2006/1/31
The Melbourne City Council is planning to discourage the use of cars in the CBD. It's not quite a London-style congestion charge, but will involve lowering speed limits, reclaiming street space for pedestrians and cyclists, giving cheaper public transport fares to residents who give up parking permits and, umm, resisting moves to ease the flow of traffic into the city centre. It also will only cover the 2 square kilometres that comprise the central business district, and depends on the state government increasing public transport funding, which it has shown no signs of doing.
So, if this plan goes ahead, two things could happen:
- People abandon driving into the city centre in favour of public transport; as pressure on the city's trams and City Loop increase, the government increases funding and expands the system to cope
- People abandon driving into the city centre. Overcrowded trams and trains struggle to cope. Public transport operators rip out seats, creating a standing-only transport system to accommodate the crowds. The government hems and haws over the question of increasing funding, eventually doing little or nothing. After mass public dissatisfaction, the city council reverses the plan, removes bike/bus lanes, restores parking spaces and the car resumes its place as Melbourne's rightful king, and motorists can once more sit down in their oversized Toorak tractors as they nip down to David Jones.
2006/1/30
John Birmingham puts forward the case that the political right pretty much has a monopoly on humour, with the left having become too puritanical and politically correct to laugh, with the voices that dare to be outrageous being predominantly right-wing, from shock-jocks and reactionary bloggers to institutions like VICE Magazine (infamously offending the uptight by pejoratively calling things "gay") and the creators of South Park and Team America (who skewered Hollywood liberals and left-wing sanctimony alike).
Of course, this relies on a rather broad definition of "right-wing", as anything that goes against a doctrinaire liberal/progressive view of propriety and "political correctness". By this token, one would classify Coco Rosie as a right-wing band, placing them in the same ideological milieu as Pat Robertson and Little Green Footballs, because one of their number attended "Kill Whitey" parties. And while VICE's Gavin McInnes claimed in American Conservative to represent a hip new conservatism (a view he later retracted, claiming he was joking/being ironic), the cocaine-snorting, nihilistic libertinism epitomised in the magazine, as much as it may offend "liberals" (or straw-man caricatures thereof), hardly fits well with the canon of conservatism and its emphasis on values, tradition and authority. However, it does fit in with the recently noted shift towards Hobbesian nihilism and radical individualism.
On a tangent: some American conservatives are concerned about FOXNews' alarming slide to the radical left; the channel, once the shining beacon of all things Right-thinking, has been compromising its Fair And Balanced™ reputation by running programmes on topics such as global warming. Pundits blame the influx of liberally-inclined ex-CNN reporters, the staffers having spent too long in Godless New York, away from the Biblical certainties of the Red States, or Murdoch not really being "One Of Us", but rather a cynical opportunist.
And finally, a study on the neurology of political belief has showed that True Believers of both stripes are adept at ignoring facts which don't jive with their beliefs, and experience a rush in the reward centres of the brain when they do:
"We did not see any increased activation of the parts of the brain normally engaged during reasoning," said Drew Westen, director of clinical psychology at Emory University. "What we saw instead was a network of emotion circuits lighting up, including circuits hypothesized to be involved in regulating emotion, and circuits known to be involved in resolving conflicts."
The test subjects on both sides of the political aisle reached totally biased conclusions by ignoring information that could not rationally be discounted, Westen and his colleagues say. Then, with their minds made up, brain activity ceased in the areas that deal with negative emotions such as disgust. But activity spiked in the circuits involved in reward, a response similar to what addicts experience when they get a fix, Westen explained.
The 3RRR summer break is over, which means that the normal breakfast team is back. Which is a pity, because I much preferred Richard Watts' summer guest breakfast show.
Watts is a writer, spoken-word artist, DJ and regular of the Melbourne arts scene; when he spoke, it was thoughtfully, and about things from the arts to current issues. He had other RRR presenters stepping in to co-present, and they were similarly intelligent people like Alicia Sometimes. Though most of the show wasn't talk but music; the music was an eclectic selection, spanning decades, and I don't recall him playing the same track twice; the music was radio programming at its finest, in the same tradition as John Peel.
The three regular breakfasters, however, are the typical crew of professional buffoons, joking and guffawing about current news, sports and pop culture, in a marginally more intelligent way than on commercial radio. The volume of chatter exceeds that of music, and the music is repetitive: they apparently bring in a handful of CDs, choose one track from each and play that week in, week out. I cannot count the number of times I've heard, for example, Wolfmother's "Apple Tree" or Danger Doom's "Space Ho's" (which they played today again) on the show in the past few months. (Not that these are necessarily bad songs, but if I wanted to hear the same "alternative" tracks over and over, I'd buy a FM radio and tune into Xfm or something.)
I'm thinking of reprogramming my RRR recording scripts to skip the breakfast show altogether and wake me to different programmes.
2006/1/29
If you're planning to buy a new MP3 player, beware, as many of the new ones use a proprietary interface protocol tied to Windows Media Player. Whereas a lot of older players (the Archos Jukebox series and iRiver H100 and 300 series, to name two, not to mention various generic Flash-based players) were USB Mass Storage devices (i.e., looked like external hard disks to a computer), new ones use a proprietary Microsoft protocol named MTP, to transfer data to them and possibly enforce RIAA-mandated inconveniences on the user.
MTP appears to be based on the Picture Transfer Protocol used by some digital cameras, only with some Microsoft extensions, and is tightly integrated with the Windows Media Player; it is currently possible to hack gPhoto, a command-line PTP client, to talk to at least some MTP players. There is some doubt over whether or not this infringes on patents. Users of pre-XP Windows systems, however, may be out of luck.
For Penguinheads and other Windows refuseniks, the Apple iPod is apparently still usable. It looks like a USB Mass Storage device (or a FireWire hard disk), and can be copied to/from, though requires music files to be indexed in a proprietary database file onboard, which iTunes writes; there exist open-source tools, running on UNIX-like OSes, for writing this file as well. (Disclaimer: I've never owned an iPod and so have no experience of how useful or clunky it is to use without iTunes. My way of filling my MP3 player involves mounting it as a disk and copying files or directories to it.)
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An interesting link from Momus: Market research firm Environics has conducted a survey of changing values in America, and come up with some disturbing conclusions. Over the past 12 years, their results show, the meta-values underlying American society have shifted away from engagement within society towards a paranoid, Hobbesian, every-man-for-himself world-view; this has fostered both libertinism and authoritarianism:
Looking at the data from 1992 to 2004, Shellenberger and Nordhaus found a country whose citizens are increasingly authoritarian while at the same time feeling evermore adrift, isolated, and nihilistic. They found a society at once more libertine and more puritanical than in the past, a society where solidarity among citizens was deteriorating, and, most worrisomely to them, a progressive clock that seemed to be unwinding backward on broad questions of social equity. Between 1992 and 2004, for example, the percentage of people who said they agree that the father of the family must be the master in his own house increased ten points, from 42 to 52 percent, in the 2,500-person Environics survey. The percentage agreeing that men are naturally superior to women increased from 30 percent to 40 percent. Meanwhile, the fraction that said they discussed local problems with people they knew plummeted from 66 percent to 39 percent. Survey respondents were also increasingly accepting of the value that violence is a normal part of life -- and that figure had doubled even before the al-Qaeda terrorist attacks.The research was done by plotting survey responses on a rectangular "values matrix", with two axes: authority-individuality and fulfilment-survival:
The quadrants represent different worldviews. On the top lies authority, an orientation that values traditional family, religiosity, emotional control, and obedience. On the bottom, the individuality orientation encompasses risk-taking, anomie-aimlessness, and the acceptance of flexible families and personal choice. On the right side of the scale are values that celebrate fulfillment, such as civic engagement, ecological concern, and empathy. On the left, theres a cluster of values representing the sense that life is a struggle for survival: acceptance of violence, a conviction that people get what they deserve in life, and civic apathy. These quadrants are not random: Shellenberger and Nordaus developed them based on an assessment of how likely it was that holders of certain values also held other values, or self-clustered.
