legacy of 1960s New Left identity politics, with its emphasis of empowerment through collective identity and condemnation of any privileging of a mainstream culture over subcultures as "hegemonic". Taken to its extreme, this would end up with disjoint, ghettoised communities, each with their own cultures and values. And when there is little meaningful interaction between communities (and impersonal transactions in kebab shops and minicab offices don't count as meaningful), it is easy for radical elements within either community (be they Islamist militants or the BNP) to dehumanise the other community as a faceless collective enemy, rather than a large number of different individuals, some of whom one could probably get on with rather well.

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2005/7/13

In France, a bus company is suing a group of cleaning ladies for unfair competition for organising a car-pooling service which happens to run along its route. The company wants the women to be fined and their cars confiscated.

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It has been confirmed that the tube bombings were carried out by British-born suicide bombers. This is something pretty much everyone was hoping not to hear: for one, it is next to impossible to defend against suicide bombers (the admonitions to look out for unaccompanied bags are, of course, useless; meanwhile, some claim that the body-scanning machines to be installed on the Tube at massive expense will only provide suicide bombers with long queues to blow themselves up near). In Israel, they have metal detectors and explosive detectors everywhere (you can't enter a reasonable-sized public space without being scanned), and that doesn't seem to have stemmed the tide of carnage. And guess what: we're all Israelis now.

The fact that the bombers were British-born, showed no sign of association with Islamist extremists, and were known, among other things, to good-naturedly play cricket at a local club in Leeds is even more chilling. It can't be good for relations between Britain's Islamic communities and the rest of the country; already, those neo-Nazi hatemongers, the British National Party, have been making hay from the tragedy.

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2005/7/12

A comparison of US and British media's responses to domestic terrorist acts:

Right this minute, on the BBC World service: a lengthy report on humanitarian efforts in Africa. No news crawl. If you didn't know the London bombings had happened already, you wouldn't even know.
Right this minute, on CNN International: a lengthy report on anti-terrorism efforts in other countries, so far specifically framed as a series of successful trades: decreasing freedom for increasing surveillance, with greater security supposedly as the net result. Along the bottom, a news crawl repeats bombing-related headlines constantly.
One of these things is not like the other. One is constant, constant fear-pandering. The other -- from the country that actually suffered the bombings, no less -- is still reporting something resembling actual news, with something resembling a dose of actual perspective.
Then again, don't Britain's commercial news providers (Murdoch's Sky News) push the fear angle hard as well, mostly because that's what gets the eyeballs? Or is it a matter of (a) the American public being fear junkies, or (b) the US media being in the service of neocons (and/or reptilian aliens that psychically feed off fear), in whose interests it is that the population is kept terrified?

A related thought: if Britain was like America, we'd probably have Dannii Minogue singing Rule Britannia (and/or God Save The Queen, complete with the jingoistic third verse -- "confound their politics, frustrate their knavish tricks, on Thee our hopes we fix") at a star-studded gala right now.

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I'm getting rather fed up with the Fresh prepaid mobile service I use. I got it when I arrived in the UK, as it was the cheapest way to get a +44 mobile number (essential for getting calls about accommodation/jobs returned), and to someone living off saved Australian pesos, cheap is good. (It's something like half or less of the cost of using other services.) What I've since learned is that what you save in call costs, you pay for in gratuitous inconvenience. Consider, for example:

This happened to me a few times. The most recent time, yesterday I went to top up my account, and asked the clerk to remove the bar immediately. He said he could do that. He lied.

As such, I just spent 9 minutes on hold, being subjected to what sounded like some kind of jazz-fusion/whalesong melange, punctuated at 15-second intervals by a plastically cheerful female voice insincerely apologising for the delay, before getting a call-centre employee who could lift the bar for me.

There is no technical reason for why Fresh needs to suck so badly. I suspect it may be part of an experiment in how people monetise convenience, and how much inconvenience they are willing to put up with to save a few quid.

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Screenshots of the latest Windows Longhorn beta. It looks like Microsoft have one interesting eye-candy feature that Apple currently don't: the ability to do translucent elements, i.e., ones in which the pixel value can be a function of not only the background pixel but its neighbours (which allows Gaussian blurring and such). I wonder how computationally expensive this is compared to Apple's straightforward transparency; it certainly looks pretty, though.

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Impaled Northern Moonforest is an Acoustic Black Metal act, and has songs for downloading, with titles like "Lustfully Worshipping The Inverted Moongoat While Skiing Down The Inverted Necromountain Of Necrodeathmortum" and "Entranced By The Northern Impaled Necrowizard's Blasphemous Incantation Amidst The Agonizing Abomination Of THe Lusting Necrocorpse". They sound exactly as you imagine them to.

