The Null Device

Twin Peaks and shoegazer

Much has been said about the legacy of David Lynch's Twin Peaks; now WIRED has a piece on the series' musical legacy, specifically on the shoegazer genre:
The series made a major impact, admitted Swervedriver front man Adam Franklin recently to me during an interview on the reunion of bands from the late '80s and early '90s, including those who have yet to announce a comeback. "Everyone was watching that show," Franklin says. "Angelo Badalamenti had a huge influence on the shoegaze sound."
Meanwhile, Cocteau Twins' architect Robin Guthrie and ambient composer Harold Budd's score for the underrated 2004 film Mysterious Skin sounds like it came right out of the Twin Peaks playbook. But the feedback loop isn't that simple: The Cocteau Twins collaborated much earlier with Budd on the 1986 classic The Moon and the Melodies, whose haunting, majestic track "She Will Destroy You" sounds like it was specifically built for Laura Palmer. And it's well-known that Lynch was a dedicated fan of the Twins before Twin Peaks existed. He made it official when he inserted This Mortal Coil's chilling "Song to the Siren," ethereally delivered by Cocteau Twins vocalist Elizabeth Fraser, into his 1997 film Lost Highway.
And on: L.A.-based Hypnagogia Films is working on a documentary about the shoegaze sound, called Beautiful Noise, and has conducted scores of interviews with My Bloody Valentine, Cocteau Twins and many more bands from the either side of that splendid period. Hypnagogia principals Eric Green and Sarah Ogletree recently told me in an interview that they are hard at work chasing down Lynch for a chat, one that may put the puzzle of the period together for them at last.

There are 1 comments on "Twin Peaks and shoegazer":

Posted by: Greg http://spill-label.org Mon Jun 23 07:34:44 2008

One of the members of New Waver was majorly into Twin Peaks, and recorded a cover of the theme music for a mid-90s compilation of tv themes, preserved at http://spill-label.org/box.php .. a medley with the theme from Callan.

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