Over the past dozen years, the arrows have started to point away from the fulfillment side of the scale, home to such values as gender parity and personal expression, to the survival quadrant, home to illiberal values such as sexism, fatalism, and a focus on every man for himself. Despite the increasing political power of the religious right, Environics found social values moving away from the authority end of the scale, with its emphasis on responsibility, duty, and tradition, to a more atomized, rage-filled outlook that values consumption, sexual permissiveness, and xenophobia. The trend was toward values in the individuality quadrant.(If I recall correctly, fulfilment and survival are at the two opposite extremes of Maslow's hierarchy of needs, with individuals whose survival needs are met progressing to focus on fulfilment needs. Could the reversion of the focus to survival be the result of respondents perceiving that their survival needs are threatened?)
On a related note: here is a PDF file of a presentation analysing British political opinions along similar lines, and finding that, while the old labels of "left" and "right" are less meaningful, opinions are divided along two axes: the Socialist-Free Market axis of economics and, more significantly, the "Axis of UKIP", which sorts respondents on their opinions on crime and international relations. At one end are the Daily Mail readers, who believe in isolationism and capital punishment, and on the other end are "chianti-swilling bleeding hearts" and cosmopolitanists. The centre of gravity is a little towards the UKIP end, which is why xenophobic, fear-mongering tabloids sell so well. The presentation also has diagrams of the distributions of positions by political affiliation and newspaper choice, with some interesting results.
2006/1/27
In the US, the copyright industry is pushing for a law requiring anything capable of digitising video signals to respond to hidden embedded signals, originally designed for Voltron toys in the 1980s, and to refuse to digitise the content if it is marked as copyrighted.
Meanwhile, in Australia, the same technology is being embedded into plastic dolls of a cricketer, given away with bottles of Victoria Bitter; the signals they respond to will be embedded in broadcasts of the cricket:
Booney dolls went live on Friday the 13th of January with the first match of the VB One Day series, and internet blogs and discussion sites have been debating since then what makes them tick. Booney is activated an hour before each one-day match by an internal timer set to eastern standard time (a glitch for those viewing matches televised on delay in Perth). His first words are "get me a VB, the cricket is about to start", a cross-marketing plug for VB and the cricket that sets the stage for his main performance during the game.
Booney's timer chip is programmed to trigger random comments while the match is in progress, and to announce a codeword for that day's Boonanza competition, in which viewers can win cricket memorabilia prizes (separately, those buying slabs have the chance to win three "Boonanza Utes" and 90 flat-screen TVs).
The major innovation is that Booney's chip responds to four audible triggers broadcast by Nine during matches, to generate targeted comments about bowling, batting, general play and VB advertisements.
Booney's vocabulary ranges from the inane ("Got any nachos? I love nachos") to ones that boost the two key products — the cricket ("He's seeing them like watermelons") and the beer ("Got a beer yet?").
It looks like the next version of Microsoft's Windows OS will require all device drivers and kernel-level code to be digitally signed. This is ostensibly to prevent kernel-level rootkits from installing themselves, though has the bonus feature of adding a ring of steel to the black iron prison the RIAA/MPAA want to build around everything handling their precious intellectual property. Oh, and it will also restrict device-driver development on Windows to those with the resources to pony up for the Verizon digital signature.
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Canadian independent record label Nettwerk is getting involved in the RIAA anti-filesharing lawsuits — on the side of the consumers. Nettwerk has agreed to fund the defendants' case against the RIAA, and any fines should they lose, after a family was sued for having 600 music files on a home computer; one of these was a song by Avril Lavigne, who is managed by Nettwerk.
Nettwerk became involved in the battle against the RIAA after 15-year-old Elisa Greubel contacted MC Lars, also a Nettwerk management client, to say that she identified with "Download This Song," a track from the artist's latest release. In an e-mail to the artist's web-site, she wrote, "My family is one of many seemingly randomly chosen families to be sued by the RIAA. No fun. You can't fight them, trying could possibly cost us millions. The line 'they sue little kids downloading hit songs,' basically sums a lot of the whole thing up. I'm not saying it is right to download but the whole lawsuit business is a tad bit outrageous."
"Since 2003 the RIAA has continually misused the court and legal system, engaging in misguided litigation tactics for the purpose of extorting settlement amounts from everyday people -- parents, students, doctors, and general consumers of music," Mudd stated. "In doing so, the RIAA has misapplied existing copyright law and improperly employed its protections not as a shield, but as a sword. Many of the individuals targeted by the RIAA are not the 'thieves' the RIAA has made them out to be. Moreover, individual defendants typically do not have the resources to mount a full-fledged defensive campaign to demonstrate the injustice of the RIAA's actions. Today we are fortunate that principled artists and a management company, Nettwerk Music Group, have joined the effort to deter the RIAA from aggressive tactics -- tactics that have failed to accomplish even the RIAA's goals."
"Litigation is not 'artist development.' Litigation is a deterrent to creativity and passion and it is hurting the business I love," insists McBride. "The current actions of the RIAA are not in my artists' best interests."
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A handy FAQ on the US president's powers to override the law in the event of terrorist peril:
Q. Things sure have changed since the innocent days of mutually assured destruction! But is it legal for the president to ignore the law?
A. Maybe not according to plain ol stupid ol regular law, but we're at war! You don't go to war with regular laws, which are made outta red tape and bureaucracy and Neville Chamberlain. You go to war with great big strapping War Laws made outta tanks and cold hard steel and the American Fightin Man and WAR, KABOOOOOOM!
Q. Is the president above the law?
A. Nobody's above the law! As commander-in-chief the president just outranks the law.
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2006/1/26
The Londonist reveals a list of places equivalent to Notting Hill around the world. (That's Notting Hill as in the part of West London, not as in the Working Title romcom.) These places include The Marais in Paris, Paddington in Sydney (though wouldn't Glebe be more Notting Hill?) and Christianshavn in Copenhagen; Manchester and Glasgow get two Notting Hill equivalents each: The Cliff and West Didsbury and Strathbungo and Garnethill respectively.
This research was carried out by the simple expedient of doing a Google search for "answer to notting hill". This technique can, of course, be extended to finding equivalents for other iconic districts: for example, Camden Town apparently has equivalents in Tokyo's Harajuku, San Francisco's Haight Ashbury (so that's full of brightly-coloured teenagers and mohician punks with "PUNK" in big letters on their clothing?), Stockholm's Hornstull and Buenos Aires' San Telmo. Running it for Melbourne locales was less fruitful; there are apparently no Brunswick Street equivalents anywhere, though there is one Chapel Street equivalent (Geelong's Packington Street).
Incidentally, there is no Melbourne equivalent of Notting Hill listed. Melbourne does have a locale named Notting Hill, but it is a rather desolate stretch of urban sprawl north of Monash University, where there are enough industrial estates to keep the student-infested 1970s bungalows spread out. Perhaps Carlton or Williamstown would be a more accurate equivalent?