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Word of the day: Londonistan, or the US press's term for London-as-the-Jihadist-hub-of-Europe:

In articles with headlines such as "For decades London thrived as a busy crossroads for terror" (New York Times) and "Continent's Issues include Geography and Open borders: Bombers travel freely, police cannot" (Wall Street Journal), the American press argue that London is a global hub for Islamic fundamentalism and terrorist cells.
"If London became a magnet for fiery preachers, it also became a destination for men willing to carry out their threats," said a front page report in the Times on Sunday. "For a decade, the city has been a crossroads for would-be terrorists who used it as a home base, where they could raise money, recruit members and draw inspiration from the militant messages."
There is now debate in the US about whether Britons should be able to enter the US without a visa.

Link via hairyears, who points out that, more than that, London is a hub of open debate of the sort suppressed in the Middle East, and the liberals and reformists greatly outnumber the Wahhabi exterminationists:

This is the world's largest population of educated middle-class Arabs in an open society. As a consequence of our tolerance, all shades of opinion are expressed here, from Hamza and the exterminationists to governments-in-waiting, to exiled monarchs and all manner of opposition newspapers that are banned and smuggled into the 'home' country by travellers and relatives. Small cabals of nutcases in bedsits with bombing videos and extremist tracts, attending Arabic-speaking private mosques? Yes, we've got them, too. What's Arabic for Unabomber? Madmen have existed here since the Anarchists came to London a century ago, with their futile factional extremism and their bombs, but it never amounted to anything much. London's politically lively - raw and strident, if you know where to look - but it's no hotbed of violence: politics, not warfare.
It is also well worth pointing out that the suppression of moderate Arabic opinion has been condoned by successive Washington administrations, who do not grant political asylum to embarrassing critics of strategically-useful despots. That's why the moderates are here, not in New York's great melting-pot.

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The wheel of fortune turns again; disgraced blogging pioneer Jorn Barger is now homeless on the streets. He has been seen in San Francisco, holding up a sign "Coined the term 'weblog,' never made a dime". I wonder whether he shares the sidewalk with several failed dot-com entrepreneurs.

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Recording company bosses are livid after the BBC makes MP3s of Beethoven's symphonies available for downloading:

Managing director of the Naxos label, Anthony Anderson, said: "I think there is a question of whether a publicly funded broadcaster should be doing this and there is the obvious issue that it is devaluing the perceived value of music. You are also leading the public to think that it is fine to download and own these files for nothing."
Of course, the value of music that the label executives are so valiantly defending is not its use value (how much enjoyment it can bring) but its exchange value (how useful it is as a currency).

In today's dominant ideology of Reaganite-Thatcherite monetarism, where the key participants are corporations (beings incapable of actually experiencing the use value of art) and humans are merely the microorganisms in their guts, art is primarily currency; any subjective artistic or aesthetic value is secondary. Scarcity is essential to the value of a currency, and any loss of scarcity damages that value. Which is why copying is seen not as cultural cross-pollination but as equivalent to currency counterfeiting, making music available for free, even when legal, is considered unethical.

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2005/7/11

It looks like the OXO OVO graffiti may have made it to London:

img_9155_oxoovo
(Seen in the underpass near Waterloo tube station:)

Then again, there aren't any cryptic slogans about literacy, religion or what have you, so it could be fake.

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Your Humble Narrator went to see Sigur Rós last night at Somerset House.

The support band was one Amina Strings, who are also from Iceland and have played and collaborated with Sigur Rós quite a bit (I recall seeing a flyer for a gig they did up in Scotland some years ago). Four women who seem to be a string quartet who picked up other instruments. Their set involved them playing various sorts of string instruments (including violin/viola/cello and some sort of harp/koto-like ones), plinking away in synchrony on chromatic percussion, playing a saw with a bow (think Delicatessen; it makes one wonder whether it was an ordinary hardware-shop saw or whether there's a place somewhere that sells special tuned saws for musical use), doing various things on an iBook, and bringing out a Casio VL-1 at some stage, set to Rock 2 (that's the Wöekenender loop). They weren't all that far from Múm territory.

Next up there was half an hour of weird, glacial drones played through the PA as people went to buy overpriced Carling lager in plastic cups. (Aside: Carling is rubbish; it's not so much a generic beer like Carlton Draught, as a homogenised, heavily carbonated piss; probably a similar concept to the US Budweiser, which I've so far managed to avoid. Carling, however, own the live music scene in Britain, and are harder to avoid.) Then Sigur Rós came on. The first thing I noticed was the frontman playing his guitar with a bow. Not one of those E-Bow magnetic devices, but an actual cello bow. The guitar in question looked very traditional, redolent of the blues/rock heritage of the American south; the juxtaposition of it being played with a bow seemed rather postmodern. That's not the only weird thing he did with his guitar; at one point, he held it to his face and sang into the strings.

