The second film I saw today was The Mother, a film about the busy lives and overcomplicated relationships of various loud, brash London yuppies, and their elderly parents and boisterous, squalling children. The script was by Hanif Kureishi, so unsurprisingly the theme was one of seduction and adultery; in particular, of a triangle between a woman in her 30s/40s, the married chancer who's her boyfriend, and her elderly, recently widowed mother. In contrast to the grey corridors and introspective stoicism of the previous film, the sets were all modern convenience and designer furniture, and the characters spent a fair bit of time shouting at each other. One got the feeling that, for them to be more neurotic, they'd have to be from New York.
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