In this Australia Day edition*: John Howard claims victory in the culture war; in his personal aircraft-carrier-off-the-Californian-coast moment, Australia's conservative Prime Minister has asserted that the forces of relativism, debates about Australian national identity and the Marxist-Keatingist "black armband" view of history have been decisively vanquished; consequently, Australians are free to feel no guilt over the past, to not apologise for anything, and gleefully ignore the fact that effete, garlic-eating Euroweenies and latte-sipping traitors in their own ranks see them increasingly as ugly, gormless redneck cowboys. Howard also called for a "coalition of the willing" to fundamentally change how Australian history is to be taught; his view is basically centred on the Western cultural tradition, with, as one would expect, a lot of emphasis on "Judaeo-Christian values" and other things conservatives fawn over, as opposed to, for example, the post-Enlightenment liberal-secularist tradition or pluralism.
Another sign that, in Australia, the conservatives may have won the culture war: sales of Australian flags have increased by 300% in the past five years; perhaps Howard's campaign to socially engineer a US-style culture of flag-waving jingoism in Australia (witness the recent federal requirement for schools to have flagpoles and flag-waving ceremonies) has borne fruit?
* referring to it by other names, such as "Inv*si*n Day", may be seditious under Australian law.
2006/1/25
These people appear to have been putting official-looking stickers on Tube trains, prohibiting talking, sitting and eye contact, among other things:
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2006/1/24
A chilling account of how the future may look if the intellectual-property industry gets its way and gets universal digital rights management on everything capable of handling their precious content:
Going to the movies is not what it used to be. Security at the studio-owned theatres is heavy, it's not a trip to be taken lightly. But if you want to see the film everyone is talking about without waiting a year for the home release, you have little choice. When you enter the lobby the first thing you see are long ranks of tiny, thumbprint activated lockers. This is where you must leave all of your electronics, your personal server and peripherals, even your watch, and you had better not be wearing smart spectacles or contacts. As you enter the security zone you're scanned for anything you may have forgotten. Cochlea and optical implants must be capable of responding with a coded RF identification signal to indicate their systems are secure and cannot record. People with older models, or models implanted abroad where such interrogation is illegal, are turned away. Perhaps they would like to see one of the older releases?
These days it seems like every time you turn on one of your gadgets you have to fight with its DRM to get it to do what you want. The home movie of your daughter opening her birthday presents is ruined by a patch of grey fog that shifts with every movement of the camera, tracking sluggishly to keep the TV screen in the background obscured. From the codes embedded in TV's update pattern your camera had decided the show was not licensed for this form of reproduction and blocked it. You wish you had thought to turn it off at the time, but squinting into the camera's tiny screen it hadn't looked so bad.
You just don't see physical media anymore. Too easily duplicated, their security too easily cracked, they've been dropped in favour of heavily encrypted and vendor-locked streaming media. You don't 'own' copies of any music or movies these days, instead your monthly subscriptions grant you only the right to temporarily buffer a few seconds of the distributor's authorised files while you watch or listen. Ultimately, that was the reason ad-hoc networking protocols and mobile PC technologies were pushed so hard, not because the customers wanted them but because the music and movie industries needed them to replace the vulnerable duplication method normally needed for such mobile media.
The only way writers can get their novels read, or musicians have their music heard, is by signing with a content provider who will claim the work as their own and charge people for access. It's nearly impossible for artists to make money anymore. The celebrities you read about, the millionaires who's contribution to the industry was actually rewarded, are a microscopic minority. But wasn't it always that way? There is nothing to stop an author from reading a work aloud in public, or a band from performing to a live audience, but few beyond that space will hear it. Hardly anyone has access to the technology that would let them record what they're hearing, at least not in any permanent form, and even fewer have the means to share it once they have. And god forbid the artists accidentally use a sentence or lyric already claimed by one of the corporations...
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The latest addition to the Belle & Sebastian lifestyle-experience empire is a graphic novel. Titled Put The Book Back On The Shelf, it comes out in February (one week before their new album) and features stories titled after (and presumably inspired by) Belle & Sebastian songs, written and illustrated by various sequential artists. The only name that immediately rings a bell is Laurenn McCubbin (co-author of "Lazy Line Painter Jane"), who I think is one of those freaky fetish-goth authors Warren Ellis hangs around with or something, and who also did the cover art. (I was hoping they'd get Daniel Clowes or Dorothy Gambrell or someone to contribute to it, but you can't have everything.)
2006/1/23
Another casualty of Apple's move to Intel: FireWire 800. Apparently Intel's chipsets don't support it, so the new Macs don't either, and that massive FW800 hard disk you bought at a premium suddenly doesn't look quite so futureproof. Perhaps FW800 will reemerge when Intel pull their finger out and revamp their chip sets, or perhaps it has officially been declared stillborn, with the future of Apple's hardware platforms to be decided at WinHEC conferences from now on, along with all the other PC manufacturers.
The world's oldest multinational corporation, the Catholic Church, is joining the intellectual-property age; the Vatican has declared it intends to claim copyright on the current and previous Popes' words, and require any publications carrying those words to license them for a royalty equivalent to 3-5% of the cover price. Newspapers are exempted from the royalty, but only by "prior agreement" (i.e., giving the Vatican the power of veto over unflattering uses of the Pope's words). This has raised the ire of those who object to a price being put on the "word of the Lord" and its official interpretation.
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2006/1/22
The "metrosexual" phenomenon may be some 2,300 years older than thought; studies of two male mummified bodies discovered in an Irish peat bog have shown that one wore elaborate nail polish, and the other wore hair gel, imported from France or Northern Spain (which, presumably, was a centre of the cosmetics industry even back then).
"Clonycavan Man's hair style was swept upward on top of his head, perhaps to add a few inches to his height. The hair was held in place by a type of 'hair gel' which was composed of a mixture of pine resin and vegetable oil," Bog Bodies Project coordinator Isabella Mulhall told Discovery News.
His extremely well manicured nails indicate he also was a wealthy man, untroubled by manual labour.Both men had been murdered, after being tortured. Nobody is sure why, but some speculated that they may have been executed criminals or human sacrifices. Or perhaps someone didn't like their fancy looks?
2006/1/21
This site lets you play old Commodore 64 games in your browser, without downloading any software. (Assuming your browser has Java and is on a reasonably fast machine, of course.) The experience includes everything, from SID chip sound to cracker-group intro screens, though your frame rate may vary (it feels roughly like C64 emulation on a 486-class machine in the mid-90s). A new game is added every day; today's addition is Giana Sisters, a Mario Brothers knockoff with added 1980s hairspray.
Mark Dery looks at spam subject lines as Dadaist found literature:
If only Tristan Tzara had lived to read spambot subject lines, some boiler-room hacker's idea of a foolproof strategy for bluffing your way past spam-killer defenses. "Be godparent or osteology," admonishes today's first hunk of junk mail, a Dadaist ultimatum if ever there was one. What mental-ward wisdom hides in this love-it-or-leave-it, my-way-or-the-highway dualism? Does it mean: If you're not part of a social network, bound by family ties, you've got your nose in the boneyard? "Ragweed conjunct Sherlocke," the next spam asserts, cryptically. A reference to Conan Doyle's mythical detective?
But why the antique terminal "e"? Intriguingly, this one makes use of the market-tested alt.music formula of stringing together three unrelated words to generate a record title or bandname guaranteed to inspire hours of beer-bong explication de texte, as in Wilco's Yankee Hotel Foxtrot or The Butthole Surfers' Locust Abortion Technician or Independent Worm Saloon or the Mother of Them All, Captain Beefheart's Trout Mask Replica. Do spambot programmers in offshore sweatshops have a secret sweet spot for the Captain? Or is there a neurocognitive reason for our requirement that three's the magic number when it comes to dream-logic word games? I've archived mails with Beefheartian subject lines such as "biracial Auerbach crankshaft," "boil longleg Kant" (those of us with little patience for the bewigged old dear couldn't agree more) and the painful-sounding "hardwood pancreatic departure".