Sigur Rós played for about an hour and a half, including two encores. They were accompanied by Amina Strings during some of the songs. They played some old favourites (including Svefn-g-Englar and the first two tracks of ()) and what seemed to be some new tracks. One of them sounded a lot more approachable, and almost like a Doves track; perhaps it's a consequence of them having signed to EMI? Anyway, the light show was pretty good too, with the colours (deep golden greens and icy blues) and visual projections (ghostly processed images of moving people and jerky video of electric pylons) going quite well with the music. More photos here.

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2005/7/10

Ishkur's Guide to Electronic Music, a Flash applet giving a chart of the different genres and subgenres of electronic music, past and present, each with loops from several examples.

<ANORAK> The guide has a few curious anomalies; for example, it includes gothic rock at its most rockist in the "trance" category (presumably because trancy music gets played at today's goth clubs), whilst omitting much of the rest of non-electronic music of the time (the Cocteau Twins, for example, are classified as "darkwave" (or "industrial goth"!)), and while "French pop", "musique concrete" and "minimalism" get mentions, Krautrock is lumped into "psychedelia" along with The Beatles; meanwhile, Milli Vanilli are classified as "new jack swing" (an American movement they had nothing to do with), Laid Back's White Horse is classified as electro-funk rather than punk-funk (given that Laid Back were European and got played mostly in predominantly white mutant-disco sets alongside the likes of The Clash, Ian Dury and The Normal, placing them alongside George Clinton and Roger Troutman may not be the most accurate categorisation; then again, perhaps looking at it from the direction of goth, IDM and post-rave techno (towards which there seems to be a bias), you might not pick up these distinctions), and DFA/LCD Soundsystem-style punk house doesn't seem to appear (except perhaps as a footnote to electroclash, which the author has redubbed as "synthtron", arguably the only possible name dafter than "electroclash"). And there's the matter of a genre of hard dance being named "stupid". </ANORAK>

Nonetheless, it is quite comprehensive, and quite useful if you wanted to know what various genres (such as, say, abstract hip hop, liquid funk, JPop, casiocore, Rio funk, power electronics and buttrock goa), sound like, or are looking for starting points for MP3 downloading CD purchases.

(Incidentally, "buttrock goa" is goa trance with heavy-metal guitar riffs. Heavy metal does seem to have a bit of an anal fixation, doesn't it?)

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2005/7/9

Police evacuate the centre of Birmingham, following a security alert. Perhaps this means that it's not Islamists but Smiths fans behind the attacks.

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2005/7/8

Under John Howard's industrial-relations reforms, workers will be able to cash in 2 weeks of paid leave. Which is how the Tories put it; the unions are warning that employers could insist on employees waiving two weeks of leave; the Howard government has refused to prevent this from happening, claiming that Australian workers need to become more globally competitive. Given that Australians already work longer hours than many other countries (including Europe, the USA and Japan), this argument seems spurious.

High-value employees will, of course, be able to benefit from the increased flexibility and insist on the full four weeks (or even more; some companies, for example, give workers an option to do the opposite of this deal, and take extra unpaid leave); meanwhile, deskilled and interchangeable employees will probably get a US-style 10 days' leave a year. Then again, given that a lot of such employees work casual jobs, and don't get leave entitlements, one could argue that not much will change.

No word on whether leave loading or long-service leave (an artefact of a time when many of Australia's workers were European immigrants who desired to visit families abroad) will survive the reforms, though I wouldn't bet on it.

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2005/7/7

According to the Wikipedia entry on the terrorist attacks, there was also a bombing in South Kensington, and a suicide bomber was shot dead in Canary Wharf.

Some group claiming to be al-Qaeda has claimed responsibility for the attacks. Which could well be true; initially it didn't look quite spectacular enough to be them, though it could well be a group of radical Islamist copycats; a franchise operation, as it were. Or a feint to draw out the emergency response services and analyse their plans in preparation for a later, more devastating, attack. It's probably not the IRA, anti-globalisation groups, animal-rights militants or anyone else.

Then again, after such an attack, nutters usually come out of the woodwork to claim responsibility and get some free publicity. The militant Islamist group who claimed responsibility may or may not be connected to whoever actually carried out the attacks.

