A good piece on how CD copy-denial mechanisms work, why they can be easily defeated, and why the "stopping MP3 piracy" argument made for them doesn't make sense, and is a smokescreen for their true purpose: recording companies extending their control to the way customers access their music, with a view to forcing them onto a pay-per-play or rental model. Which would be the holy grail of late-capitalism; driving up profits by giving the customer less and otherwise compelling them to pay more for it, or what K.W. Jeter called the "turd in a can". (via bOING bOING)

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