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The latest rebranding of Jesus Christ makes him a black revolutionary in Africa:
Instead of robes and homilies about turning the other cheek, this Jesus wears jeans and T-shirts and urges supporters to resist - peacefully - a tyrannical regime in an unnamed southern African country which resembles Zimbabwe. A collaboration between Spier films and the Dimpho Di Kopane, a theatre and film ensemble, the feature, made in South Africa, was shot in rural Eastern Cape and in Khayelitsha, a township outside Cape Town plagued by poverty and crime.
Son of Man, directed by Mark Dornford-May, depicts Jesus as a divine being who performs miracles. But it may prove contentious for switching the story from Roman-occupied first-century Palestine to misruled 21st-century Africa. "He gathers people around him to fight against poverty and political oppression," said Pauline Malefane, who plays Mary. "It feels a bit like apartheid, people living in fear that soldiers could come into the house at any time and kill children."Compare and contrast with the hip Jesus-as-Che/Mao icons that evangelical groups around the world have been using in recent years.
Former Australian ambassador to the United Nations Richard Woolcott claims that Australia's reputation around the world is being diminished thanks to government policies of uncritically supporting the Bush government, restricting civil liberties and pandering to bigoted tendencies where expedient:
Australia today is not the country I represented with pride for some 40 years. This country of such great potential risks becoming a land of fading promise.
We have seen Australian democracy diminished by government hubris and arrogance, opposition weakness and a curious public detachment and apathy. Our national self-respect has also been eroded by our excessively deferential attitude to the Bush Administration's foreign and security policy, especially in Iraq. The revelations about the Australian Wheat Board's dealings with Iraq under Saddam and the Government's links with the Board, make its proper opposition to corruption and its demands for good governance, especially in the South Pacific, look hollow. Moreover, truth in Government has yet to be restored.
With our participation in the Iraq war, the Howard Government has also reinforced the image of an Australia moving back to the so-called Anglosphere, rather than focusing more on its future in its own neighbourhood.IMHO, it is not Australia's definition of itself in the "Anglosphere" that is the problem, but its position at the reactionary end of the Anglosphere. The United States, for example, has its famous constitution and Bill of Rights, not to mention an elaborate system of checks and balances which have done much to rein in the powers of radical governments. Britain has a diverse and independent media, which, at its best, is possibly the best in the world. Canada has extensive guarantees of human rights as well. Meanwhile, in Australia, there are no legal rights of freedom of speech, association or conscience (the only constitutionally guaranteed right is not to have a state religion imposed on oneself), the press is owned by a handful of media proprietors (who all supported the Liberal/National Coalition in the last election; even the liberal Age was coerced into running editorials telling voters to vote Tory). In a lot of areas, from treatment of refugees to sedition laws, Australia trails behind other "Anglosphere" countries. Australia could do a lot worse than look towards the other "Anglosphere" countries as models of good governance.
The treatment of Vivian Alvarez Solon, the injured Australian citizen deported to the Philippines, has also undermined the Government's credibility in protecting its citizens' rights. Again, a detached wider community does not seem to care too much about the principles involved in such cases.And public apathy is part of the problem. The famously laconic Australian "no-worries-she'll-be-right-mate" attitude, when extended into politics, does turn into apathy, and, sometimes, a belief that those who aren't apathetic and are "whinging" about these things are "ratbags" and thus suspicious. It's probably no coincidence that this attitude is something John Howard has lauded with his talk of a "relaxed and comfortable" Australia.
2006/1/20
Rail fares in Britain are set to treble, as the Blair government plans to phase out cheap "saver" tickets, giving the privatised rail operators freedom to set their own fares. Rail fares in Britain are already staggeringly high compared to continental Europe, and have a hard time competing with flights; for example, the cheapest flight from London Heathrow to Manchester is £59 — less than £2 more than the equivalent Saver rail fare. Once Saver fares are abolished, the standard fare will be £202, and even people who prefer catching the train (for aesthetic or ecological reasons, for example) will be deterred from doing so. Could this be the end of rail travel in Britain?
Today I discovered that as CD-R tray cards age, they turn into something resembling whiteboard material; writing on them with a biro becomes impossible, and anything written with a felt-tipped pen wipes off and smudges.
A church in Cambridge has started holding a church service for Goths:
The associate vicar at St Edward King and Martyr church in Cambridge, himself a goth, holds a 45-minute service complete with candles and a specially written liturgy for members of the goth community. There are no hymns but goth music is played instead, including artists such as Depeche Mode, Joy Division and the Sisters of Mercy, said Mr Ramshaw, 34.
After the service, most of the congregation go to a goth evening at the nearby Kambar nightclub called, appropriately enough, the Calling.Of course, if you assume that Goth is intrinsically a manifestation of Judaeo-Christianity (see also: heavy metal, Satanism, Johnny Cash, Nick Cave), this isn't quite as weird as it sounds.
Hertfordshire police raid reality-TV show, seizing a fur coat belonging to lead singer of 1980s glam-pop group Dead Or Alive and catty transvestite, Pete Burns, after he claimed that it was made of gorilla fur; the police have warned Burns that he may face five years in prison if it is, in fact, made of gorilla fur, which is prohibited under endangered-species legislation. Hardcore animal-rights advocates PETA praise the Hertfordshire Constabulary's actions, as this is exactly the sort of thing police should be making a priority; that and prosecuting meat-eaters for murder and pet owners for false imprisonment and such. Meanwhile, blogging magistrate Bystander is not amused:
We are told, often correctly, that some of our fellow citizens are afraid to leave their homes, that drug crime is rampant, and anarchy rules our sink estates. So the 'Wildlife Officer' (what's wrong with having a few 'lowlife officers'?) sits down with museum experts to investigate the provenance of a coat. Yes, that's right, a coat. Meanwhile, in court today, I have been forced to adjourn a number of cases because the 'overstretched' police haven't provided information to the CPS in time to allow a trial to proceed.
2006/1/19
As an uncommonly severe cold snap hits Russia, zookeepers are giving their animals vodka and other alcoholic beverages to help them endure the cold:
In the ancient town of Yaroslavl, 100 miles north of Moscow, a travelling circus said it had been forced to start giving its trio of Indian elephants vodka mixed with water in buckets as the mercury dipped.
In Lipetsk, where meteorologists recorded temperatures of minus 32C, the zoo's contingent of macaques was being fortified with cheap French table wine three times a day and in other zoos camels, wild boars and reindeer were being given regular shots of vodka to stave off the chill.
China's pervasive internet surveillance regime now has a new public image: from now on, either various government sites or all websites in Shenzhen will display cartoon mascots of police officers (looking big-eyed and oddly Caucasian). Clicking on the mascots will take you to a web page where you can talk with actual members of China's internet police. They do things differently in China.
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2006/1/18
Video of the day: a lot of photos of stickers with a Che-as-Stormtrooper image stuck to urban surfaces of various sorts, edited into a video and set to a scratchilicious DJ Shadow-esque breakbeat mix of the Imperial March from Star Wars:

I wonder: is this commentary on the totalitarian nature of Cuban Communism, in the way that the French Che-as-riot-cop posters were, or just a random collision of pop-cultural iconography?
