The Null Device
"The internet's completely over. I don't see why I should give my new music to iTunes or anyone else. They won't pay me an advance for it and then they get angry when they can't get it.... Anyway, all these computers and digital gadgets are no good. They just fill your head with numbers and that can't be good for you."
Kenny G says if the Internet is dead "then I must be dead, too, 'cause I use it all the time." He adds with a laugh: "Maybe I've got a sixth sense, and I only see dead people. I don't know."Actually, Kenny G being considered "cool", in the post-Yacht Rock world in which Hall & Oates and 1980s R&B acts are cooler amongst the hipsters than any new-wave/post-punk band (that entire lo-fi/angular/jangly type of music having been overexposed by youth-oriented marketing campaigns until it has as much cachet as the Ray Bans and leather jackets worn by breakfast cereal mascots, and so those in the know are embracing the smooth, leaving post-punk to the clueless arrivistes) is not that far-fetched. Granted, Mr. G's oeuvre is still a bit too recent, though in a few years' time, the hippest of the hipsters may be spinning him at their art parties. (Tracks from his new album, "the R&B-flavoured 'Heart and Soul'", according to the article, may well end up in DJ sets between glo-fi/chillwave tracks and neo-italo-disco jams made by former noise-punk bands.)
What do Iraqis who worked as interpreters for US forces, and been resettled as refugees in the US afterwards, end up doing? Well, some of them end up playing Iraqi insurgents in fake Iraqi villages in Texas, set up for military training.