When your building has no meaningful relation with the public realm, the solution is to "export" the cartoons played within the house to the exterior. The neighborhood is then "populated" with recognizable, non-threatening figures. Once the installation is complete, the homeowner is released from any further obligation to public life, except to mow and trim the grass. The homeowner is then "free" to pursue a life devoted to television viewing. Such is life in the Home of the Brave.
The shark's head portion of this ensemble is probably its best feature -- putting aside any considerations of kitsch or "camp," ( that is, the love of vulgarity for its own sake.) No, what gets me, really, is the quality of the pink building behind Sharky. In a perfect world its function would be a poodle euthenasia center.
Here we have the old courthouse in Biloxi, Mississippi, (left) and its 1970s replacement (right) -- the sublime and the ridiculous. The old building is garbed in the architectural vestments of authority in decorum. The new courthouse invokes arbitrary bureaucratic despotism. Note to political economists: the building on the left came from a far less affluent society than the one at right.(via jwz)
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