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The New York Times has a long and interesting article on the Japanese phenomenon of hikikomori, or of young Japanese dropping out of society and shutting themselves in their rooms for months at a time, emerging only to go to convenience stores at night or not at all:
A leading psychiatrist claims that one million Japanese are hikikomori, which, if true, translates into roughly 1 percent of the population. Even other experts' more conservative estimates, ranging between 100,000 and 320,000 sufferers, are alarming, given how dire the consequences may be. As a hikikomori ages, the odds that he'll re-enter the world decline. Indeed, some experts predict that most hikikomori who are withdrawn for a year or more may never fully recover. That means that even if they emerge from their rooms, they either won't get a full-time job or won't be involved in a long-term relationship. And some will never leave home. In many cases, their parents are now approaching retirement, and once they die, the fate of the shut-ins - whose social and work skills, if they ever existed, will have atrophied - is an open question.
In other societies the response from many youths would be different. If they didn't fit into the mainstream, they might join a gang or become a Goth or be part of some other subculture. But in Japan, where uniformity is still prized and reputations and outward appearances are paramount, rebellion comes in muted forms, like hikikomori. Any urge a hikikomori might have to venture into the world to have a romantic relationship or sex, for instance, is overridden by his self-loathing and the need to shut his door so that his failures, real or perceived, will be cloaked from the world.
By Japanese standards, his room was enormous, with a wall of delicate shoji screens leading to a rock garden. But it was hard to imagine what he did there all day. There were no stacks of manga, the popular Japanese comic books, no DVD's, no computer games, all things found in the rooms of most hikikomori. The TV was broken, and the hard drive was missing from his computer. There were a few papers on his desk, including a newsletter from New Start that Kawakami brought on her last visit. Otherwise, the only evidence that this was a hikikomori's room were three holes in the wall - the size of fists. Shut-ins often describe punching their walls in a fit of anger or frustration at their parents or at their own lives. The holes were suggestive too of the practice of "cutting" among American adolescent girls. Both acts seemed to be attempts to infuse feeling into a numb life.
By the time parents seek help, often their child has been shut in for a year or more. "When they call," Dr. Saito said, "I offer them three choices: 1) Come to me for counseling; 2) Kick your child out; 3) Accept your child's state and be prepared to take care of him for the rest of your life. They choose Option 1." He also offers poignantly simple parenting tips, like not leaving dinner at a child's doorstep. "You make dinner and call him to the table, and if he doesn't come then let him fend for himself." In addition to meals, parents often provide monetary allowances for their adult child, and in rare cases, if a child has become verbally or physically abusive, parents move out, leaving their home to the shut-in.Parents of hikikomori now have support programmes to turn to, including volunteers known as "rental sisters", who try to befriend their children and coax them out of their rooms and into support centres, often over months or years.
There are multiple theories trying to explain the hikikomori phenomenon, but several frame it as a conscious rejection of the high pressure to conform and succeed placed on individuals in Japanese society; a conscious, if not particularly sustainable, decision to drop out of the traditional school-university-work career path.
On a similar note, Momus' latest piece in Wired News celebrates Japan's aging population and embrace of the "slow life".
First there was Jeri Ellsworth's 21st-century Commodore 64 and the highly hackable TV game it spawned; and now, a Dutch hacker is building an Amiga in a FPGA chip. Dubbed "MiniMig", Dennis van Weeren's project implements the Amiga's custom chips on the FPGA connected to a 68000 and RAM, and uses disk and ROM images stored in a standard FAT file system on a MMC card. At the time of writing, it is close to completion.
2006/1/17
A burglar was caught in the suburbs of Melbourne after it turned out that the house he had just fled from belonged to a well-known cartoonist. Bill "Weg" Green had seen the burglar and was able to draw an accurate, if perhaps unflattering, caricature of him which proved to the police that they had the right man:
"After we had a look at this gentleman in the back of the divvy van, we just couldn't believe how much of a likeness it was to the picture that Weg had drawn," Senior Constable Roche said. "If anyone ever says 'can I draw the offender', I'll be handing them a pencil pretty quickly."
Mr Green said he did not expect police to catch the thief so quickly but that his ability to remember faces in detail helped. "I have an affinity for faces and I can remember faces even hours after," he said.
Companies sometimes commission and give away "advergames"—free, branded, computer games designed to present their brands in a positive light. Now guerilla activist types are doing the same: such as this simulation of the hell of working in a Kinko's:
Disaffected! is an arcade-style game with fast action and high replayability. The player controls one or more employees behind the counter at a typical copy store. As each level starts, customers enter the store through the front doors and line up behind the cashiers at the counters. The player must try to find and deliver each customer's order. Obstacles include confused employees, employees who refuse to work, employees who move orders around indiscriminately so the player cannot find them. A complete in-game tutorial walks the player through both one-and two-player gameplay.The concept isn't new; perhaps the grandfather of the shitwork-simulation game genre was that early-1980s Game&Watch game where one has to catch boxes as they come down four conveyor belts; the fact that it was only a game, and not a soul-crushingly meaningless job, made sufficient difference to transform an existential ordeal into a fun activity.
Of course, the key difference is that Disaffected uses FedexKinko's logos in its graphics. I wonder how long until it gets taken down for trademark violation.
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After three decades, veteran American fringe publisher Loompanics is closing down, and is liquidating its entire catalogue at half price. Their works include from conspiratological alternative history, anarchism, atheism, Satanism, extremism, visionary/crackpot ideas, drug literature, criminal how-tos (for educational purposes only, of course), various 1960s-vintage utopianisms, and a lot of freaky shit; well-known titles published by Loompanics include the Principia Discordia and How To Disappear Completely.
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2006/1/16
Commuters in Stockholm will soon have access to library book dispensers on the city's subway:
The idea is that residents will be able to stick their library card into the 'bookomatic' and choose from up to 700 titles. It was inspired by a similar machine in Lidingö library, which, since its launch a year ago, has been happily loaning out around 500 books a month.Sweden already has the ubiquitous free commuter papers, full of wire news stories and lifestyle articles listing the latest fashions/gadgets/DVDs/holiday destinations; the book idea sounds like a more Scandinavian socialist take on the concept, less concerned with keeping the reader running hard on the hedonic treadmill and more with an idea of civilised communal amenity and supporting public culture. (Of course, it could well be that the books are sponsored and carry ads and/or product placement.)
Meanwhile, The Times' Caitlin Moran deconstructs the very idea of commuter reading material and its true purpose, from a characteristically English point of view:
Library book dispensers on trains are nothing to do with books. Sweden isn't, as a result of all this, going to become more literate, and start quoting bits of The Brothers Karamazov during trade meetings at the UN. No one actually reads when they commute. "Reading" s all about avoiding eye-contact with anyone in your carriage. You are, after all, travelling at 80mph, in a sealed pod, with a great many people — any one of whom could try to talk to you about secret codes in the Bible, or George Galloway.
As anyone who uses the London Underground will confirm, the Evening Standard, circulation 350,000, isn't a newspaper at all. No one pays the slightest attention to the articles inside. It's merely a disposable, 40p screen that one erects for privacy between Goodge Street and Archway. But this screen is vital. Without it, the only option, on being approached by a nutter, is to pretend to have seen something fascinating out of the window — even though you are, at the time, in a 12-mile-long pitch-black tunnel under Camden Town. Halfway through such an exercise — maybe when staring intently at a brick all covered in black sticky fluff — one can start to wonder just who the nutter is here, after all.Moran then goes on to suggest, in Swiftean fashion, that this mass social avoidance is a wasted opportunity to discover the resources offered by one's fellow commuters:
For instance, we'd all love to have a wide selection of friends, spanning all ages, cultures, professions and sexual persuasions. Well — here they all are! Pressing into your back! Within these airless walls is a human Google — practically everything you could ever need in one lifetime. The number of a good plumber. The address of the best mojitos in Barcelona. A phenomenal one-night stand. Someone who knows Julie Elliman, with whom you lost contact in 1990. A guy you can pretend is your friend for the next ten years, sporadically tapping up for free legal advice. Someone who knows how to falsify a breathalyser test. A nun. If only we could all get talking, commuting would be transformed from a semi- unendurable hell into the biggest, most egalitarian networking mechanism known to man.Her modest proposal is to pump laughing gas into peak-hour Underground carriages, breaking down those awkward social barriers and getting everyone talking and having a great time. I'm not sure about laughing gas, though I imagine it may be an ideal test environment for aerosolised oxytocin.
