The Null Device

2005: the year in music

And here are my records of 2005, in no particular order:

* these are Australian releases with no overseas releases; you can buy them from here or here.

Honourable mentions go to Architecture In Helsinki, In Case We Die, Broken Social Scene's self-titled album (which I received only in the last days of the year, too late to fully get into, though I get the feeling it may be a grower), LCD Soundsystem's self-titled album, The Magic Numbers' self-titled debut (which has some strong guitar-pop tracks, though is a bit bland in places, and may not be a proper CD in all territories), Momus, Otto Spooky, Francis Plagne, Idle Bones (which has a few good songs and a lot of meandering ambient field recordings; were the ratio reversed, it'd be quite impressive), and Suburban Kids With Biblical Names, #3.

It was also a good year for rereleases, with the entire Field Mice back-catalogue seeing the light of day again, in the form of new releases of Snowball, Skywriting and For Keeps, all extended with non-album tracks, and all three Slowdive albums (Just For A Day, Souvlaki and the exquisite Pygmalion) being rereleased—the first two with bonus discs full of EP and live tracks—through Sanctuary; meanwhile, neo-shoegazer Ulrich Schnauss's first album, Far Away Trains Passing By, is seeing the light of day again (good to see that Domino are using their NMECarlingnuwaveartrock windfall for good).

My gigs of 2005:

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