The Null Device
Posts matching tags 'jens lekman'
According to his online journal, Melbourne-based Swedish singer-songwriter Jens Lekman has contracted swine flu:
I picked home one last souvenir from South America, it's called the H1N1 virus. Wrongfully known as the Swineflue.
I was crossing the Atlantic when things started getting really bad, the fever was hallucinogenic and shaking me like a leaf and I grabbed the sleeve of the Air France steward. "I'm not feeling well, I should see a doctor" I said and the reply came as a brilliant mix of death anxiety and french rudeness: "Uh, yes... Terminal D... go there maybe... when we land". After that the stewards and stewardesses took long detours. A ring of empty seats formed around me. Peoples eyes were kind but determined, they read "Poor you, I really wish you all the best but if you come near me or my kid I will have to stab you with this plastic fork". I got up and went to the bathroom where I fainted.
Now I'm in quarantine for ten days. I can see the summer through my window and it's just perfect. Summer is always best through a window.I hope he makes it through OK.
Pitchfork has a new interview with Jens Lekman, in which he talks about listening to the Sly Hats, plans to move to Melbourne (where he has more friends than in Gothenburg), the Arthur Russell covers EP he has put together, and incurring the wrath of the South Swedish Elvis Society:
There's one song with Frida [Hyvönen] that is a song that we wrote together in Finnish that I think is coming out sometime. I played it for a lot of people. It almost made it onto the album, actually. I think it would have actually fit pretty good on the album. But we just took the four phrases that we knew in Finnish-- she knew two phrases, I knew two phrases-- and we just wrote them down and realized, "Oh, this would actually make a really great song." And it starts off, like, I sing, "I love you," and she sings, "I'm sorry, I don't understand." And I repeat, "I love you," and she says, "I'm sorry, I don't understand." And then the chorus goes, "Wonderful, cutie-pie, wonderful." And that's the whole song, but it's a really beautiful song. Yeah, you will love it. I think you will really like it.
So I was thinking of just trying to settle down. I think I need a new home and a new place and to see how that place and home and how the people who live there will influence my music. I guess that will be Melbourne, if I don't find something else before that. It's going to be interesting.
No, I don't have a girlfriend. No, I don't. I haven't had a relationship in years, actually. But yeah, I'm still looking. It's kind of nice to be looking for a home at the same time. And I really think I need to find a home. I don't know if that includes a girlfriend or not, but first I need to find a home, definitely. Because I felt pretty homeless in the last couple of years, and I never felt at home here in Kortedala. So it's time to find someplace where I feel like it's home.
Jens Lekman talks to Pitchfork about his upcoming album, Night Falls over Kortedala, his travel plans, and the travails of sample clearance:
He's thinking about setting up shop in Melbourne, Australia, as part of "a huge exploration next year in the Southern Hemisphere. We're actually thinking about going to Antarctica, for a while... I've been saving for years to go there."
Jens likened his situation to that of French author/soldier Xavier de Maistre, who penned the 1794 essay Voyage Autour de Ma Chambre (Journey Around My Room). "I haven't read it myself but I think it's amazing. It's about a young man who's imprisoned in his own home, and he wrote this parody of travel stories-- you know, back in the 18th century when everyone wrote about their journeys to China and the East and West. So he wrote about traveling around in his living room. I think it's amazing. And then he wrote a sequel, A Nocturnal Journey Around My Room (Expedition nocturne de ma chambre, published in 1825 --ed.]. It was like the exact same thing except it was at night.
Frequent readers of Jens' blog may have encountered a somewhat embittered recent entry regarding securing the rights for the samples on the new record-- in which Jens expressed disappointment toward his U.S. label-- followed a few days later by a reconciliation. "I can't really talk about it that much," Jens explained, "but let's just say it worked out. I was able to replace one sample that was extremely expensive; it was like the one bad guy. And I had a guy who played with Steely Dan play it, and it came out exactly the way it sounded on the sample."
