The Null Device

Could it possibly be the case that Kenny G is now hipper than Prince?

"The internet's completely over. I don't see why I should give my new music to iTunes or anyone else. They won't pay me an advance for it and then they get angry when they can't get it.... Anyway, all these computers and digital gadgets are no good. They just fill your head with numbers and that can't be good for you."

Kenny G says if the Internet is dead "then I must be dead, too, 'cause I use it all the time." He adds with a laugh: "Maybe I've got a sixth sense, and I only see dead people. I don't know."

¶ cool hipsters kenny g prince yacht rock 2 Share

The BBC News Magazine takes a look at the biggest-selling records of the 1960s, revealing that, in contrast with the super-groovy sounds later associated with the decade, they were, by all accounts, not very cool:

the best-sellers of the Sixties include healthy dollops of yodelling, crooning and clarinet-tootling among the recordings that are now part of the rock canon.

Of course, the 1960s and "the 1960s" are completely different things and shouldn't be confused with each other. The former is a stretch of ten solar years, starting and finishing at arbitrary points, whereas the latter is a cultural construct created in retrospect by observing what happened in the former, filtering out inconveniently outlying points and making up stories about it until a narrative emerges. And as the narrative emerges, often events that happened get subsumed into the background. So, while in the 1960s, groovy youth culture flourished in reaction against a more square status quo, and this status quo was the backdrop; "the 1960s", however, were a riot of psychedelic colour and stylish coolness; everybody was a Mod or a Rocker or else taking acid and listening to the Beatles. Much like everybody in the 1970s was a punk, a disco dancer or a super-smooth yacht rocker, and the 1980s were all about new-wave synthpop, fluorescent colours and the odd bit of hair metal.

It's like a cultural equivalent of the psychoacoustic audio compression used in MP3 files. When a sound recording is encoded to a MP3 file, the algorithm analyses it and discards the frequencies that a human listener wouldn't notice. A MP3 file is essentially a caricature of the original recording made up of the more salient frequencies; your brain fills in the gaps and you don't notice the difference. In a similar way, the historical process of interpreting a decade involves thrashing out its salient characteristics and discarding the rest. It's an ongoing process, and "the 1960s" (and "the 1970s" and "the 1980s" and onward) keep evolving in line with contemporary tastes; "the 1960s" which The Bangles and Lenny Kravitz referenced in the 1980s is not the same as the more rockist, geezerish "the 1960s" of post-Britpop lad-indie Britain. Neither, however, featured Rolf Harris.

¶ 1960s cool culture history uk 3 Share

The Graun has an interview with James Murphy of LCD Soundsystem, in which he talks about, among other things, the mechanisms of "cool" and pretentiousness:

"I actually want to write a treatise in defence of pretension," he says. "I think the word pretension has become like the word ironic – just this catch–all term to distance people from interesting experiences and cultural engagement and possible embarrassment. Pretension can lead to other things. You know, the first time I read Gravity's Rainbow, I did so because I thought it would make me seem cool. That was my original motivation. But now I've read it six times, and I find it hilarious and great and I understand it. You can't be afraid to embarrass yourself sometimes."

¶ authenticity cool culture hipsters lcd soundsystem music 0 Share

The idea of the "End of History" is one which never goes away; every so often, it'll come back in a new guise. Its latest incarnation comes from none other than Brian Eno, who claims that nothing is "uncool" anymore.

We’re living in a stylistic tropics. There’s a whole generation of people able to access almost anything from almost anywhere, and they don’t have the same localised stylistic sense that my generation grew up with. It’s all alive, all “now,” in an ever-expanding present, be it Hildegard of Bingen or a Bollywood soundtrack. The idea that something is uncool because it’s old or foreign has left the collective consciousness.

(via tyrsalvia) ¶ brian eno cool culture marketing the end of history 3 Share

Japanese War Tubas. I repeat, Japanese War Tubas:

Seen on this page. The war tubas look like a musical instrument (some kind of Dadaist/Futurist sound-art device, or perhaps a super-loud military-band instrument designed to strike terror into the hearts of enemies, much as bagpipes were), but they were actually devices for acoustically locating incoming aircraft. I wouldn't be surprised if the photograph in question has graced at least one CD of experimental music/noise-art.

(via The Athanasius Kircher Society) ¶ cool japan photos tuba ww2 1 Share

When he handed down the ruling in the Da Vinci Code plagiarism case, Mr. Justice Peter Smith could not resist byt embed his own coded message into it:

The first clue - the word claimants with the s in italics - is found in paragraph one of the document. In the next paragraph, the m in claimant is italicised. Read together, the italicised letters in the first seven paragraphs spell out the self-referential legend "Smithy code".

After the "Smithy Code" series, there are an additional 25 jumbled letters contained on the first 14 pages of the document, Mr Tench said.

