The Null Device

For those in the UK, BBC Radio has a 30-minute programme on single B-sides, their origins and decline, and the way different artists and producers have used the flipside of the single. It's listenable for about three more days, so you'll have to be quick.

(via ithinkihaveacat) ¶ bbc music culture [1 comment]

The Times has an interesting article about pieces of music banned by the BBC at various times. There are, of course, the obvious examples (The Sex Pistols' God Save The Queen, Frankie Goes To Hollywood's Relax, John Lennon's Imagine during the Gulf War), but there are also far more bizarre ones, in which the BBC's Reithian paternalist tradition (now, seemingly, relinquished to Blairite market-pleasing) translated into a heavy-handed, stentorian authoritarianism, often quite arbitrarily:

If Celine Dion had been around during the Second World War, she would have been silenced by the Dance Music Committee. One 1942 directive read: “We have recently adopted a policy of excluding sickly sentimentality which, particularly when sung by certain vocalists, can become nauseating and not at all in keeping with what we feel to be the need of the public in this country in the fourth year of war.”

“The head of religious broadcasting was a bit of a tyrant,” Leigh says. “Don Cornell's Hold My Hand, which was a No 1 in 1954, was banned because he didn't think a relationship with a girl could be likened to the ‘Kingdom of Heaven'.

Equally sinful, in the committee's eyes, was having the audacity to reshape a classical tune into something more swinging. One barbarian at the gates was Perry Como: I'm Always Chasing Rainbows was his rendition of Chopin's Fantasie Impromptu in C sharp minor. “This is a bad perversion of a Chopin melody and should be barred,” the BBC snarled, and, even in 1963, they stopped Ken Dodd's cover version from being broadcast.

¶ censorship music bbc uk culture [no comments]

A previously unknown cache of audio recordings made by BBC Radiophonic Workshop composer Delia Derbyshire has come to light. The tapes, recorded in the 1960s, include a sketch for a documentary score, using cut-up fragments of Derbyshire's voice as an oboe-like instrument. Most interesting, though, is a fragment, introduced by Derbyshire as "for interest only", consisting of a few bars of glitchy electronic beats in 5/4 time, with a pad sound. (The fact that all this was made without synthesisers as we know them, but with purpose-built arrangements of circuits, makes it even more impressive.) The fragment sounds like modern IDM; if someone told you it was a Warp release from the 1990s, you'd believe it. The world of the late 1960s, though, wasn't ready for IDM, hence Derbyshire's dismissal of it.

"I find it spell-binding," says Hartnoll. "I've got a shedload of synthesizers and equipment, whereas Delia Derbyshire got out of the Radiophonic Workshop when synthesizers came along. I think she got a bit disheartened and a bit bored with it all when the synthesizer came along and it all became a little too easy."

¶ music history bbc delia derbyshire electronica [1 comment]

So that was Eurovision for another year; Russia took home the first prize with a rather ordinary ballad (in English, produced by the famous Russian R&B producer Jim Beanz), followed by Ukraine and Greece, with equally cheesy and uninteresting tracks. The highest of the not-entirely-boring tracks was Azerbaijan's angels-and-devils ballad at #8, followed by Bosnia and Herzegovina's inspiredly surreal piece at #10. Latvia's (Swedish-written, English-speaking) pirates came in at #12, Spain's toy-guitar-wielding mentalist took #16, France's Sebastien Tellier turned #19 (though, to be fair, he didn't seem too comfortable with his new role as chanteur), and Croatia's folk-chanson accordionists and cranky old man were at #21, one step ahead of Finland's heavy-metal berzerkers. Meanwhile, the UK came in last, despite their entry being less piss-takingly laughable than the previous two years'. (In fact, one of the UK's best showings in recent years was Daz Sampson, the middle-aged bloke pretending unconvincingly to be a teenage hip-hop gangsta; figure that one out.)

And Sir Terry Wogan has said he may quit doing the commentary, in protest against the blatantly politicised bloc voting and Eurovision being "no longer a music contest".

¶ eurovision russia terry wogan bbc [no comments]

After having had its licence fee increase rebuffed, the BBC is planning to cut 12% of its workforce. Most of the cuts will happen in the factual division, which produces programming such as Planet Earth and stands to lose up to 50% of its budget. The BBC's trashy-populist-entertainment operations, however, look set to emerge unscathed.

