Some have accused this film of being too soft on the Communist rÃ©gime. It does have some scenes of Communist military police suppressing a demonstration (though, looking at the scenes, they don't seem any more brutal or totalitarian than, say, the S11 demonstrations in 2000, or the US "Miami model"). In my opinion, these complaints are unfounded. The film does not paint the old East as a lost utopia; there are allusions throughout it of the totalitarian nature of the DDR. The reason it doesn't beat the viewer about the head with gulags and Stasi torture chambers is because it's not that kind of film.
All in all, I enjoyed it much more than Lost In Translation. The main difference is that the latter seemed to belong to the Andy-Warhol-filming-someone-sleeping-for-6-hours school of arthouse cinema, where films are deliberately tedious to give discerning audience members a chance to differentiate themselves from the excitement-hungry multiplex-going masses, whereas the makers of Goodbye Lenin! actually set out to be entertaining, and did so without dumbing it down for the broadest possible audience.
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