The Null Device

Streets ahead

The Age has an article about how, thanks to some two decades of thoughtful urban planning, Melbourne has advanced ahead of Sydney in terms of creative culture:
Melburnians had gained more public open space and access to waterfront lost for decades and, since 1991, thousands had been to encouraged to live in the "central activities district", creating demand for bars, restaurants and footpath cafes. Melbourne's laneways had been protected through height regulations and, between 1983 and 2004, active arcade frontage had increased from 300 metres to 3 kilometres, Adams said. And only bluestone paving is now allowed in the city.
The City of Melbourne had also invested in public art to improve the public domain, determined by an independent artists' panel.
The Sydney envy at hearing of Melbourne's leadership in city planning, architecture and art spilled into newsprint. Sydney University adjunct associate professor of architecture Elizabeth Farrelly lamented Sydney's developers had erased a plethora of laneways and back streets with skyscrapers, while much of Sydney's character had been "Botoxed away".
Farrelly declared that the biggest difference between the two cities is Sydney's "sheer cultural timidity - from fashion to cafes and from public art to architecture - compared with Melbourne's cultural courage".
A big part of the difference is in affordability, with Sydney's property prices, cost of living (Sydney is the fifth most "severely unaffordable" city in the affluent English-speaking countries, while Melbourne is the 23rd) and hypercompetitive, status-obsessed culture choking local creativity, putting pressure on artists to get a real job to keep up or otherwise leave for somewhere less sharky.

Of course, affluenza is hitting Melbourne as well; property prices are skyrocketing, and the young creative people who filled up the inner cities are being displaced further and further out, making room for moneyed yuppies with a taste for boutique lifestyles. Perhaps one of these days we will find that Springvale or Sunshine has become Melbourne's Neukölln, sufficiently populated with thrifty creatives and bohemians to have a vibrant local culture but insufficiently "funkified" (in the words of estate agents) to have attracted the yuppies?

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