Beginning with a young Berlusconi’s arrival on the commercial Italian TV scene three decades ago, the film opens with archive footage of a stripping housewife quiz show – proving that this Italian TV gem is not the urban legend some assume it to be – and segues into a montage of busty variety show starlets (one of whom is now minster for gender equality in Berlusconi’s government). Videocracy then introduces us to the three main characters whoare used as benchmarks for the moral madness that the director sees as being induced by the dumbed down world of Italian commerical TV.Videocracy is screening at the Venice and Toronto film festivals. Perhaps unsurprisingly, though, both Berlusconi's private TV channels and the Italian state broadcaster RAI have refused to run advertisements for it.
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