With some more gentle probing he explains that he was intrigued by the way he could use the 808 and 303 in synch with the Roland Jupiter-8 keyboard. He explains that he didn't know much about the machines when he bought them and that he had to spend time learning how to use them properly. "At home I practised with the combination and I thought 'It sounds good – why not record it'".
Having explained that much of the music that Ten Ragas is compared to comes from Chicago, we settle down to listen to the record that arguably started it all – Acid Trax by Phuture. Singh listens intently but seems unmoved by the pulsing, stripped down music – and the signature squelch of the 303. "It's quite simple" he concludes after around three minutes, gently chuckling at the idea that there are similarities between Acid Trax and Ten Ragas. "It's very simple this music," he says. "What I played are ragas – there's a lot of variation."Singh's record, 10 Ragas To A Disco Beat, sank more or less without a trace when it was released, before being rediscovered a few years ago, and reissued on vinyl and MP3.
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