The next trend in lifestyle-enhancing medication could be oxytocin inhalers. The hormone enhances trust, confidence and sociability and can be nasally delivered, making it an instant treatment for the symptoms of everything from autism to anxiety disorders.
Of course, since oxytocin makes people more trusting, it could also be used surreptitiously to obtain compliance from unwitting parties, for anything from sex to salesmanship to outright robbery.
The hard-line government of Iran has announced that it will be holding a conference to question whether the Holocaust really happened. The announcement comes shortly after Iranian president Mahmoud Ahmadine-Jihad called for the annihilation of Israel and stated that the extermination of Jews by the Nazis was "a myth".
I bet Holocaust denier David Irving's kicking himself that he got arrested in Austria; were he a free man, he'd probably have a university chair waiting for him in Tehran or something.
2006/1/15
My most recent softsynth discovery is QuadraSID; this is a VST/AU softsynth which emulates, as the name suggests, 4 SID chips (and emulates them quite thoroughly, down to letting you choose the chip model and whether you want bugs to be emulated accurately or fixed), along with enhancements such as external envelopes, arpeggios and a mini-sequencer. It comes with a batch of presets designed by Commodore 64 game composer Chris Hülsbeck (perhaps best known for the Giana Sisters score), and now there is an additional sound bank by Rob Hubbard, which is full of fuzzy, warbly SID goodness. Of course, it's not limited to C64 game-music homages; a stack of SIDs can have its uses, from Broadcast-style lo-fi to fat pads.
The company which makes quadraSID also has some other interesting products, such as Slayer2, a guitar synthesiser based on physical modelling, along with amp and pedal models; it sounds almost like the real thing; not quite as authentic as sample-based systems, though a lot more flexible. The fact that it can turn randomly pressing keys into an over-the-top finger-shredding cock-rock guitar solo of the gods is impressive enough in its own right. (If I ever end up revamping a certain track from my last year's NaSoAlMo album, I may have to invest in a copy of this).
There's also this one, which seems to be optimised for goa-trance and euro-cheese, and makes making such music ridiculously easy, as well as this somewhat Casio CZ-101-ish unit.
The Melbourne City Council has declared war on the city's status as a stencil-art capital with their new zero-tolerance graffiti plan. Under the plan, building owners will be legally obliged to either remove graffiti (which includes aerosol art or stencil art) or put in applications for each individual piece to remain. And so, the city becomes a little more like Singapore or Giuliani's New York.
Things I didn't know until today: the E-Mu SP-12 drum machine/sampler, which was designed in the 1980s by Roger Linn and whose gritty 12-bit sound became a staple of hip-hop production, was designed to use a Commodore 1541 disk drive for external storage.
This is a 5.25" self contained unit with its own power supply and a serial interface. It was the best choice in 1985, when 3.5" drives had yet to appear, and an internal 5.25" would have taken up too much room. The diskettes are used to stored samples and sequences
2006/1/13
Apparently another casualty of Apple's move to Intel is OpenFirmware; the standardised, portable, FORTH-based firmware used on PowerPC Macs has been replaced by Intel's proprietary, architecture-specific EFI (originally designed for the next generation of Windows machines). Which further locks Apple into one vendor (unless, of course, they further redesign their platform), and relegates OpenFirmware to the graveyard of cool technologies, alongside the likes of NeWS, Open Look, and numerous non-PC architectures.
And it's increasingly looking like the main architectural difference between the new Intel-based Macs and, say, Dells or Sony Vaios, could be the key in the DRM chip which authenticates it as an Apple, allowing MacOS X to run on it.
2006/1/12
More wacky goings on on Melbourne's trains, as an unidentified woman broke into train public-address systems, and proceeded to describe her sexual fantasies about the drivers in explicit detail; this happened during peak hour, with hundreds of commuters hearing it, though no witnesses seem to have seen her. Police are at a loss to how she did it, though it is believed she actually got into a vacant train cabin. (I wonder whether this sort of thing is now covered under anti-terrorism legislation.)
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While the major labels are looking for new ways to make their music more inconvenient to users, two US indie labels—Merge and Saddle Creek—are taking the opposite approach, and giving away free MP3s with each vinyl purchase. This move caters to the section of their customer base who prefer music on vinyl but also want to have copies for their MP3 players. Also note the lack of DRM on the MP3 files.
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As Apple starts looking more and more like another PC company (or, more precisely, a MP3 player company with a sideline in prestige PCs and software), it emerges that Apple almost merged with Sun three times. One of these mergers was an attempted acquisition of Apple by Sun. Apart from this, the two companies had abortive talks about a number of proposals, including sharing a user interface (so perhaps we could have seen Solaris with a MacOS Classic interface) and the SPARC architecture.
It would have been interesting to see what would have happened if any of these ventures had been successful. I don't know whether SPARC chips make better laptop processors than PowerPCs, but if they do, then perhaps we wouldn't be seeing Apple capitulating to the x86 monoculture*. On the other hand, if Apple had Solaris offered to them, they may not have bothered buying NeXT, and OSX may be based on a less exotic strain of UNIX.
* not that that's entirely a bad thing; perhaps, once Intel Macs are commonplace, smart hackers will figure out ways of shoehorning Windows code (such as, say, the numerous free VST plugins that never make it to OSX) into running on one. But I digress.
The trial has begun at the Old Bailey of hardline Islamist cleric Abu Hamza al Masri, accused of inciting hatred and terrorism. The court heard that Masri preached, among other things, that Muslims have an obligation to kill infidels and apostates and overthrow non-Islamist governments, that Hitler was sent by Allah to "torture and humiliate" Jews, and that the ultimate aim was a global Islamist caliphate, ruled by a caliph in the White House in Washington DC.
The surprising thing is the last point. If one was to think of a location for the capital of a global Islamist state, surely Washington DC, a city with relatively little in the way of Islamic history, would come fairly low on the list, well after places with historical resonance like Baghdad, Mecca and Jerusalem, or even cities like Paris and London.
2006/1/11
There are kits to add MIDI interfaces to a lot of old synths; and now, someone has developed a MIDI interface kit for the Speak & Spell. The kit (costing US$49.95; assembly required) puts a MIDI socket in the side of one of the early-1980s talking toys, connected to a microcontroller that performs various glitchy circuit-bending operations on command. It has several modes: two ways of accessing ROM sounds by playing notes or sequences of notes, and one which maps keys to the keypad (with leftover keys serving as "glitch control").
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Ten reasons not to buy or accept a diamond ring:
1. You've Been Psychologically Conditioned To Want a Diamond
3. Diamonds Have No Resale or Investment Value
4. Diamond Miners are Disproportionately Exposed to HIV/AIDS
7. Slave Laborers Cut and Polish Diamonds
9. Diamond Wars are Fought Using Child Warriors
An elderly woman passed away whilst watching TV; two years later, her body was found, perfectly mummified thanks to her constantly-running air conditioner. In fact, it wasn't until the air conditioner broke down that either family members living downstairs or passersby noticed a funny smell and called the police.