One could question the rationale behind this peculiar set of priorities; after all, its Reithian ethos of worthy factual programming is a big part of the high esteem in which the BBC is held across the world. Indeed, one could ask why, for example, EastEnders is any more of a public service, and thus any more worthy of funding from a mandatory tax on television receivers, than its commercial rival Coronation Street, or whether or not something like Top Gear could be provided by the free market with no loss of values. It could be argued that the populist fare fulfils an important function: that of buying social approval for the BBC's license fee. Were the BBC to cut back on it and concentrate on "quality" programming, the majority of license-fee payers might start to question whether they should be obliged to pay over £100 per year for the privilege of skipping the BBC and going straight to Sky One. From then on, it would take a campaign on the front page of The Sun (whose proprietor, it must be remembered, would dearly love to see the BBC reduced to something of the size and stature of the American PBS or Australian ABC; underresourced, timid and marginal) to put the dismemberment of the BBC on the legislative agenda in time for the next licence fee review.

Which is a rather sad state of affairs. Surely the purpose of that unique institution, the license fee, should be to fund quality, enlightening programming in niches which the market, left to its own devices, wouldn't fill, rather than to provide popular mass entertainment (a task which the market has always stepped up to catering to)?

¶ bbc media [2 comments]

The Lonely Planet publishing company, best known for its travel guides (as well as random travel-related books and a stock photography library) has been bought — by the BBC, of all people. Well, by BBC Worldwide, which is the BBC's commercial arm (the one which sells BBC content to non-licence-fee-payers outside the UK for profit).

BBC Worldwide international director Ian Watson said there was "absolutely no intention" of introducing advertising into Lonely Planet, which he described as "the most important brand to travellers around the world". "One of the things we very quickly got to talking to with Tony and Maureen was just how closely aligned our editorial values are," he said.

¶ business bbc lonely planet travel [no comments]

Blog of the day: Mark Mardell's Euroblog, in which a BBC Europe correspondent writes insightful pieces on news stories concerning the EU, such as the prospect of Belgium splitting in two, the clash between Poland and the EU, and the (receding) prospects of a federal "United States of Europe".

¶ blog europe bbc [no comments]

The BBC's "edgy", yoof-oriented BBC Three channel, has revealed six new drama series due to be screened later this year:

Being Human, from Touchpaper TV and Doctor Who writer Toby Whithouse, follows three co-habiting flatmates. One is a vampire, one is a ghost and the other a werewolf.

Mrs Inbetweeny tells the story of siblings who are brought up by their pre-op transsexual aunt Emma from America.

Phoo Action is a kung fu live action drama set in 2012 London, which is in the grip of mutant criminals. Terry Phoo and Whitey Action - the first a Buddhist cop and the second an anarchist - step in to save the day.

W10 LDN, from Noel Clarke and Kudos, looks at the lives led by a group of young teenagers on a housing estate in West London.

(via James) ¶ bbc tv entertainment culture wtf [4 comments]

The BBC News Magazine has posted a very informative article on ways of legitimately gaming Britain's byzantine train fare system to get the best fare. Most of these ways involve finding the right combinations of tickets covering various parts of the journey which, when put together, are cheaper than a complete ticket would be:

These are not "fiddles" but perfectly legitimate savings, because it is the customer's right to ask for any combination of tickets. However, it is also the clerk's duty not to advertise them, should he or she know they exist.

The only rule connected with the use of such a combination (other than the fact the tickets must be valid, of course) is that the train must stop at the place where the tickets join, although you do not have to alight.

You have to leave London for Newcastle on the 0800 train and the open return costs £224. The train calls at Peterborough - and savers to the north from Peterborough are available any train, any day. So book an open return to Peterborough (£68) then a saver from Peterborough to Newcastle (£76.90) - that's £144.90, saving £79.10. Just make sure the train on which you return calls at Peterborough (most do).

So buy a saver return FROM London TO Shotton and throw away the outward half. You are then "returning", resuming your return journey at Chester. That is all legal. The saver return is £59.70, £29.30 less than the full single.

I wonder how hard it would be to create a search engine for automatically finding optimal combinations of tickets.

¶ uk railway transport bbc howto [3 comments]

A team of six specialists assembled by the BBC has discovered the ten steps to true happiness:

• Plant something and nurture it
• Count your blessings - at least five - at the end of each day
• Take time to talk - have an hour-long conversation with a loved one each week
• Phone a friend whom you have not spoken to for a while and arrange to meet up
• Give yourself a treat every day and take the time to really enjoy it
• Have a good laugh at least once a day
• Get physical - exercise for half an hour three times a week
• Smile at and/or say hello to a stranger at least once each day
• Cut your TV viewing by half
• Spread some kindness - do a good turn for someone every day

¶ psychology happiness slough bbc [2 comments]

Cult 1970s BBC comedy troupe The Goodies, who recently reissued some of their shows on DVD and did a successful tour of Australia (where, thanks to the ABC's buying of their show, they are a national institution), are now doing a UK tour, starting off with a show at the Edinburgh Festival.

