The Null Device
MIFF: Dead Creatures
This afternoon, I saw the Film Festival screening of Dead Creatures
. This is basically a British kitchen-sink social-realist zombie film; in it, zombies are just ordinary people like us, with two exceptions: they have an insatiable craving for human flesh and, over the course of a year or so, their bodies start to decay; their condition is the product of some contagious disease, spread by attacks from other zombies. Other than that, they are fully lucid and aware of their predicament, living for the moment, adjusting to killing to survive, and clutching onto futile hope until the end. The film follows a colony of zombiefied women, as well as a vigilante zombie hunter, and shows all stages of the process: a naïve newly-infected recruit adjusting to the realities of their new life, another late-stage victim, delirious and physically decaying, and between that, others rationalising their predatory habits, agonising about the loss of their futures and lives, and coping with the onset of decay. It borrows heavily from the British kitchen-sink tradition: it's set amidst the social decay of working-class London, and the system is oblivious and uncaring; even the vigilantes who hunt zombies do so for selfish reasons rather than out of idealism.
Dead Creatures was made in 2001, before Danny Boyle's more apocalyptic brit-zombie flick 28 Days Later, and, in some ways, is an excellent horror movie. It uses little in the way of special effects (some very convincing prosthetic makeup, latex models of dismembered limbs and the obligatory cool custom weapon, a zombie-killing bolt gun), but its strength is in capturing the despair and futility of those afflicted; of showing the inevitable end, the countless acts of murder committed in the interim to survive to reach it, and then the journey of one newly afflicted. The reality depicted is grim and affecting; one really empathises with the characters, in a way that goes beyond feeling the usual rollercoaster ride of tension and release, and comes out just about ready to donate to a charity to help ease the zombie plight. One could say that this is a horror film for Guardian readers.
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