The Null Device
Posts matching tags 'amelia fletcher'
Dr. Amelia Fletcher, Chief Economist at the Office of Fair Trade and possibly the world's most high-achieving active indiepop musician, has just been appointed Professor of Competition Policy at the University of East Anglia. This is about three months after her former Talulah Gosh bandmate Elizabeth Price won the Turner Prize.
BBC Radio 4 has a series featuring former teenaged rock musician turned New Labour home secretary Alan Johnson reminiscing about the rock career he never had; in the most recent episode, he interviews Amelia Fletcher, frontwoman of a number of indiepop bands from Tallulah Gosh onward and Chief Economist at the Office of Fair Trading (which came under his portfolio when he was in government), about combining music, a day job and parenthood, and how the international pop underground worked before the internet. (The stream is available for four more days only, and may or may not be available outside of the UK; apologies if it's not.)
The Australian indie-pop marketplace now has more competition, with a new mail-order outfit and record label in Fortitude Valley opening. Taking the time-honoured indie-pop strategy of having a literary name (see also: Library Records, Chapter Music, and numerous bands), Book Club Records has their own releases and overseas imports (including Tender Trap, Amelia "Talulah Gosh/Heavenly" Fletcher's latest project), with postage being free in Australia. They also have a page of MP3s free for the download, which includes Barcelona's "I Have The Password To Your Shell Account". (via Rocknerd)
It's interesting to look at their links page. Among the usual indie labels and stores, there is an Other section, which features 4ZZZ, LiveJournal, and, um, Manchester United. The last addition seems puzzling, looking at the site from the UK; no-one here would associate football with the indie-pop subculture, and Man.U, one of the biggest and highest in profile of clubs, doubly so. Mind you, it appears the be the usual indiekid-Anglophilia phenomenon, where any and all affectations of British everyday versimilitude are more indie than the local variety. This has been commented on in the past, in observations of American indie fans who are into everything one can slap a union flag on, from Blur to Oasis to Fatboy Slim to Mogwai; not to mention appropriations of British slang, sometimes with unintentionally comical results (I mean, "Shag Frenzy" sounds more like a tabloid headline about suburban swingers' parties than a name for an indie night). With that in mind, I wonder how long until indie kids in America and Australia start imitating the chav phenomenon to get that imported-from-Britain boost to their indie cred.