The show is a mixture of reminiscences, clips from the shows, new sketches and their chart hit song, "The Funky Gibbon". Then there are the recordings of Oddie, 65, "who we can switch off at any moment". Among the sketches is one about the Goodies' invention of Ecky-Thump, a Lancastrian martial art, at which a man in Scotland died laughing when it was originally broadcast. "We'll have medics on hand," Brooke-Taylor said.

Both Brooke-Taylor and Garden, 63, admit they are not sure who their audiences will be in Edinburgh, but if it goes well there is a chance of a national tour. Garden seems slightly nervous. "In Australia there was this great fan base. In this country, nobody has seen the show for 25 years," he said. For anyone under 40, features included a rip-off of King Kong with a kitten on the Post Office Tower, and the Goodies' bicycle for three. The show routinely attracted audiences of up to 14 million.

¶ the goodies bbc abc tv comedy [no comments]

BBC Radio 4 has a three-part programme titled The Art of Pop, about the influence of the British art school tradition on pop music, and presented by famous St. Martin's graduate Jarvis Cocker. The first part (from Tuesday) may be listened to here.

(via imomus) ¶ jarvis cocker bbc culture art pop [no comments]

This evening, I tuned into BBC News 24. The intro ran, and on came the newsreaders, informing the audience of the big story: the English football team was beaten by Portugal, and was out of the World Cup.

The report played a clip of the goal that ended it all, and the Portuguese player's triumphant expression. Then they crossed to England supporters outside the stadium in Germany, with the reporter asking them how they felt. Not surprisingly, they were disappointed.

Then the report crossed to Lisbon, where fans were partying. The reporter asked a few how they felt; they were elated. This just in: Portuguese football fans celebrate when their team wins.

This went on for 20 minutes, discussing the mechanics of the game, the hopes and dreams of various fans, and so on, after which they briefly crossed to the rest of the day's news. And in other news: 60 people were killed in a bomb blast in Iraq, as sectarian violence threatens to escalate further. Presumably things are also happening in other parts of the world (such as, say, the Gaza Strip and Somalia, to name two recently newsworthy locations), though one can't be sure because there wasn't time to mention them.

Am I the only one who sees something wrong with this?

¶ media news bbc football populism lowbrow [10 comments]

The BBC News magazine looks at the question of when spring actually starts:

"You would not regard the first three weeks of June as spring, yet historically summer does not start until 21 June," says a spokesman for the Met Office. "Equally, the bulk of people now regard 1 March as the first day of spring."

Historically spring starts on the day of the vernal equinox, which usually occurs on the night of 20/21 March.

After all, summer is commonly decreed to start on 21 June - the Summer Solstice - yet the following day is known as MID-summer's day.

¶ time calendar spring seasons bbc [no comments]

BBC Newsnight's Adam Livingstone sets the record straight on paedophiles, terrorists and file sharing:

First though, an apology. File sharing is not theft. It has never been theft. Anyone who says it is theft is wrong and has unthinkingly absorbed too many Recording Industry Association of America press releases. We know that script line was wrong. It was a mistake. We're very, very sorry.

If copyright infringement was theft then I'd be in jail every time I accidentally used football pix on Newsnight without putting "Pictures from Sky Sport" in the top left corner of the screen. And I'm not. So it isn't. So you can stop telling us if you like. We hear you.

The rest of the article goes on about ISPs blocking BitTorrent, other clients using encryption to bypass the blocks, and the resulting increase in encrypted content on the net allowing suspicious encrypted paedoterrorist communications, which would have otherwise drawn the security services' attention, to sink into the encryption soup unnoticed.

(via Boing Boing) ¶ copyfight bbc encryption security paedoterrorists [no comments]

The BBC is running a poll of British design icons. On the current page are 25 candidates; there are the usual design classics (Jan Tschichold's distinctive Penguin paperback covers, red phone boxes, Routemaster buses, the Mini (and the miniskirt!), and Harry Beck's Tube map), and also some more recent entries, including Peter Saville's cover for New Order's Power, Corruption and Lies, Neville Brody's design of The Face magazine, the Dyson vacuum cleaner (what about the Henry?), Lara Croft and Grand Theft Auto. Oh, and the World Wide Web, because the first form of it was developed by an English bloke.

