The Null Device


Over the past few decades, the market value of recorded music has been declining, as music has gotten easier to make and distribute, to the point where there is a flood of music vying for one's attention, and the challenge is not finding it but sorting the worthwhile stuff from the dross and filler. Of course, this sucks if you're a musician trying to be heard, as you're competing for the limited attention of your audience with millions of others.

The latest outcome of this commodification: a British band calling itself The Reclusive Barclay Brothers has paid 100 people £27 to listen to their song, a jaunty little number titled We Could Be Lonely Together.

art economics music the recording industry 3