The Null Device

Records of 2013

As 2013 draws to a close, it's once again time to look back on the records of the year, and so here is this year's list (ordered by artist name): And this year's honourable mentions go to: Beachwood Sparks - Desert Skies (summery Californian retro guitar-pop; formulaic as all hell, but done decently; a stylish haze of displaced nostalgia), CHVRCHES - The Bones Of What You Believe (2013's hipster-friendly electro smash; like a more euphoric, less witchy Purity Ring), Crocodiles - Crimes of Passion (Crocodiles' most poppy record so far, produced by Sune Wagner of Danish rockabilly pop combo the Raveonettes), Day Ravies - Tussles (a promising début from a new Australian band in a lo-fi/shoegaze/skronk vein; this will take more listening), Fuck Buttons - Slow Focus (a worthy follow-up to Tarot Sport and their Olympic opening ceremony appearance, albeit in a darker vein), Mazzy Star, Seasons Of Your Day (another in 2013's crop of comeback records, this time from the pastoral dreampop combo), Momus, with two releases; the stripped-down almost bluesy Bambi and MOMUSMCCLYMONT, the funky self-titled début of his collaborative project with David McClymont, the now Melbourne-based bassist of Scottish indie legends Orange Juice, My Bloody Valentine - m b v (a worthy and intriguing follow-up to Loveless; now let's see what they do next), Neon Neon - Praxis Makes Perfect (a concept album about an Italian Communist book publisher during the upheavals of the Years of Lead, executed in electropop/yacht-rock style), OMD, English Electric, and Pet Shop Boys, Electric (two similarly titled albums from two veteran synthpop acts bring two different approaches; OMD bring the gravitas of High Modernist heritage to the genre, as evident in tracks like Metroland, while the Boys take it to the dancefloor with some hard grooves and their usual wry lyrics), The Paradise Motel, Oh Boy (the Motel's concept album about Australian masculinity sees them change into a band almost unrecognisable from the haunting Tasmanian Gothic of their early EPs; this record starts with a ballsy, bluesy growl and goes on from there), Pikelet, Calluses (loop-pedal wizard Evelyn's latest goes into loose-limbed mutant-disco territory than Pikelet's previous works, with funky basslines and coruscating synth arpeggios melding with the exotic tonalities one has grown to expect), Still Corners, Strange Pleasures (Still Corners' second album is a brighter affair, with more of a spacious 80s dream-haze thing going on), Yo La Tengo, Fade (YLT's latest is a warm, layered and subtly idiosyncratic affair, building on their legacy, and doesn't disappoint), various artists, I Am The Center: Private Issue New Age Music In America, 1950-1990 (forget the airbrushed dolphins-and-rainbows kitsch and cynically made cash-in attempts for sale in crystal shops, this is a compilation of original compositions by various inspired individuals and eccentric experimentalists, complete with biographical liner notes, and, musically, is a lot more interesting and nuanced).

Nothing immediately jumps out as a record of the year, though Samarís and Underground Lovers are strong contenders; had Black Hearted Brother come out earlier, it could well have given them a run for their money.

My gigs of the year would be:

  1. Loney Dear, Majornas Missionsyrka, Gothenburg, 5 October; Loney Dear performing a number of songs, including some classics and a few new ones, accompanied by a chamber orchestra, in a rather lågom church next to a Gothenburg tower block. The orchestral arrangements were exquisite, and the whole experience was worth the flight to Sweden.
  2. Kraftwerk, Harpa, Reykjavík, 4 November; not having managed to see them in London or New York, I jumped at the opportunity when they announced a show in Reykjavík, making my second trip to Iceland of they year. The show was spectacular; more about it here.
  3. Haiku Salut, St. John's, Bethnal Green, 12 October; Haiku Salut playing in a church, accompanied by several dozen electronically controlled lamps that lit up in time with the music. A great show and a somewhat twee spectacle.

For your listening pleasure, there's a streamable mix taken from the records of the year here.

There are 1 comments on "Records of 2013":

Posted by: Bish Wed Jan 1 05:45:40 2014

Nice mix, have it up loud New Years day in Margaret River, West Aus :)

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