Not to mention a few things I didn't know were British, such as the Chopper bicycle now ironically popular with SugaRAPE-reading hipsters (apparently it's not Californian, just a knockoff of Californian designs) and Microsoft's Verdana typeface (designed by British-born type designer Mathew Carter). In that case, I wonder why they didn't include the iMac or iPod (whose appearance was designed by Englishman Jonathan Ive).

And it's interesting to read that Britain's current system of road signage was (re-)designed in the 1960s. Which probably explains why Australia has entirely different (US-style?) signs.

(via london-underground) ¶ design bbc uk jan tschichold penguin routemaster london underground peter saville new order neville brody typography road signage [2 comments]

From a BBC News 24 story last night, about some disturbed individual who was shot by air marshals after claiming to have a bomb:

¶ language bbc usa uk [no comments]

More details of Tony Blair's special relationship with another superpower -- namely, Rupert Murdoch's News Corporation -- have emerged. On Thursday, Blair was heard telling Murdoch that their mutual foe the BBC's coverage of Hurricane Katrina was "full of hatred of America and gloating.

"Tony Blair... told me yesterday that he was in Delhi last week and he turned on the BBC World Service to see what was happening in New Orleans, and he said it was just full of hate at America and gloating about our troubles," the chairman and chief executive of News Corporation said.

It must be a different BBC than the one I've seen. Perhaps Blair tuned into the Baghdad Broadcasting Corporation, the al-Zarqawi-boosting, freedom-hating fountain of anti-Western propaganda that only Little Green Footballs readers seem to be able to see?

It's a good thing that the Beeb has won its 10-year charter; otherwise, it would look like Blair and Murdoch were sharpening their knives.

Also in the same report: an extract from the diary of one of his former spin doctors claims that Blair gave News Corp. the power of veto over Britain's European policy. Or, "the things we do to keep The Sun onside".

An entry in a diary kept by Lance Price, who worked for the PM between 1998 and 2000, said: "We have promised News International we won't make any changes to our Europe policy without talking to them."

¶ murdoch tony blair thatcherism-blairism bbc [no comments]

Tonight, some 10 years after the Blur vs. Oasis battle, BBC Four held a Britpop night, running several programmes on the whole thing.

First up was a half-hour documentary by John Harris about the history of the phenomenon. It reprised much of the territory in his excellent book The Last Party, only squeezed into half an hour and with fragments of music and video, and interviews with various people from the time reminiscing over what it was like. It started with the wilderness of Nirvana and shoegazer (which Harris described as being similar to grunge), and ended with the comment that Britpop was responsible for ushering in the age of bland balladeers like Coldplay, Keane and Snow Patrol, and of course those quintessential rockist classicists, Oasis.

This was followed by a programme with Damon Albarn presenting a selection of live videos; it's reassuring that he has ditched the mockney accent and look-at-me-I'm-working-class affectation, though perhaps a tad disappointing that the title designers did the lazy thing and equated britpop with Mod. Then they played Live Forever, the Britpop doco from some years back, and then a 1995 BBC fly-on-the-wall piece with Pulp, which was rather interesting. It involved backstage footage from a gig in Sheffield, Jarvis talking about appreciating kitsch knowingly yet unironically, and some footage of Pulp's support band, an outfit named Minty who seemed to have been England's answer to Machine Gun Fellatio or something.

¶ britpop bbc john harris shoegazer coldplay damon albarn live forever mod pulp [no comments]

It looks like the new Doctor Who will be attired in a suit, a trenchcoat and sneakers, in what the BBC are calling a "geek chic" look; in other words, somewhere between John Constantine in the Hellblazer comics and Jarvis Cocker sans glasses.

For a while they had me worried that the BBC were trying to jump on the NME New Wave Glamorous Indie™ Art Rock™ Revival bandwagon and making the Doctor an emaciated androgyne in a tight-black-suit/black-shirt/anorexically-thin-red-tie combo.

(via hazyjayne) ¶ bbc doctor who fashion style carling-indie [no comments]

A comparison of US and British media's responses to domestic terrorist acts:

Right this minute, on the BBC World service: a lengthy report on humanitarian efforts in Africa. No news crawl. If you didn't know the London bombings had happened already, you wouldn't even know.

