Anyway, the music: By Ferry Or Steamer played some nice instrumentals, as did Chinless Kings (in a rather minimalistic sort of way). Ruby's Arms were a bit too country-&-western for my liking (what is it with country music and inner city indie types; is it something ironic, like wearing vintage summer-camp T-shirts?) At Sea consisted of two blokes with an acoustic guitar and an acoustic bass guitar, the latter of whom ranted into a microphone whilst playing. Towards their last piece (a lengthy number), they began to sound like an acoustic Mogwai (not a bad thing, IMHO). Finally, Midstate Orange came on. Their sound is a combination of power-pop, wall-of-noise shoegazer endings, false endings, and 1960s retro-kitsch (in places they sounded like The Monkees or The Banana Splits or someone).
And indiekids aren't as bitchy and hierarchical as goths are; they don't have quite that BDSM/vampyre-novel-influenced sense of hierarchy and status. (Status among indiekids is a bit more like status among penguinheads, except that instead of writing GPLed code, you write a zine or play in bands.)
Reggae evolved from country? I thought it evolved from southern-USAan soul/blues/R&B (in the original sense) as heard over patchy radio reception in Jamaica.
Oh yes... and instead of Star Wars merchandise, you have original vinyl pressings of Tigermilk.
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http://grudnuk.com/
Sat Apr 27 09:54:11 2002
heh. indiekids are nearly as bad as goths, except you can at least listen to some of the music without feeling stupid.
Oddly enough, old-skool country and western has managed to start sounding decent since nashville/tamworth went all anonymous rock. and remember, c&w -> reggae -> dub -> dance music.