The Chips played two sets on the side stage: one shortly after 9, when the doors opened, and one after AIH finished while Múm were setting up. For the first set and half of the second, they played without Ian, with the drum kit standing empty and an old analogue drum machine carefully programmed with all their drum patterns. They played all the tracks off Gardenesque, a few old songs from around the time of Swish and a few from various compilations, which was good.
Between their two sets, local twee indie-pop orchestra Architecture In Helsinki took to the main stage and played for about 45 minutes. They played some tracks off Fingers Crossed (some in extended versions) and a few new tracks; their new material is somewhat less sugary than the album tracks, and perhaps a bit reggae/dub/ska inspired in places. (Which makes sense; they have enough personnel to form a ska band, for one.)
And Múm were pretty good. Their music was rather sparse, drifting between pieces. It is probably a dreadful cliché to say that it evokes the sparse Icelandic landscapes, but it did. They played a number of pieces, including some new ones, melding from piece to piece. I was expecting them to be standing behind laptops and controlling some mysterious process that made plinking noises, but most of the music was live, played on melodica, violin, keyboards (including a vintage Wurlitzer and a Moog), guitar, drums and xylophone; oh, and the obligatory PowerBook. They finished up with an encore of I'm 9 Today. And the Guns'n'Roses T-shirt one of the band was wearing was quite amusing.
And someone kept blowing soap bubbles over the audience during their set. Probably an AIH fan.