Right this minute, on CNN International: a lengthy report on anti-terrorism efforts in other countries, so far specifically framed as a series of successful trades: decreasing freedom for increasing surveillance, with greater security supposedly as the net result. Along the bottom, a news crawl repeats bombing-related headlines constantly.

One of these things is not like the other. One is constant, constant fear-pandering. The other -- from the country that actually suffered the bombings, no less -- is still reporting something resembling actual news, with something resembling a dose of actual perspective.

A related thought: if Britain was like America, we'd probably have Dannii Minogue singing Rule Britannia (and/or God Save The Queen, complete with the jingoistic third verse -- "confound their politics, frustrate their knavish tricks, on Thee our hopes we fix") at a star-studded gala right now.

(via jwz) ¶ terrorism the long siege media sensationalism bbc cnn usa uk fear [1 comment]

Recording company bosses are livid after the BBC makes MP3s of Beethoven's symphonies available for downloading:

Managing director of the Naxos label, Anthony Anderson, said: "I think there is a question of whether a publicly funded broadcaster should be doing this and there is the obvious issue that it is devaluing the perceived value of music. You are also leading the public to think that it is fine to download and own these files for nothing."

In today's dominant ideology of Reaganite-Thatcherite monetarism, where the key participants are corporations (beings incapable of actually experiencing the use value of art) and humans are merely the microorganisms in their guts, art is primarily currency; any subjective artistic or aesthetic value is secondary. Scarcity is essential to the value of a currency, and any loss of scarcity damages that value. Which is why copying is seen not as cultural cross-pollination but as equivalent to currency counterfeiting, making music available for free, even when legal, is considered unethical.

(via techdirt) ¶ galambosianism bbc mp3s scarcity [no comments]

A BBC TV programme is using computer-based photo-aging technology to model the effects of decades eating junk food:

¶ junk food health aging computer graphics bbc [no comments]

US satellite radio network Sirius is about to start broadcasting BBC Radio 1 in the US, time delayed to sync up with local time. Now Americans frustrated with the Clear Channel monoculture will be able to catch John Peel's heirs playing all sorts of eclectic music at odd times of the night.

Meanwhile, back in Britain, Xfm (which, for the Australians in the audience, was once the closest thing Britain had to 3RRR, but now has turned into a Carling-flavoured Nova FM, playing the latest NME darlings on heavy rotation) is shedding one of the last vestiges of its alternative heritage, by merging with Kerrang-style hard-rock station Storm; both stations are owned by the Capital Radio group.

¶ xfm carling-indie bbc [no comments]

Well, that was a cracker of a way to end a season of Doctor Who. Dalek cultists? Who would have thought. Even if it did seem like a bit of a deus ex machina.

Anyway, David Tennant will have a tough act to follow as the next Doctor, given how good Ecclestone's grinning-nutter-with-heart was.

¶ tv doctor who bbc [8 comments]

The election results are trickling in; Labour have retained a number of seats; the Lib Dems are getting significant swings (5-10%), though they're all falling short of unseating Labour. So far, Labour have lost two seats: Putney to the Tories (interestingly, Putney is an area popular with South Africans, who, as Commonwealth citizens, are entitled to vote, and who are said to be conservative on racial issues; I wonder whether this was a factor), and a Welsh seat to an ex-Labour independent. Exit polls say that Labour's majority may be slashed to 66 or so.

The BBC's election coverage seems quite similar to the ABC's Australian election coverage (the computer-generated bar charts and swingometers are there), though there's a carnival atmosphere that the Australian elections don't have, with elements of silliness and irreverence, such as a George W. Bush impersonator at the BBC's election party, and a computer-generated mockup of the party leaders racing down Downing St.

¶ politics uk election bbc [7 comments]

The BBC Creative Archive site is now up. There's no content yet (they're still working on negotiating the licenses), but the details have been officially announced. It's going to be distributed under something very similar to a Creative Commons by-nc-sa-style licence, only with a "no endorsement" clause prohibiting use of material for campaigning or defamation (which presumably stems from English copyright law's concept of moral rights). This licence will be used not only by the BBC, but also by other organisations such as Channel 4 and the British Film Institute for their own online archive efforts. In other details: there will be no DRM whatsoever, though the archive will only be accessible from British IP addresses (though I'm told that the people behind it are pushing to lift this restriction), and peer-to-peer technologies will be used to help distribute it (which, presumably, means that the BBC's download site will act as a BitTorrent tracker/seeder).

While we're on the topic, an article on the push to bring Creative Commons licensing to Britain.

