A pretty good explanation of the C86 phenomenon; the trend in UK indiepop that emerged in the 1980s, took its name from a NME compilation tape, and gave rise to labels such as Sarah Records, and later influenced everyone from Belle & Sebastian to the extensive US twee/indiepop scene of the 1990s and today. (found on LiveJournal)

C86 was a subculture and a fanzine culture (Kvatch, Sha-la-la and Are You Scared To Get Happy?). It spoke to alienated teenagers bored with mainstream culture and hooked on DIY lo-fi sensibilities, an almost asexual child-like affectation, Sixties pop and girl groups, seven-inch singles, bedsit socialism and a romantic, pastoral, holding-hands vision of England.

The influences are basically classic, melodic pop music from any era. The most obvious ones are The Go-Betweens, Aztec Camera, The Smiths and Orange Juice. Other icons include fanzine writers Matt Haynes and Clare Wadd (who set up Sarah) and Mathew Fletcher (the Talulah/Heavenly drummer who tragically committed suicide in 1996). Alan McGee would have been an icon if he hadn't committed so many crimes against pop music since.

Want to say something? Do so here.

Note to spammers: This comment system applies the rel=nofollow attribute to the poster's URL and all links. Posting links to this page will not improve their search engine rankings.

Display name:
URL:(optional)
To prove that you are not a bot, please enter the text in the image on the right in the field below it.

Your Comment:

Remember my details.

Please keep comments on topic and to the point. Inappropriate comments may be deleted.

Note that markup is stripped from comments; URLs will be automatically converted into links.