Unsurprisingly, the Satanic Temple gets a lot of hate mail from the usual good ol' boys. Perhaps also unsurprisingly, though, their most strident (or at least coherently so) critics are other self-identified Satanists; namely, the Church Of Satan, the Satanic sect founded by Anton LaVey in the Sixeventies, and since inherited by one Peter Gilmore, who has nothing nice to say about the new kids, and keeps saying it:
"When a fellow in horns — with an adopted moniker fit for a 1970s hairdresser — tea-bags a tombstone while some 'goth' rejects swap spit on the grave, it seems to us to be a parody of Satanism rather than a representation of some actual philosophical or religious organization." Those lines were written by Magus Peter H. Gilmore, leader of the Church of Satan, on the Church's official blog. It's one of several denunciations Gilmore has issued against the Satanic Temple in the past year.One would expect the Church Of Satan to resent upstart groups on its turf, especially ones whose activity and media-savviness is making the older group look tired and past its prime. (And the Church Of Satan does not seem to have done much since Anton LaVey died; apparently the older Church, whilst shunning publicity, does have private events for those who have earned entry to them; they do not say what sorts of events these are, so they may just be exclusive hot-tub parties with septagenarians who have first-hand stories about the wild old days). The generational divide also shows a chasm of values; the Church of Satan, founded in the 1960s, was both a product of the explosive “youthquake” that upended the authoritarian, conformistic values of 1950s America, and also a reaction to its mushier peace-and-love aspects; its philosophies of hedonism, pride and vengeance against one's enemies borrowed from Nietzsche and Ayn Rand (who wrote a foreword to its The Satanic Scriptures). The Satanic Temple, meanwhile, is a product of the current age; more liberal, more media-savvy, and essentially humanistic, to the point of being conspicuously (and, some would argue, contemptibly) nice. If LaVey Satanism was a reaction against the suburban docility of Eisenhower-era America and namby-pamby hippie crap, then might Greaves' Satanism be a reaction against the equivalents in post-Reaganite America: the sort of Randian dog-eat-dog values embodied both by the political/economic mainstream and the old Satanic counterculture (who, to be fair, were into them first)? If so, the Church of Satan comes off rather badly, looking like an aging hipster whose countercultural stance has succeeded beyond their wildest dreams, infusing the mainstream with its values and leaving them with just some tatty old clothes which no longer fit and the claim of having done it first.