The Null Device
John “Menk” Doran on the last 10 years in music genres; it's not pretty:
Even naysayers would have to admit that new rave was MDMAzing when compared to what we have now: EDM or Electronic Dance Music. Despite its utilitarian, almost sexy nomenclature, EDM is utter fucking neo-trance bilge for those who can’t tell the difference between a nightclub and the Stanford Prison Experiment. So we’re talking David Guetta, Afrojack and that cunt with the big metal rat helmet. Seriously, America, what the actual fuck? Your boys (mainly gay and/or black but still your boys) invented techno and house in the fucking 80s and you decide to wait 25 years until some spray-tanned berk from France who looks like Owen Wilson in Zoolander does this to it before you’ll dance to it? It’s a fucking disgrace.(Previously on “EDM”.)
Weirdly, despite arguably being the most sonically progressive and inventive mainstream genre of the last ten years, R’n’B doesn’t really seem to have thrown up any particularly memorable or clearly defined sub-genres. Much to the dismay of fans of Usher and Ciara, the indie kids and hipsters have been getting in on the act to bring you PBR&B or R-Neg-B, a smacky, bro-friendly take on 80s/90s smooth music, with Gayngs, Destroyer and the Weeknd being the best and worst of the bunch, designed to give the bromantic a broner, which then may require the attention of bromide. Or a court-sanctioned brostraining order preventing you from going within 100 metres of her house.
Elsewhere, the class system is as entrenched as ever with cakeeating aristocrats and the upper middle classes (hypnagogic pop), the students (chill wave) and the lumpen proletariat (glo-fi) all having different names for the same genre, which is not dissimilar to listening to Hall & Oates on a Walkman with a head injury while throwing orange-tinted Polaroids of your 1982 summer holiday to Morecambe into a swimming pool. The rest of the feral underclass had shit gaze, which, oddly, didn’t trouble the charts much.It's not all shit, though; Doran has some good things to say about hauntology, ironically possibly the most redeemably original phenomenon of the past decade.