The Null Device
As austerity cuts bite and politicians retreat from the great unwashed rabble they are supposed to represent, comedians are finding themselves on the firing line of public anger at social injustice, the political class or just “outsiders”, writes Irish comic Keith Farnan:
There you are: a boy, standing in front of a whole bunch of other boys and girls, asking them to love you. But when times are tough, people need a target and politicians are much too canny to actually go out in front of a crowd that hasn’t been tightly vetted and controlled so they get the maximum return for their tested and meaningless sound bites. Comedians are in danger of becoming the canaries down the political coalmine. When one of them doesn’t come back up, you know it’s time to cede control of that voting district to some extreme left or right organisation.
As in all times of economic strife, the “outsiders” are being blamed and, while this traditionally and obviously means “immigrants”, there must surely be a cautionary tale in how the comedy clubs of the Weimar Republic were shut down after violent unrest at various 'why did the German cross the road jokes'. (Because zere vas a zebra crossing, ja, it is safe to go now. Ok, I made that bit up; Ireland is now a German-economically-occupied state, what can I say?)
Whether it’s a strategy or a natural consequence, there has been a rise in surreal and abstract comedy as well as mime-comedy. Mime-comedy is the perfect comedy for any time of social upheaval, because you can’t enrage a crowd when you’re literally saying nothing. If you’re going to play the fiddle while Rome burns, then play the fiddle and shut up about it.