Indeed, on the only occasion when 100th Window props itself up and makes a point, you wish it had stayed supine. A Prayer for England concerns child abduction and murder - an issue virtually ignored by the media in recent years and thus in desperate need of the boost in profile that only a protest song on a chill-out album can deliver. It's certainly difficult to argue with the thesis - infanticide is a bad thing - but a point this facile hardly warrants O'Connor's finger-wagging fire-and-brimstone routine. By the second verse, she is addressing God as "Jah", an affectation that recalls a wackily hatted student reaching for his bong. At this point, one's thoughts do turn to murder, but not quite in the way the song intends.
(Is 100th Window the 18 to Mezzanine's Play? Discuss.)
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