(via boingboing) ¶ bbc creative commons creative archive free culture [no comments]

I just watched the first of the new Doctor Who series. It was amusing enough, with plastic dummies controlled by an alien consciousness hiding under a London landmark trying to take over the world. (It is apparently a Welsh production, though the story was all centred in London.) They may have been a little too eager to please, peppering the script with one-liners and quips, sometimes at the expense of plausibility. Anyway, Christopher Eccleston, in his short-cropped, leather-jacketed Northern English geezer guise, made a decent enough Doctor, and Billie Piper is the First Chav Assistant. (Why did they name her Rose, when Tracey or Mandy or something similar would have been a more appropriate name?)

Interestingly enough, the BBC are milking this cow as far as they can; right after the show, the lottery announcement had one of the announcers hitching a ride in on the TARDIS.

¶ doctor who bbc tv [no comments]

Your Humble Narrator went to the Prince Charles Cinema off Leicester Square for the launch of the second Goodies DVD compilation, picking up a copy of said DVDs.

The launch consisted of a screening of two of the episodes on the discs (The Movies and Bunfight at the OK Tearooms); not my absolute favourites from the compilation (that'd probably be South Africa or Radio Goodies), but enjoyable anyway.

After the screening, the lights went on and the three Goodies took their seats on the stage. Tim still looked like Tim Brooke-Taylor, only without the Union Jack waistcoat (maybe he'll wear one during the upcoming Australian tour; who knows?), and Bill looked like an older version of his younger self. Graeme, however, was nigh-unrecognisable without his trademark sideburns (when asked by a member of the audience whether he'd grow them for the tour, he said he may buy a pair to wear).

Anyway, the Goodies answered questions from the audience. Some points that emerged from the session: there is a third 8-episode 2-DVD set planned, for later this year, by when, it is hoped, all the popular and interesting BBC episodes will be available (the Goodies reckon that there are 24 that fall into this category), and possibly some episodes from the final ITV series. Some episodes may not make it to release, due to licensing issues (apparently Michael Jackson is refusing rights to some Beatles material in Goodies Rule OK). The Goodies are about to embark on an Australian performance tour; one audience member asked whether they'd do any UK shows; they said that it's less likely, given that the BBC hasn't screened any Goodies episodes for a few decades, cutting down on the potential following. So it looks like the Aussies reading this should count themselves lucky.

The DVD itself is pretty good. It has eight episodes, and also a good deal of extras. I get the feeling that while the first one was made (relatively) quickly and cheaply, its sales exceeded expectations, resulting in more being put into the second one. As well as the episodes, we get several shorter sketches from other shows, commentary tracks, and PDF files of the scripts, in various revisions, not to mention a somewhat fancier animated DVD menu.

The DVD is listed as Region 2, though the first one (which was also thus listed) was Region 0 (i.e., playable anywhere); no idea whether this one is. It's also coming out in Australia in a month or so, and will probably be somewhat cheaper there.

¶ the goodies comedy photos uk bbc [1 comment]

Entries in b3ta's Crap Computer Games challenge, in which contestants submitted demos (as animated GIFs or Flash; though at least one entrant wrote an actual ZX Spectrum program) of naff 8-bit computer games that never actually existed, both original ones and interpretations of pre-supplied concepts like Window Cleaner, Trade Union Organiser and a Spanish holiday simulator; anyway, you'll find these and more (including Football Text Adventure, the tape loader from Ocean's Last of the Summer Wine tie-in, and Mirrorsoft's Robert Maxwell Yacht Simulator) all (well, most) in pixellated 8-bit glory.

The contest was in connection with Look Around You, a BBC comedy series satirising 1970s educational television. The first episode of the new series (now changed from 9-minute "educational" programmes to a half-hour magazine-programme format; not unlike Curiosity Show for the Australians in the audience) aired last night. Unfortunately, I only managed to catch the last 5 minutes (did anyone manage to tape it?), though what I saw looked very amusing; perhaps even more so than the first series.

IMHO, Look Around You is the cream of British comedy these days. For all that is said about Little Britain, the usually cited candidate for this honour, there's no escaping the fact that it's basically a British version of The Comedy Company (right down to Vicki Pollard being a chav Kylie Mole). It inherits little from the great British absurdist tradition of the Goon Show and its heirs, instead throwing out the same predictable plots and trademarked catch-phrases in slightly different settings.

¶ videogames retrocomputing look around you comedy bbc uk [1 comment]