The Null Device
An interview with Bernard Sumner and Stephen Morris, in which they talk about, among other things, their reactions to Ian Curtis' suicide, Joy Division's metamorphosis into New Order, the (legendary though financially disastrous) Hacienda, and the origin and meaning of Blue Monday (capsule summary: it was inspired musically by an Italo-disco record and the famously enigmatic lyrics are rooted in the band's annoyance with the press, though is also about whatever the listener wishes to read into it):
James: Like retrospectively, you don’t even remember what they were about?
Bernard: I think I do. They weren’t literally about this but we were getting a lot of shit in the press at the time. The press has turned on us after Joy Division who could do no wrong. They were all against us and I felt a bit beleaguered and it was a kind of fuck you to the press really. That’s kind of what was in my head when I wrote it, it was a kind of a fuck you we can do it without you and we did, with that song.
James: When I was on the NME Len Brown wrote a great piece that is presumably wrong. He read it to be about the Falklands, he wrote a great piece about his brother committing suicide or was it about Blue Monday.
Bernard: Well we also have an attitude that we never explain what a song is about because people have their own interpretations, that’s equally valid. So I wouldn’t say that’s not wrong, it’s how you interpret a song and what it means to you and that’s why we never. Whenever I write lyrics it’s never a literal thing it’s just what’s on my mind at the time.