This could start a new trend; I wonder how long until some rich eccentric decides to, upon their death, have their body placed to mummify in a crisply air-conditioned tomb, seated in front of their beloved plasma-screen TV.
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2006/1/10
Apple have unveiled their new Intel-based PowerBook-class machine; of course, they can't call it the PowerBook, though one would think they could have come up with a better name than MacBook Pro. The new machine also has a new power connector, rendering your collection of Apple power adapters redundant, and only one FireWire port, doing away with FireWire 800. The PCMCIA slot also seems to have been replaced with something called ExpressCard/34.
All in all, it doesn't look too bad; the lack of FireWire/800 is perhaps a concern (they're not planning on getting rid of FireWire altogether and making it more like a legacy PC, I hope; I wonder whether it still has Target Disk Mode), and it's probably not worth getting one for music or video just yet, until all the plug-ins one uses have been recompiled for Intel (as emulation of CPU-intensive PPC code will certainly be very slow).
I wonder whether, in a few years' time, Jobs will announce that the new version of MacOS (perhaps MacOS 12?) will be based on the Windows Vista kernel, licensed from Microsoft, rather than Mach/BSD, giving Macintosh-quality design on top of improved PC compabilility and access to Hollywood-standard DRM?
This looks interesting: the Institute for Contemporary Arts will be having a number of events commemorating the 20th anniversary of C86. The details aren't out yet, though there will be "evenings curated by unconfirmed C86 acts", including an exhibition of paraphernalia of the time, and a rumoured ATP-style live music festival featuring reformed C86 bands and new bands with connections to C86.
2006/1/9
After buying teen-angst-journal/band MP3 site MySpace, Rupert Murdoch's News Corporation lost no time in censoring journals and user profiles to remove links to non-Murdoch-owned video sharing site YouTube:
"This is soooo like Fox and News Corp to try and secretly seal our mouths with duct tape," wrote "Alex" to Blog Herald.
The protests gathered pace, and when 600 MySpace customers complained and a campaign began to boycott the site and relocate to rival sites such as Friendster, Linkedin, revver.com and Facebook.com, News Corp relented and restored the links.
However, MySpace managers promptly shut down the blog forum on which members had complained about the interference. An online notice said the problem was the result of "a simple misunderstanding".Why anyone would choose MySpace as their journal site is beyond me; the site's social-software functionality is very primitive, and looks cheap, the interface being absolutely spammy with intrusive advertising. Though, sadly, it is said to be the industry-standard place for unsigned bands to post MP3s, especially with mp3.com having been killed off years ago.
2006/1/6
Excerpts from stories rejected by Asimov's Science Fiction Magazine, showing a broad range of deficiencies, from wildly implausible characterisations to incoherent word-salads of technobabble, bizarre adjectives and half-digested clichés:
Freddy was in the habit of staring at Beverly's legs as they peaked from her Susie Wong slit dresses. She had a dozen of them.
"Stand slow!" a voice rang out with hollow ubiquity.
The universe is a vast region of deep mystery steeped in antiquity.
Onion oil! I couldn't imagine anyting worse than a daily bath in onion oil.
"Corporeal, we've got to do our best to keep this from the public."
"I know sir, but its already too late."
What do you mean, the general inquired?
"While you were gone I let a curious private in on the secret."
"We've got to stop him."
By now he's long gone. Sorry sir."
"Oh no."
American Holy Man and political powerbroker Pat Robertson, who previously called for the assassination of Venezuelan leftist president Hugo Chavez, is at it again, this time claiming that God smote Israeli prime minister Ariel Sharon for giving up the Gaza Strip:
"He was dividing God's land, and I would say, 'Woe unto any prime minister of Israel who takes a similar course to appease the [European Union], the United Nations or the United States of America,'" Robertson told viewers of his long-running television show, "The 700 Club." "God says, 'This land belongs to me, and you'd better leave it alone,'" he said.Robertson's statements (though softened by his admission that Sharon was "a very likable person") have drawwn criticism from everyone from the Israeli government (whose spokesman compared him to Iranian hothead Mahmoud Ahmadine-Jihad) to liberal and secularist groups (no great surprise there), though probably resonated with too many big-haired yahoos for anyone to dismiss him as a harmless crank.
2006/1/5
On New Year's Eve, Malaysian police raided a rock gig over accusations of "Satanic black metal" activities, detaining numerous fans, who were then drug-tested and paraded before tabloid journalists. (It appears that Malaysian tabloids look like the Herald-Sun or Daily Star, only written in Malay; I guess some things are universal.) It is unclear what the attendees are being charged with, though the tabloids have recounted all sorts of sensational stories of Devil worship, sex orgies and fanzines with "elements of violence, pornography, Judaism, and curse words like 'fuck'".
The bands insist that they weren't "black metal", though, to be fair, given the fact that they had names like Force Vomit (who are from Singapore, of all places; is potentially offensive music actually legal over there?), Devilica, Triple6Poser and 360 Degree Head Rotation, it's probably safe to say that they weren't easy-listening or inoffensively sugary pop. What it looks like is the local wowsers and busybodies using religious legislation to crack down on any subculture with a whiff of adolescent rebellion and shock value about it, such as all forms of metal, punk and That Godawful Racket Kids These Days Listen To.
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Michael Chorost, born partially deaf, completely lost his hearing in his mid-30s, depriving him of the pleasure of listening to his favourite piece of music (Ravel's Boléro; one of the few pieces which his condition allowed him to appreciate). He was fitted with a "bionic ear", an implant that processes sound and converts it into neural impulses, at a resolution just good enough to understand speech, though nowhere near enough to appreciate music. So he studied up on neurology, music and psychoacoustics, liaised with experts around the world and hacked the implant's firmware to let him enjoy music again:
When the device was turned on a month after surgery, the first sentence I heard sounded like "Zzzzzz szz szvizzz ur brfzzzzzz?" My brain gradually learned how to interpret the alien signal. Before long, "Zzzzzz szz szvizzz ur brfzzzzzz?" became "What did you have for breakfast?" After months of practice, I could use the telephone again, even converse in loud bars and cafeterias. In many ways, my hearing was better than it had ever been. Except when I listened to music.
About a year after I received the implant, I asked one implant engineer how much of the device's hardware capacity was being used. "Five percent, maybe." He shrugged. "Ten, tops." I was determined to use that other 90 percent. I set out on a crusade to explore the edges of auditory science. For two years tugging on the sleeves of scientists and engineers around the country, offering myself as a guinea pig for their experiments. I wanted to hear Boléro again.
I suggested rebooting and sampling Boléro through a microphone. But the postdoc told me he couldn't do that in time for my plane. A later flight wasn't an option; I had to be back in the Bay Area. I was crushed. I walked out of the building with my shoulders slumped. Scientifically, the visit was a great success. But for me, it was a failure. On the flight home, I plugged myself into my laptop and listened sadly to Boléro with Hi-Res. It was like eating cardboard.
