The Null Device
Melbourne independent record shop PolyEster Records is closing down; after having been a fixture on Brunswick Street, the once epicenter of the bohemian/countercultural inner-north, since 1983, and outlived numerous other storied record shops including Gaslight and AuGoGo. The shift by consumers to streaming, independent bands to Bandcamp and major labels to limited CD releases backed by streaming and lossy downloads, and the upper limits on how much vinyl the market can absorb (especially as an increasing proportion of the market grew up with CDs and do not associate the characteristic distortions of vinyl with an inherently more authentic musical experience) undoubtedly didn't help. Though it may be argued that, as soon as the neon Dobbshead disappeared from the back wall, the shop's days were numbered.
All of which leaves little of the old Brunswick St.; for record buying, there's still Dixon's Recycled, with their racks of second-hand CDs; as far as live music goes, Bar Open has gigs of some sort. PolyEster's companion bookshop, notorious for its flouting of obscenity laws, closed several years ago (though its awning still decorates the fixture of the restaurant that took its place, as if protected by some unofficial heritage listing).
One could say that the closure of PolyEster Records is the culmination of a process which began 18 years earlier, when the Punters Club, a pub and venue that was a keystone of the Melbourne live music scene, closed down and was replaced by a Chapel St.-style pizza venue named Bimbo Deluxe, its PA system playing house music. That was the beachhead of the slick, trendy south of the Yarra's expansion to and annexation of the inner north. The closure of PolyEster is the demolition of the last nail house of the old indie-rock bohemian Fitzroy, and the confirmation that the virtual Yarra now runs somewhere between Alexandra Parade and Merri Creek.