Dsico has a website at http://www.4trak.net/dsico - he's a resident of Sydney who I know quite well, and half of a band called Cindii. He is very good at the bootleg mashup stuff, and does it live with Reaktor - *gnash*
Reen, are you ripping entire albums at a time and then selling them for profit? Resist your conditioning. Copyright was meant to protect the artist, not the record label. Where it restricts creative expression it *should* be broken. Fight the power, no justice, no peace, etc. Change your brain mang. http://www.illegal-art.org (^_^)
It's Peter's universe and we're just living in it.
Oh yeah, and it's just electro, forget the clash, because it doesn't have daft lyrics about discos, movie stars and the jetsetting lifestyle.
Fair enough. Though I thought that, strictly speaking, "electroclash" meant being in the genre of house/club/dance music rather than verse-chapter-verse pop. (Not that it conforms there either.)
The Wesley Willis-inspired track I'm doing, with the Amiga speech synth samples, will technically be electroclash then. That's good to know.
On the other hand, what the hell is electroclash, anyway?
What's your opinion on that new Beatles material the London police have supposedly found about 300 songs of?
I don't know; how much do you want for them?
The Dsico site's interesting, though most of his work goes over my head; I get the concepts, but I'm not sufficiently familiar with current R&B and top-40 pop for it to mean much to me.
Arghh. This is just the sort of thing that could doom my attempt at living a copyright-violation-free lifestyle.