The Null Device
Posts matching tags 'ipad'
Typography/design blogger Stephen Coles offers a typographically-oriented critique of Apple's iPad interface, and it doesn't come off well. Apple, it seems, are guilty of privileging style over substance, aiming to make the iPad look stylish rather than be legible. As an e-book reader, it fails, with the iBooks application falling for that most vulgar of desktop-publishing tricks and forcibly full-justifying all text, despite research showing that ragged-right margins are actually more legible. iBooks also falls down on typeface choice; the user has a choice of reading books in one of five typefaces, which range from middling to poor for reading large quantities of text. Support for custom fonts on the iPad is poor all round; there is no option to embed fonts in e-books, and the version of Mobile Safari supplied doesn't have up-to-date @font-face embedding support.
And then there's the famously Helvetica-fetishising UI, whose typographical choice is seemingly more designed to exude mid-20th-century modernist chic and pander to the owner's self-image as a stylishly cool individual, rather than aiming for anything as gauchely utilitarian as legibility. While Helvetica is good for print and signage, or, indeed, larger sizes on the screen, there are more legible typefaces for use on computer screens (the Lucida family, shipped with Apple's own OSX, is a case in point). The Helveticolatry, though, pales into insignificance next to the Notes application's cutesy felt-marker typeface, which, whilst less cringeworthy than Comic Sans, is still somewhat ridiculous; all of a sudden, High Modernist chic gives way to kitsch.
Bonus link: Stephen Coles with a list of alternatives to Helvetica. (Note the complete absence of Arial in this list; it's a list of actual typefaces of typographical merit.)
Kevin Anderson, recently Digital Research Editor of the Guardian, on the old media's delusional iPad app pricing, in the hope that Steve Jobs' locked-down walled garden will usher in a new era of double-digit profit margins for content owners:
Looking at the iPad app rollout, you can easily separate the digital wheat from the chaff in the content industries, and you can see those who are developing digital businesses and those who are trying to protect print margins and who see the iPad as a vertical, closed model to control and monetise content.Examples of this include magazines like Time charging $4.99 a week (the price of a paper copy) for access to their iPad-formatted content. The price of a magazine, as Anderson points out, includes the costs of printing and distribution, whereas on the iPad it's almost pure profit. Of course, the customers get something for their shekel, namely "Unique interactivity including landscape and portrait mode, scroll navigation and customizable font size":
Oh, I’ve never seen that in a mobile web browser, I say with incalculable levels of sarcasm. That’s like morons in the 90s having Java animation that you actually couldn’t do anything with and calling that interactivity. You think that’s insane and delusional, just wait, it gets even better! No content sharing on the app, which I’m assuming means you can’t bookmark or Tweet your favourite stories, and You’ll have to buy and download the app every single week. There is also no indication that they will charge for their now free iPod app or their website.
Note to Time digital strategists: Sorry caching your site so I can take it with me when I’m on the move isn’t a feature worth your premium pricing. I do that now, and have done it for years, with an open-source app called Plucker and an aging Palm T3. I’m truly sorry. Do you actually use the internet or digital devices or do you just indulge your bosses’ angry fantasies about the good old days?And then there's Rupert Murdoch's inspired unilateral offensive against free news. News Corp. currently charges $2 per week for access to the Wall Street Journal, but aims to extract $17.29 a month from iPad users. Murdoch is also moving aggressively on the web, having announced that, in a few months, both The Times and The Sun will be behind a billgate. Perhaps if The Guardian, Telegraph and Independent go out of business and the BBC voluntarily dismantles its free news service in anticipation of a Tory government, Murdoch can enjoy a lucrative monopoly on the news, though otherwise, it looks like his gamble will fail and The Times, arguably News Corp.'s most prestigious broadsheet, will decline.
Not everybody misses the point, of course; The Financial Times (no relation) and NPR (i.e., the US donation-funded public radio network) apparently get it, and strove to experiment with new ways of engaging with their audience in the digital realm, rather than just seeing how much they can do them for.
In terms of who is positioning themselves for the future by delivering value to their audiences and experimenting with business models, it’s clear. If any company thinks that the iPad will allow them to rebuild the monopoly rent pricing structure of the 20th Century, then you’ve really fallen prey to the Steve Jobs’ reality distortion field, and you’ve blown yet another chance to build a credible digital business. However, I’ve got a game you might want to check out, Final Fantasy.