The Null Device

Zombies are red, vampires are blue

Theory of the day: the political tone of a time is reflected in the theme of its undead-themed horror films; to be more precise, conservative periods include zombie movies, whereas progressive periods feature vampire movies:
One answer: These gore-flecked flicks are really competing parables about class warfare. “Democrats, who want to redistribute wealth to 'Main Street,' fear the Wall Street vampires who bleed the nation dry,” Newitz argued, noting that Dracula and his ilk arose from the aristocracy. “Republicans fear a revolt of the poor and disenfranchised, dressed in rags and coming to the White House to eat their brains.”
Whilst that could be reading much into it, zombie films can be equated with leftist critiques of conservative societies: George Romero's original films are widely regarded as critiques of post-war American consumerism, meanwhile other films make the connection even more explicit (the British zombie film Dead Creatures, for example, is essentially a Ken Loach film with zombies). Not sure what Shaun Of The Dead would be, though; Blairism, perhaps?

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