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One thing that seems striking about the incidents is the apparent lack of panic. Commentators are talking about the people's stoical resolve, hardened by IRA bobings past, and the spirit of the Blitz. As such, if the aim was to terrorise the public, it doesn't seem to have worked.

It's official: it's a terrorist attack, or so Blair has said anyway.

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Bombs go off all over London, at Tube stations and on a bus, at 8:50am. The Tube and bus services have been suspended. Details are still vague, though there are reportedly many seriously injured people. Initial reports said that it was a very severe signal failure power surge, though now it's looking like a terrorist attack.

Update: there are rumours that 20 people are dead and >90 injured, though the BBC hasn't confirmed them.

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2005/7/6

The EU Parliament has thrown out a proposed software patent directive, by 648 to 14 (w00t!). The European Commission has said that it would not draw up or submit any new versions of the proposal. Which means that it is stone cold dead, for now at least; though as Cory Doctorow points out, there is too much monopoly rent waiting to be extracted for the pro-patent lobby to not try again.

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London has won the 2012 Olympics. Which means that Londoners can look forward to public transport improvements (read: entire tube lines being shut down for many months at a time to get them ready for the five-ring circus), not to mention the standard curbs on civil liberties when the event does happen. (For example, wearing a T-shirt bearing a political slogan, such as "FREE TIBET" or "US OUT OF VENEZUELA", or indeed the logo of the rival of an official Olympic sponsor, will probably be an arrestable offense within large parts of normally public space in the city. In Sydney in 2000, it was also forbidden to allow friends to park on one's property, as it would cut into the official parking providers' profits or somesuch; somehow, this probably won't be as big an issue in London.)

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2005/7/5

Yat-Kha are a band from the Siberian republic of Tuva who practice the Tuvan style of throat singing. They now have an album of covers of Western pop songs, including Led Zeppelin, Kraftwerk, Hank Williams, Bob Marley and Motörhead. The cover of Joy Division's Love Will Tear Us Apart, available for downloading from the page, is the greatest thing since those Portuguese-language David Bowie covers in The Life Aquatic With Steve Zissou.

They are also touring the UK in September and October.

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2005/7/4

You know those American Apparel "sweat-shop free" T-shirts with the reality-porn-style ads in VICE Magazine and such? Well, apparently the company is not quite as ethically sound as it claims to be:

According to a complaint filed with the National Labor Relations Board and settled by the company, American Apparel engaged in tactics of intimidation to bust an attempt at unionization, including interrogating workers about their support for a union, soliciting workers to withdraw their union authorization cards and threatening to close the facility if a union was formed. The company also allegedly printed armbands to be worn at work which read, "no union," and forced employees to attend an anti-union rally.
As a result of their settlement with the National Labor Relations Board, American Apparel signed an agreement promising not to engage in union-busting tactics in the future.

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Galambosianism is alive and well in Illinois, where a man claims total ownership of all rights to several words including "stealth". He has successfully held off stealth-fighter maker Northrop-Grumman, won a few thousand dollars from joke site stealthdisco.com (which showed clips of employees dancing silently for a moment or two near the desks of unsuspecting colleagues), and even managed to shut down StealThisEmail.com because it contained "stealth", and is now in court against Sony's Columbia Pictures, who are about to release an action movie titled Stealth. Oh, and he also claims ownership over a number of other words, including "chutzpah".

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Tetka, an interactive Flash toy in which an oddly rubbery, physics-obeying female mannequin (which looks to be either the corpse of a drugged stripper, a perversely erotic crash-test dummy or a sex doll from well within Mori's Uncanny Valley) falls through an infinite void of spheres, hitting and bouncing off spheres, its limbs flailing realistically. It's compelling whilst at the same time disturbing.

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2005/7/1

A BBC TV programme is using computer-based photo-aging technology to model the effects of decades eating junk food:



I wonder what algorithm chose the grey sweatshirt/polo shirt in the aged images.

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As usual, here is my purely subjective roundup of albums/EPs of the past six months. Some are new, some are older, but all are things I obtained in the past six months and (in the case of things a few years old), by bands I only recently discovered. This list is, of course, completely subjective; you may disagree, but to paraphrase a Lush lyric, maybe you're right but this is my blog.

Honourable mentions: Momus, Otto Spooky (a bit of a mixed bag, though has a few exceptional tracks on it); Belle and Sebastian, Push Barman To Open Old Wounds (it's a retrospective compilation and not a new work in its own right, though a good place to go for their many classic single tracks); Doves, Lost Cities (more atmospheric than most of the recent British pop bands, almost going into shoegazing territory in places; whether it's worth importing if your EMI subsidiary corrupts its CDs is another matter, though)

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