Getting into the building was the easiest part, according to Klausmann. The squad allowed themselves to be locked into the Panthéon one night, and then identified a side entrance near some stairs leading up to their future hiding place. "Opening a lock is the easiest thing for a clockmaker," said Klausmann. From then on, they sneaked in day or night under the unsuspecting noses of the Panthéon's officials.
The hardest part of the scheme was carrying up the planks used to make chairs and tables to furnish the Untergunther's cosy squat cum workshop, which has sweeping views over Paris.
The group managed to connect the hideaway to the electricity grid and install a computer connected to the net.Neither the Panthéon's staff nor the authorities noticed anything until the UX's surreptitious restoration cell, the Untergunther, notified them of what they had done. The officials, being officials, didn't appreciate the act; the administrator of the Panthéon was sacked, and the state initiated legal action against the restorers. The group has recently been cleared of any wrongdoing, and is working on another secret restoration mission.
But the UX, the name of Untergunther's parent organisation, is a finely tuned organisation. It has around 150 members and is divided into separate groups, which specialise in different activities ranging from getting into buildings after dark to setting up cultural events. Untergunther is the restoration cell of the network.
Members know Paris intimately. Many of them were students in the Latin Quarter in the 80s and 90s, when it was popular to have secret parties in Paris's network of tunnels. They have now grown up and become nurses or lawyers, but still have a taste for the capital's underworld, and they now have more than just partying on their mind.And here and here is more about the UX and Untergunther. (It is not clear how these groups are related to "La Mexicaine de Perforation", the group credited with the underground cinema uncovered in 2004.)
I wonder how much of an inspiration those secret catacomb parties of the 1980s were on the characters of the "troglodistes", the sewer-dwelling guerilla frogmen in Jeunet and Caro's film Delicatessen.
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