The Null Device
Posts matching tags 'qua'
I've been unusually disciplined so far this year, with regards to CD buying. I'm trying to keep my habit under some measure of control (for reasons which will become apparent later), and not to grow my collection too rapidly. So far, the total number of CDs I have has only increased by two.
Over the past two weeks I picked up Flunk's For Sleepyheads Only, an OK piece of chill-out electronica from Norway. It hasn't really grabbed me; the version of Blue Monday there, incidentally, is a bit irritating IMHO. (Aside: why is it that every cover of that song ends up sounding disappointing; we had Orgy's whiny mall-goth take on it, Pee Wee Ferris' cheesy commercial-dance cover (don't ask), and Flunk's, while not dire in the way that they were, is still disappointing.)
Last night, I picked up local spoken-word artist Klare Lanson's Every Third Breath; which is mostly ambiguous cyberbabble over glitchy, vaguely Björkish electronic beats and bleeps (proviced by Cornel Wilczek, aka Qua), replete with lyrics written in cod-XML. It's technically quite good, though whether it'll have lasting appeal remains to be determined.
Today I went to Dixon's Recycled and picked up three more CDs, though sold three which I wasn't likely to listen to anymore. One of my new acquisitions were plunderphonic art piece Deconstructing Beck (on a classy unprinted CD that just screams "copyright violation"). Another was an equally (if not more) choice find; one of the Least Essential Albums Of The '90s. That's right, dear readers; I'm now the proud (but only in an ironic sense) owner of The Adventures Of MC Skat Kat & The Stray Mob. It'll sit proudly in the bulldada section of my record collection, next to Acid Brass, my Wesley Willis CDs and Spaced Out: The Very Best of Nimoy/Shatner.
The Architecture in Helsinki CD launch was rather fun (in places). The first set (by Qua) was the usual obtuse laptop music, though not too bad. Jeremy Dower's support set, however, had a cheesy 80s-lounge-music (think Kenny G meets some cop show theme or other) feel to it; he's apparently abandoning the laptop-glitch side of things, though I'm not sure I like where he's going. And annoyingly enough, the music between sets was all booty R&B and commercial hiphop from the 90s (they had MC Hammer there, for "Bob"'s sake); not the sort of music that you'd expect the crowd, in their op-shop shirts and pastel jumpers, to get into, and there was too much of it for it to be ironic.
Architecture in Helsinki were good though (despite the place being so packed that it was hard to see them). In their usual so-twee-it-hurts vein, as soon as they got on stage, an accomplice opened a door releasing dozens of red balloons (one of which had a feather tied to it, and a prize for whoever got it). The performance was good too, in the usual xylophones-and-brass-and-reed-instruments vein. Most of the time they didn't quite rock, but played some very nice and somewhat quirky quiet pop. They ended the gig with a rocking rendition of The Cure's Close To Me, complete with heavy-metal-style guitar solo, and for an encore, one of the guys sang over an electronic backing track while the three girls busted some synchronised dance moves.
Oh, and their new single, like a call, is pretty good; especially some of the remixes. Apparently the limited-edition 10" vinyl version has an extended version of one of them too. I eagerly await their album, Fingers Crossed, which is due early next year.
Tonight I went up to Good Morning Captain to see Qua, a local electropop act. It turned out that Qua is one guy with an iBook and that he was doing more of a DJ set sort of thing, playing and mixing tracks from his album and unreleased works. Nonetheless, it was quite good; in places like some of the German/Austrian laptop music you find at Synæsthesia, though not as sterile as some. He played a new track of his, which featured acoustic guitars and a vocal from Jason Sweeney (of Other People's Children, Simpático et al.), which sounded like the laptop equivalent of Northern Picture Library or something. (Given Sweeney's Bobby Wrattenesque delivery and Field Mice fandom, that's hardly surprising.)
There were a number of people from the local indie electro-pop scene; I ran into Cailan from PBXO, and ended up talking with him about the cultural significance of Slowdive. And thus I found out that Other People's Children may be releasing their own Slowdive cover (I think they're doing Catch The Breeze or somesuch.
Anyway, Qua is playing on Thursday at the Rob Roy, I believe. If I'm not dead tired, I may well rock up.