The Null Device

Were there a law requiring accuracy in format naming, Sony would undoubtedly be hauled over the coals for its "Universal Media Disc" format. Technically, the format itself is not all that bad (it's essentially a small optical disk in a shell, not unlike Sony's previous innovative format, the MiniDisc), and contains something not unlike DVD data. However, because Sony's decision-making process seems to have been terminally beholden to the dogs in the intellectual-property manger since they got into the movie-and-music business, the key feature of the format was not what you could do with it, but what you, the thieving user, cannot: there are not, and most probably never will be, devices capable of reading UMDs and being hooked up to a computer. And that goes doubly for recordable UMDs: you can imagine the blood pressure of Sony executives soaring at the very thought. No, UMD is an impregnable fortress; so impregnable, in fact, that there is only one device capable of doing anything with the nifty-looking plastic discs: the PlayStation Portable. Which is not particularly universal, is it?

As a proprietary carrier for PSP games, that's all very well; after all, cartridges (from the Atari days onwards) were no more designed for interoperability. Sony, though, had bigger plans. Hence it became a Universal Media Disc, capable of holding various types of content, and playing them on... well, one type of machine. Someone at Sony noticed that personal media players were the next big thing and that the PSP would make a dandy one of those. Of course, letting people rip their DVDs to a PSP would be Wrong and Sending The Wrong Message (and, more importantly, illegal; even if Sony locked the path down with all the DRM they could muster, the very fact that the process involved breaking DRM at the ripping stage would guarantee litigation), so, instead, PSP owners would be able to get their fix of legitimate movies and videos on UMD.

In an alternate future somewhere, fashionably connected e-consumers go down to shops, plonk down two-digit sums and buy UMD copies of their favourite movies. Perhaps they cost a bit less, because, after all, the resolution is considerably lower than a DVD; or perhaps not, because the convenience of re-watching your favourite Friends episode on the bus outweighs the fact that the picture is not as detailed as a DVD. Of course, you can't watch your UMDs on anything other than your PSP's pocket-sized screen, but that's OK, because in this reality, everybody buys two copies of everything: one for the plasma-screen and one for their PSP. Much as every household in this reality has two copies of the latest Coldplay album: one for the living-room hi-fi and one for the SUV stereo; making a copy would, after all, be wrong.

However, this reality, with its radically different laws of economics and human psychology, is not our reality; and consequently, the UMD movie format looks to be on its last legs. Stores are removing acres of shelf space devoted to UMD movies and studios are cutting their losses and cancelling UMD releases. Even Sony's practice of bundling UMDs with DVDs (at a slightly lower markup than buying both separately) failed to breathe life into the format, and it now looks set to become dead media. As expected, a Sony executive tries to blame those thieving users with their Memory Sticks and piracy-encouraging video iPods, though without much conviction.

A future version of the PSP may have a TV output (provided that Sony can convince the Hollywood studios that such an analogue hole won't threaten their precious intellectual property too much), though that may not be enough to get people buying UMD videos in droves and breathe new life into the format. If UMD video dies, that will further cement the Universal Media Disc's claim to being the world's most ironically-named media format.

(via /.) ¶ dead media irony playstation sony umd 1

Under new national-security laws in Australia, if the government doesn't like something you're likely to say, they can send teams around to raid you and smash your computers. And if you tell anyone about it afterwards, you go to jail.

CARMEL TRAVERS: Bear in mind that I was only one of many people whose computers were being cleansed and within the officers who came into my office, there was almost a boast. Because I apologised to them and I said, "Look, it's a bit cramped in here, I'm sorry you haven't got much room to work." "Don't worry, we're used to this. We do this every day." And I said, "Oh, really? How often have you done it?" "Oh, 70, 72 or 73 times." It was almost a boast and it was not a rare event, and I found that alarming.

ANDREW WILKIE: I think a lot of it was just theatre meant to put pressure on people, almost to bully them. I think it was intended to send a very clear signal to the media, to the publishing industry, to me that they needed to be very, very careful about criticising the Government. I think the Government's behaviour was intended very clearly to send a signal to my former colleagues that, you know, you don't cross them, you don't resign, you don't speak out.

DR DAVID WRIGHT NEVILLE: The sort of environment that many critics of this government now work under, many of us do feel that we are constantly surveilled, we do feel that we are constantly being harassed in some ways. One only needs to write an opinion piece for the newspaper and one can get a phone call from someone in the Government asking for clarification or pointing out things, and that never used to happen in the past.

(via Toby) ¶ australia authoritarianism culture war surveillance 5