The Null Device
This weekend, I went to Indietracks, which, as previous years, was ace. Highlights were:
- Bis, who headlined on the first night, playing an energetic set (even with Manda being in the late stages of pregnancy). I saw them the night before at the Lexington, but preferred the Indietracks set, as the crowd at the Lexington had a macho, aggressive vibe (a big chunk of the front of the audience seemed to be muscle-shirted Rollins-wannabe meatheads looking for some action), which the twee pop kids, bless them, didn't have.
The Secret History, the New York cult heroes (mostly) formerly known as My Favorite, playing on the main stage; they did two My Favorite songs (Absolute Beginners Again and The Suburbs Are Killing Us), which was great, along with songs from their current incarnation's two albums.
- Haiku Salut, doing a set in the intimate setting of the church, accompanied by an assortment of MIDI-controlled lamps, which waxed, waned and blinked in synchronisation with the music. The effect was quite spectacular.
- Flowers, a promising young band, playing on the main stage on Sunday. They're well worth seeing; I'm looking forward to their album.
- Factory/Sarah veterans The Wake were amazing. Probably the oldest band there (I imagine they could claim a modicum of seniority over The Pastels), who made a return last year after a 17-year hiatus; their 2012 album was in my list of favourites of that year. They played some songs from this album, but mostly older material from their Factory years (which, if you liked Joy Division and the first New Order album, you'll probably like as well); and it sounded every bit as stark as on the record only far more vivid. Meanwhile, the bassist kept stealing the show with his moves; one cool cat.
- Still Corners closed the festival as the sun went down over the stage.
- Sets on the trains: London ukulele-pop combo Owl And Mouse did a great set on Saturday. On Sunday, Harvey Williams of Another Sunny Day played on the train, though there were a lot of people who didn't manage to squeeze into the parcel van it was in. Harvey did manage to do a second set in the workshop tent later.
I didn't get to see everything, of course; I missed, among others, Monnone Alone (whom I did manage to catch in London recently, though) and most of the Pastels' set, among innumerable others.
I have posted photos here; I'm also uploading some videos I took here.
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