Hold on. Don't jump to conclusions. I backtrack to 5:59 and switch to Hi-Res. That heart-stopping leap has become an asthmatic whine. I backtrack again and switch to the new software. And there it is again, that exultant ascent. I can hear Boléro's force, its intensity and passion. My chin starts to tremble. I open my eyes, blinking back tears. "Congratulations," I say to Emadi. "You have done it." And I reach across the desk with absurd formality and shake his hand.But being able to hear Boléro again wasn't the end of it; with his new hearing, Chorost started getting into the music that he hadn't been able to hear before, and he's confident that it will improve further:
In his studio, Rettig plays me Ravel's String Quartet in F Major and Philip Glass' String Quartet no. 5. I listen carefully, switching between the old software and the new. Both compositions sound enormously better on 121 channels. But when Rettig plays music with vocals, I discover that having 121 channels hasn't solved all my problems. While the crescendos in Dulce Pontes' Cançào do Mar sound louder and clearer, I hear only white noise when her voice comes in. Rettig figures that relatively simple instrumentals are my best bet - pieces where the instruments don't overlap too much - and that flutes and clarinets work well for me. Cavalcades of brass tend to overwhelm me and confuse my ear.
And some music just leaves me cold: I can't even get through Kraftwerk's Tour de France. I wave impatiently to Rettig to move on. (Later, a friend tells me it's not the software - Kraftwerk is just dull. It makes me think that for the first time in my life I might be developing a taste in music.)Amazing stuff.
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A hacker has demonstrated how easily publicly available data such as Amazon.com wishlists and web services can be used to locate Americans with potentially "subversive" beliefs or sympathies, thus demonstrating the potential threat to privacy and freedom of association of "anti-terrorist" data-mining/wiretapping proposals:
"In previous years, there were only about a thousand court-ordered wiretaps in the United States per year, at the federal, state, and local levels combined. It's hard to see how the government could even employ enough judges to sign enough wiretap orders to wiretap 1 percent of all our phone calls, much less hire enough federal agents to sit and listen to all that traffic in real time. The only plausible way of processing that amount of traffic is a massive Orwellian application of automated voice recognition technology to sift through it all, searching for interesting keywords or searching for a particular speaker's voice. If the government doesn't find the target in the first 1 percent sample, the wiretaps can be shifted over to a different 1 percent until the target is found, or until everyone's phone line has been checked for subversive traffic. The FBI said they need this capacity to plan for the future. This plan sparked such outrage that it was defeated in Congress. But the mere fact that the FBI even asked for these broad powers is revealing of their agenda."
Thanks to Google Maps (and many similar services) a street address is all we need to get a satellite image of a person's home. Tempted as I was to provide satellite images of the homes of the search subjects, it just seemed a bit extreme even for this article. Instead, I opted only to pinpoint the centers of the towns in which they live. So at least you'll know that there's somebody in your community reading Critical Thinking or some other dangerous text.The article has embedded Google Maps with markers showing where those wishing for copies of George Orwell's 1984 and the Torah (btw, would this be an instance of Godwin's Law by insinuation?) live.
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In Australia, it is now a crime to discuss suicide options by telephone, fax, email or the internet. So much for the ideals of free speech and liberalism; apparently the right of religious busybodies to control when and how people can exit their divinely bestowed lives overrides such considerations.
Retrievr is a web-toy that lets you search images on Flickr by drawing things that look like what you're looking for on a Flash applet. It seems to go mostly by colour, rather than feature recognition, and seems to only search a small pre-cached subset of images (which tends towards the prettier end of the scale and includes a lot of sunsets, cats and arty black-and-white photos). As far as finding pictures of objects one draws, it's rather unsuccessful; though, nonetheless, it does yield interesting results.
Things I didn't know until today: apparently, David McClymont, the bass player from the seminal early-1980s Scottish indie band Orange Juice, wrote the Lonely Planet book on Melbourne. (Or so someone claims on last.fm)
2006/1/4
Village Voice cartoonist Ward Sutton presents his Person of the Year: Joe Smith: common man, regular guy:
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The Graun looks at Christmas and New Year's television programming across the world. While Britons get into the Queen's speech (and "alternative" takes by various "edgy" celebrities like Jamie Oliver and Damon Albarn), Americans are shedding tears over Rankin/Bass's animated Frosty The Snowman, Russians are getting maudlin over extended reruns over a 3-hour comedy titled The Irony Of Fate that they have all seen dozens of times before and Romanians are watching action replays of the execution of former dictator Nicolae Ceaucescu. Meanwhile, Australians are watching celebrities singing "Aussie carols" like Six White Boomers and Santa Never Made It To Darwin (which, in all my years in Australia, I had never heard of), while their (apparently more self-consciously "British") neighbours in New Zealand watch Only Fools And Horses and Morecambe And Wise. The French seem to have the coolest Christmas TV fare, though:
Since 1982, black-comedy Le Père Noël Est Une Ordure (which translates along the lines of Father Christmas Is A Scumbag) has risen from obscure box-office failure to France's ninth most popular movie. Set on Christmas Eve in a social service helpline call centre, three workers try with varying degrees of failure to spread festive cheer among the depressed, suicidal homeless, heartbroken and bereaved who turn up looking for salvation. Utterly bleak, totally farcical, and very very funny.Across the border in Germany, however, one of the annual Christmas favourites is, inexplicably, an old British comedy skit named Dinner For One:
Dinner for One, also known as Der 90 Geburtstag (The 90th Birthday), has rattled around the cabaret circuit for decades. Written by British author Lauri Wylie in the 1920s, it presents a morbidly funny story in miniature—(just 11 minutes on TV): Elderly Miss Sophie throws her birthday party every year, setting the table for her friends Sir Toby, Mr. Pommeroy, Mr. Winterbottom, and Adm. von Schneider, while conveniently ignoring the fact that they've all been dead for a quarter-century. Her butler James manfully takes up the slack by playacting all of them. He serves both drinks and food while quaffing toasts on behalf of each "guest," a bevy of soused British noblemen and von Schneider, who toasts Miss Sophie with a heel-click and a throaty "Skål!"
In 1962, German entertainer Peter Frankenfeld stumbled on Dinner for One in Blackpool's seaside circuit. Frankenfeld was so charmed that he invited actors Freddie Frinton and May Warden to perform the sketch on his live TV show Guten Abend, Peter Frankenfeld. The now-classic black-and-white recording dates from a 1963 live performance in Hamburg's Theater am Besenbinderhof.The skit's popularity has spread across Northern Europe, and it has inspired numerous derivative works, including dubs into regional German dialects, many parodies and a Latin translation. To this day, nobody is entirely sure of why Dinner For One is so big in Germany, though there are theories:
But why? How did a sliver of British humor come to dominate another culture's holidays—with apparently no connective thread back to its source? First, the slapstick of Dinner for One transcends the language barrier. Second, it offers a slight thrill of the verboten: After all, it features a very crazy old lady, a bevy of lecherous male friends, a big stench of post-WWII death, a hell of a lot of drinking, and senior-citizen sex. A third notion, floated by Der Spiegel and the Guardian alike last year, is that the film plays to Germans' worst idea of the British upper class: dotty, pigheadedly traditional, forever marinated in booze despite titles. The BBC counters with the more politic theory that Dinner for One "has become synonymous with British humor, on a par with Mr. Bean." British TV executives see it as fit only for foreigners, or they would rush to broadcast it themselves. Why Germany finds it so funny and the British don't is, according to Der Spiegel's Sebastian Knauer, "one of the last unsolved questions of European integration."
Best of all, Dinner for One is a perfect foundation for a tidy drinking game in which you down four different liquors in 11 minutes, "the same procedure as every year." What more fitting way to ring in the New Year?
2006/1/3
Man falls out of his wheelchair; his cat dials the emergency services, possibly saving his life.
Rosheisen got the cat three years ago to help lower his blood pressure. He tried to train him to call 911, unsure if the training ever stuck.Mind you, it sounds slightly less impressive when one reads that the phone in question had a button for speed-dialling 911. And there I had an image of a cat fastidiously punching in three digits with its paws.
(via bOING bOING) ¶ 0 Share

