In early 1970s Manchester the grinding horrors of daily life are softened by song. My life is high walls topped by spiked glass, and the whirl of schoolboy tribulations are lifted only by cheaply recorded noise. In our troubles, we cut a dash to youth clubs of squalid barrack buildings, or to where hall chairs are cleared in city churches. Packed to blackness, the boys do a leisurely stride and somehow call it dancing; arms strategically and stiffly held apart from the body. The girls dance with a self-conscious air of not being watched, hunched together like chattering rats; kiss one, and die of typhoid fever. Like a child in a dream I watch, terrified and delighted.
On the flipside of happy, the Nico net caught me early. Her voice equaled the sound of a body being thrown out of a window - entirely without hope, of this world, or the next, or the previous. Onstage, she moved like a big bleak creaking house, never once altering the direction of her eyes. I am in love. Her harmonium heaves and swells like crashing waves answering each other. If Nico could've laughed, she would've. But she couldn't, so she didn't.
(via Largehearted Boy)