The Null Device


In a play for the wallets of synth fetishists and authenticity-hungry hipsters, Korg have released a new edition of their MS-20 analogue synth. The MS-20 Mini is slightly smaller, has a USB MIDI interface and uses 3.5mm plugs for its patch leads rather than 6.5mm ones, but otherwise is identical to the 1978 MS-20, with the exception of a slightly cleaner voltage-controlled amplifier. It follows a number of software recreations (including an iPad app named iMS-20 and various softsynth plug-ins for use in music software).

Actual vintage synth geek Tom Ellard (of 1980s industrial electropop band Severed Heads) is less than impressed, precisely because of its authenticity:

There was a time slightly after the dinosaurs that I owned a small wall of KORG. There was two MS20′s, an MS50, a SQ10 and a billion of those short patch cables. And you know, it was pretty grand for 1980 something. For 2013, it’s… well… gee what a nice watch, does it tell the time?
But here we go again with a reissue of Old and Safe for the New Conservatives. Already been asked if I am going to buy a new midget MS20. I bought a MiniNova instead – maybe I made the wrong choice. Let’s be scientific about this:
Patch Management
MiniNova: there’s four banks of 256 patches which can be sorted into categories and saved back to a patch librarian over a USB connection.
KORG MS20: photocopy pages from the manual and draw the approximate positions of the knobs with a pencil.
Advantage: KORG for being legendary and analogue.
I keep reading the articles and hearing the talk and wondering if people use this stuff for making music. Or does it go next to the “Christmas Tree”? You know, that elaborate, expensive modular system that people build to look fantastic but sounds like a Roland preset that goes bwooooouuuw?

authenticity korg music retro synthesisers tech 1