Although some of the more creative members of the bench have occasionally been known to write their judgments in verse or rhyming couplets, few have gone to the same cunning lengths as Mr Justice Smith. "It's not really something that you expect from a judge," Mr Tench said. "Someone said to me: 'Isn't that rather irresponsible?', which I thought was a rather joyless reaction. It just shows that our judges are human."

¶ cool humour plagiarism the da vinci code 0 Share

When portable devices have excess CPU cycles, things like this become possible:

(via Toby) ¶ cool eyecandy tech vr 0 Share

Quite probably the world's coolest-looking pizza cutters, which look like some kind of collision between Gigeresque biomechanics, steampunk and cyberpunk:

(via gizmodo) ¶ cool design 0 Share

Got an empty room, some free time and the urge to amuse and confuse visitors? Why not make a sideways room?

(via bOING bOING)

¶ cool hacks sideways 0 Share

A British designer has created a coffee mug with a shelf for storing biscuits. The Dunk Mug, sensibly enough, comes in left- and right-handed variants. (via bOING bOING)

¶ biscuits coffee cool design 0 Share

This is very cool; detailed drawings of the skeletal systems of various cartoon characters, including Charlie Brown, Hello Kitty, various Warner Bros. and Hanna-Barbera characters and the Powerpuff Girls, done in 19th-century anatomy textbook fashion, showing the freakishly distorted physiognomies of the characters in question. These are currently being exhibited in an art gallery in Portland, Oregon. Anyway, judging by these drawings, without their cartoonish skin, a lot of these characters would fit in well in glass cases in some Victorian eccentric's wünderkammer. (via bOING bOING/Toby)

¶ art cartoon comics cool drawing 0 Share

Thomas Frank on the corporatisation of cool, on how ersatz "rebellion" (and ersatz "authenticity") is the engine of consumerism, and the false hip-square dichotomy created by advertising:

So it offers not just soap that gets your whites whiter, but soap that liberates, radios of resistance, carnivalesque cars and counter-hegemonic hamburgers.... If our fragmented society has anything approaching a master narrative, it is more of a master conflict. We are in constant struggle - not against communism, but against the spirit-crushing, fakeness-pushing power of consumer society. And we resist by watching Madonna videos or by consorting with more authentic people in our four-wheel-drives, or by celebrating consumers who do these things.

People worked harder and longer in the '90s than in previous decades; they saw more ads on more surfaces than before; they ran up greater household debts; they had less power than at any time in the past 50 years over the conditions in which they lived and worked. In such an environment our anger mounted. And from the eternally outraged populist right to the liberation marketers of Madison Avenue, those who prevailed in the past decade have been those who learnt to harness this anger most effectively.

¶ authenticity commodification cool rebellion 0 Share

I'm not making this up: Some Dutch students have written a VST plug-in which synthesizes Tibetan throat singing. I'm not making this up. Named Delay Lama, it uses formant synthesis, is MIDI controllable (with the pitchbender controlling vowel sound) and sounds uncannily lifelike. And if that wasn't enough, it draws an animated Tibetan monk, lip-synched with the audio, in the GUI. Best of all, Delay Lama is free (though donations to a Tibetan charity are encouraged).

¶ computer music cool softsynths throat singing tibet vst 0 Share

The future is already here: it's just not evenly distributed: Companies have been hiring the service of cool hunters , who are sort of like upmarket yuppie anthropologists, to tell them what the trendy urban hipsters are doing, thinking and identifying with; the theory being that the twitchily hip urban fads of today will be the next big hit of tomorrow's mainstream; a view Malcolm Gladwell's The Tipping Point put forward.

When not receiving facials or having their toes dipped in Bollinger Grande Cuvée, trendsetting teens claim to be experimenting with digital filmmaking, vintage computers and "geometric prints from the '60s and '70s." Mainstream teens say they're having sex, "rolling up my jeans" and "going to college." Asked about the "newest thing your friends are doing," the mainstreamers, in a sudden burst of Eisenhower-era conformity retrograde even by their standards, cited "getting married," "working on cars" and "going to nudie bars." Trendier types mentioned "freestyling" and "drunk bowling."

The cool-hunting consultancies, of course, charge hefty fees for these vital tips. (An annual subscription to the L Report will set you back $30k.) Mind you, they're now discovering a corollary to the Tipping Point hypothesis; namely, that most cutting-edge trends are too rarefied to trickle down to suburban mainstream consumers to the point of being marketable; leading to missteps such as marketing guarana-laced soft drinks and male makeup kits to the Wal-Mart crowd, with predictably underwhelming results. (via rebecca's pocket)

¶ anthropology avant-garde cool cool hunters culture fashion hipsters mainstream marketing society trends 0 Share