The Null Device
Bob Stanley, one third of indie-dance Londonists Saint Etienne and occasional music journalist, writes in The Quietus about the ideology of modern architecture:
I live in High Point. It was built in 1935 by the Tecton Group. Berthold Lubetkin was the architect. It's the best modernist block of flats in Britain. He deliberately designed it so that anyone who was sniffy about modernism would walk in and instantly be impressed by the huge lobby. The flats are blank canvases, it's got underfloor heating and there's no clutter. I can't imagine living anywhere better. There's so much light, which is really important. The Victorians thought having too much light was wrong, they equated it with a liberal lifestyle. So in the 80s when you got that architecture coming back it made sense, this Thatcherite, self-flagellating idea that you shouldn't have too much light in the house. That seems to have stuck with the Barrett Homes style of building.
There was a GLC plan to have all cars at ground floor level, and all people at first floor level, all across London, but it was kept secret, which is something we want to make a film about. It was called the pedway, and the only place you can really see it now is the Barbican. I don't think I'd have wanted the whole of London to be like that, but the areas that were completely decimated in East London, that would have been really interesting if they'd persisted. Instead it's a mess, one massive tower block in the middle of an area of grass, and then a little old Victorian street that goes around like that, and stops with a couple of bollards at the end. What a mess.