To be released September 5th in Scandinavia and October 9th in the rest of the world.There is also a rumour (floating around a certain message board) that Jens has plans to relocate to Melbourne for a year in 2008.
- And I Remember Every Kiss
- Sipping On The Sweet Nectar
- The Opposite Of Hallelujah
- A Postcard To Nina
- Into Eternity
- I'm Leaving You Because I Don't Love You
- If I Could Cry (It Would Feel Like This)
- Your Arms Around Me
- It Was A Strange Time In My Life
- Kanske Är Jag Kär I Dig
- Friday Night At The Drive-In Bingo
Jens Lekman writes about Gothenburg, specifically explaining the significance of Hammer Hill (which sounds like Sweden's answer to Bethnal Green or Notting Hill), Kortedala (which is apparently much, much worse) and Tram #7:
I told you where tram # 7 goes. It was a temporary stop. She don't live here anymore, it was a long time since we broke up. Still, taking # 7 from Sahlgrenska down to the Botanical Gardens is , if you do it at the right time, a breathtaking experience. The sky opens up, the tracks underneath creaking, the trees embracing you as you come down from the bridge and into the lushness of Slottskogen. I used to test my songs during this little trip. If they managed to keep me focused despite the heavenly views and the loud creaking, then they had something. The other day I took this trip and listened to the new songs. They did well.
More YouTube videos: this time Stump's "Buffalo", which you may remember from the C86 compilation (it was the most dadaistic track on that one). The video, in this case, is the visual equivalent of the song. Enjoy.
Meanwhile, more Swedish indiepop: Jens Lekman's "You Are The Light"; pretty polished, involving Jens riding through a tunnel in a van surrounded by riot police, with brass sections passing in open-topped cars at key sections of the song.
And here's one for the goths: Propaganda's "Dr. Mabuse", with Anton Corbijn doing his best Fritz Lang homage.
Last night, I went to see Jens Lekman, the Swedish indie singer-songwriter, at Bush Hall. He was excellent.
There were two supports: the Bill Wells ensemble, and some chap named Richard Swift. The former (who are from Glasgow and have played with Belle & Sebastian) also doubled as Jens' backing band (and did a sterling job of it); in turn, Jens joined them on stage on various instruments during their set. They were quite good, in a jazzy sort of way. The Richard Swift outfit, however, seemed a bit too loud; their sound was distorted and harsh.
Shortly before 10, Jens came on with an acoustic guitar, and performed an unplugged acoustic version of Happy Birthday, Dear Friend Lisa, segueing into an unrecorded older song titled Are Birthdays Happy? ("Are birthdays happy, or just a countdown to death?"), before being joined by the band (three women on brass, a drummer, and Bill Wells on piano). He played a few songs familiar to anyone who has his CDs, including good renditions of Black Cab, A Sweet Summer Night On Hammer Hill, You Are The Light By Which I Travel and a version of Maple Leaves with both English and Swedish lyrics, and a few other ones, which may have been newer, older or both; he sang and played bass, guitar and electric thumb piano, playing for about an hour.
Then, when the gig finished and everybody was turfed out of the hall by the management, he materialised behind the merchandise stall with an acoustic guitar and regaled the assembled punters with two songs, I Don't Know If She's Worth 900 Kronor and Tram #7 to Heaven.
This February so far has been a record-breaking month for gigs; in the past 2 weeks, I have seen what could well be three of the best gigs of 2006. Anyway, Jens Lekman is a class act in every sense, and those reading this in Melbourne should consider yourselves lucky to get to see him with Guy Blackman and part of Architecture In Helsinki as a backing band soon.
Pitchfork interviews Jens Lekman, in which he talks about how he deleted all his unfinished songs from his computer and went to work in a bingo hall to take a break, the numerous records he has sampled, being beaten up by Morrissey fans (apparently the jock bullies in Sweden listen to Morrissey) and his coming Australian tour, backed up by Guy Blackman and members of Architecture In Helsinki.