I caught this the day before I was due to leave Melbourne. Not only did the Motifs play, in band form (and managed to translate from the bedroom-pop format really well), but Light Music Club (now a club of one, consisting only of the amazing singer-songwriter Zoë Jackson) played as well.
One of several I'm From Barcelona gigs I saw this year. I listed this one despite it being at Koko (a venue I'm not fond of), because this one featured Adventure Kid, the electronica artist who did the cover of We're From Barcelona they play at the end of their gigs. He was pretty good.
They're back; older and wiser, and the boys lacking somewhat in hair, but rocking just as hard. Data Panik may be no more, but Bis can still tear the roof off a venue, which they did.
Not so much a rock concert as an observational comedy routine punctuated by sharp electropop numbers with equally sharp dance routines. Khaela Maricich is an amazingly charismatic and entertaining performer.
The first of three of their gigs I saw this year; it was like a Sid & Marty Krofft TV show on (even more) drugs. One of the grandest musical spectacles of the year (well, this and the other two I saw).
I missed Momus' gig at Tate Modern in January, as I was in Australia then, so when he announced a Paris gig, I booked my Eurostar ticket. The gig itself was excellent, featuring a lot of classic songs, including some Kahimi Karie numbers with Laila France (who, I believe, organised the gig) helping out on vocals, and was generally a very engaging performer. The support was the kind of kawaii J-pop band you might imagine on a bill with Momus.
Cameron Potts' berzerk violin-driven punk project did a few London gigs at the end of their European tour. They rocked pretty hard.
Pikelet is Evelyn Morris, the drummer from Baseball, doing a softer solo project, creating songs with an accordion, various percussion and (crucially) a loop pedal. When I heard that Baseball were going to be in London, I took it upon myself to organise a solo gig for Pikelet (with the help of some friends). It was a very impressive gig.
An amazing bill; Harvey Williams (of Another Sunny Day and The Field Mice) coming out of musical retirement to play his hits (including a stripped-down version of You Should All Be Murdered, and Rose Melberg (of The Softies) doing a set. The highlight was undoubtedly Rose's cover of The Field Mice's The Last Letter. She said she felt uncertain about covering such a revered song, but the crowd loved it.
One of the best AIH gigs I have ever seen. They played so tightly and with so much energy; they virtually tore the roof off the Concorde2. The encore consisted of a cover of Mental As Anything's "Live It Up". The supports were Fanfarlo, who appear to be struggling between being a Labrador indie-pop band and being Coldplay; alas, Coldplay is winning.
Another gig I was involved in organising; this one's for transatlantic lounge-core duo Misty Roses. They were great; the frontman, Robert, has an amazing voice and a lot of charisma, and the music itself was quite lush, like Morricone or Bacharach only with new-wave and trip-hop influences, and with lyrics about old B-grade/genre movies. The supports (Hong Kong In The 60s and Sunny Intervals) were great too.
This time, Jens didn't have a backing band, but instead had a girl playing bongos and an iPod he switched in towards the end; nonetheless, he put on a brilliant show. The audience got into the spirit of it, and the entire room ended up singing a duet with him on Pocketful of Money in the encore, which was an amazing experience.
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