The Null Device
Theory of the day: the political tone of a time is reflected in the theme of its undead-themed horror films; to be more precise, conservative periods include zombie movies, whereas progressive periods feature vampire movies:
One answer: These gore-flecked flicks are really competing parables about class warfare. “Democrats, who want to redistribute wealth to 'Main Street,' fear the Wall Street vampires who bleed the nation dry,” Newitz argued, noting that Dracula and his ilk arose from the aristocracy. “Republicans fear a revolt of the poor and disenfranchised, dressed in rags and coming to the White House to eat their brains.”Whilst that could be reading much into it, zombie films can be equated with leftist critiques of conservative societies: George Romero's original films are widely regarded as critiques of post-war American consumerism, meanwhile other films make the connection even more explicit (the British zombie film Dead Creatures, for example, is essentially a Ken Loach film with zombies). Not sure what Shaun Of The Dead would be, though; Blairism, perhaps?
The latest in the line of "Stuff (group) Like" blogs is Stuff Geeks Love, which mentions things like "zombies", "Libertarianism", "cancelled TV shows" and "sex", and shines a revealing yet harsh light on stereotypical "geek" obsessions:
Comic book geeks are especially prone to faux boycotts. Every week hundreds of comic book fans declare that, because of some perceived outrage, they will never buy anything from DC or Marvel again. And the following week they proceed to do so because otherwise their runs on titles will be incomplete and because what else are they supposed to do? They’ve been reading X-Men since they were nine and aren’t going to stop now! Within weeks of the “true fan” declaring that he’ll never buy another Marvel comic again he’ll proudly declare victory for Marvel when an issue of their current “event” comic sells a few dozen more issues than an issue of DC’s current “event” comic.
It’s not surprising geeks have affection for zombies; these creatures are arrested in their existence, unable to change or grow. Geeks feel a oneness with them. And although zombies are frightening to look at, they don’t seem on the surface to be a serious threat, but their numbers and sheer tenacity make them possibly the most sinister killers of all. This is another thing geeks like to think they feel a oneness with; the underestimated lethal threat. Also, zombies desire, above all else, brains.
Geeks enjoy being Libertarians for two reasons. First, it allows them to be Conservative without having to belong to one of the two mainstream parties that the regular sheep are part of. Second, it gives them a political party that is just as self-absorbed as they are. Conservatives don’t care if you think they’re selfish pricks. Libertarians wonder why you don’t admire them for it.
Having a show canceled also has another upside for the geek. If it’s no longer in production, all those meddling writers, producers, actors, and studios can’t “mess it up” for him by having things happen on the show that blatantly contradict the obvious “right way” things would happen, were the geek in charge. It saves him the later trouble of having to declare he’s going to boycott the show (he won’t) because someone on the show did something that was “totally out of character”. It puts the show into a little snowglobe the geek can cradle and protect from the cruel outside world. The geek and his friends now own and control it and it is finally where it belongs, in the hands of the “true fans”.