It was not clear whether the three judges had conducted field research before reaching their verdict. Certainly they made a clear distinction between "banal and vulgar" striptease--in which there is physical contact between dancers and the audience -- and artistic dance.
The question of the artistic value of striptease has been raging since the late 19th century. The first professional stripper was a Parisian, Yvette, who in 1894 stood on a music hall stage and pretended to undress for bed. The artistic content came in the act of undressing rather than in the nudity. which was often brief and incomplete. American burlesque theatres borrowed striptease acts from the French. The most daring showed Salome's Dance of the Seven Veils--complete with a papier-mâché version of John the Baptist's head -- as if to underline that striptease had respectable roots.
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