The Null Device

The Bleeding Obvious: A sociological study from Australia has showed that people who fly national flags on their cars are more likely to harbour xenophobic attitudes, with both exclusionary views of who belongs in their society and hostility to those outside of the circle:

Professor Fozdar said 43 per cent of those with car flags said they believed the White Australia Policy had saved Australia from many problems experienced by other countries, while only 25 per cent without flags agreed.

A total of 55 per cent believed migrants should leave their old ways behind, compared with 30 per cent of those without flags.

"Very clear statistical differences in attitudes to diversity between those who fly car flags and those who don't, show that flag waving − while not inherently exclusionary – is linked in this instance to negative attitudes about those who do not fit the 'mainstream' stereotype'," she said.

The study was done in Australia, surveying people flying the Australian flag on their cars in the run-up to Australia Day, though I imagine they'd find similar findings on people flying the flag in other circumstances (such as wearing it as a cape at Big Day Out), or in other countries (I imagine those flying the Cross of St. George in England are more likely to vote UKIP, have uttered the phrase "bloody Pakis" at some point in their lives, to have an aversion to eating "foreign muck", and complain about foreigners coming here and stealing our jobs and not working").

¶ australia culture culture war racism society 0 Share

A musician on the Isle of Wight was arrested for racial harrassment after playing the 1970s hit Kung Fu Fighting in front of a Chinese mother and son. He denies deliberately playing the song at them, and says that he was already playing it before they entered and took offence. Does this mean that the Oriental Riff is now considered musical hate speech, the melodic equivalent of a racist epithet?

¶ china culture orientalism political correctness racism stupidity uk 0 Share

New research has shown that oxytocin, the neurochemical which promotes feelings of love and trust, also induces racism, or to be more precise, sharper discrimination against those ethnically or culturally different from oneself and one's group:

When asked to resolve a moral dilemma, such as choosing to save five lives from a runaway train by sacrificing one life, oxytocin-sniffing Dutch men more often saved fellow countrymen over Arabs and Germans than those who didn’t get a hormonal whiff.

“Earlier research of oxytocin paints a very rosy view of it. We thought it was odd a neurological system that survived evolution would make people indiscriminately loving toward others,” said social psychologist Carsten De Dreu of the University of Amsterdam, co-author of a Jan. 10 study in the Proceedings of the National Academy of Sciences. “Under oxytocin we saw an increase of in-group favoritism, which has the downside of discrimination against people who are not part of your group.”

(via BHA) ¶ love oxytocin psychology racism 3 Share

In case you were wondering whether Mel Gibson is really the despicable turd he has been made out to be: it turns out that, at a party more than 15 years ago, he called Winona Ryder an "oven dodger" after learning that she is half-Jewish:

"I was with my friend, who's gay. [Gibson] made a really horrible gay joke. And somehow it came up that I was Jewish. He said something about 'oven dodgers', but I didn't get it. I'd never heard that before."

¶ anti-semitism assholes holocaust mel gibson racism 0 Share

ABC Radio National's All In The Mind recently interviewed a US psychiatrist who claims that psychiatry was used as a weapon against the civil rights movement in the 1960s. According to Jonathan Metzl, author of The Protest Psychosis: How Schizophrenia Became A Black Disease, the definition of schizophrenia was tweaked to apply to a lot of discontented African-Americans, with many activists being institutionalised in mental hospitals. (Until then, schizophrenia had been seen as a passive, disengaged condition mostly affecting white women; mental institutions were repurposed for containing the civil rights movement, many such patients were rediagnosed with depression and deinstitutionalised.)

All of a sudden in 1968 the second Diagnostic Manual comes out, the DSM 2, in the context of probably the most racially charged year in the history of the Civil Rights Movement—1968, where there are many riots, many protests. And also the DSM 2 importantly added language in the paranoid sub-type of schizophrenia, it added several important terms, it said the new criteria included aggression, hostility and projection. These hadn't been characteristics in DSM 1 and the manual explained, 'the patient manifests the characteristics of aggression and hostility and also attributes to others characteristics he cannot accept in himself.

I unearthed a series of advertisements for serious tranquilisers, Haldol, Stelazine, Thorazine that either represented African iconography, so African tribal masks, and would use incredibly charged racial language—so it would say this is the tool of primitive psychiatry and they would show these African masks—or images that quite literally showed, shockingly enough, angry black men protesting in the streets. And there's one image I reproduce in the beginning of the book, it's a Haldol advertisement that shows an angry black man in a burning urban scene who's shaking his fist. And the important point for both of these is that the iconography from these images literally appearing in the leading psychiatric journals was taking directly from the themes of the Civil Rights movement. The kind of Return to Africa Movement played out in these African scenes, and the idea of a clenched fist which was...

Anyway, the shifting of the meaning of schizophrenia during the civil rights era was subsequently remedied partly by a deliberate programme to harmonise diagnoses with those used in Europe, though one might argue that the likelihood of the mentally ill to slip through the cracks to the prison system is part of the legacy of this phenomenon (according to Metzl, those diagnosed with schizophrenia in the US today are far more likely to end up in prison than in hospital; given that in America's neo-Calvinist penology, prisons are emphatically places of punishment first and rehabilitation a distant second, this is particularly disturbing).

Meanwhile, back in Europe, a converse relationship between mental illness and radical politics was posited from the other side; West Germany's Sozialistisches Patientenkollektiv, a radical Marxist group comprised of mental patients and the odd psychiatrist, argued that mental illness was a cultural construct, a reaction to the iniquities of capitalism.

(via Mind Hacks) ¶ history mental illness psychology racism social psychiatry usa 0 Share

Australian far-right politician Pauline Hanson, who founded the rabidly anti-immigrant One Nation party and later ran separately on right-wing populist tickets, has announced that she is leaving Australia and plans to emigrate to the UK. She cited as her reason disappointment with the way Australia has changed.

Had she invented a time machine and gone back to the UK circa 1950, she might have a point, but these days, the UK is not so much the cradle of the white British race as another cosmopolitan melting pot, only with better curry and worse coffee. I wonder whether she'll end up joining the BNP.

Now if Pauline Hanson wanted to move to a place populated entirely by people of pure White British stock, there is one candidate: it's named Tristan da Cunha, located in the south Atlantic, accessible only by two ships a year, and its population is comprised of the descendants of British settlers. Everybody's white and either Catholic or Anglican and you can't get a decent pad thai noodles for love or money. It doesn't get much better than this, Pauline.

¶ australia hypocrisy politics racism rightwingers stupidity 5 Share

Weren't the 1950s awesome? Exhibit (a): an American high-school marriage-education textbook (from 1962, though culturally part of the conservative 1950s, before the Communists successfully fluoridated the water supply and brought about what is commonly known as The Nineteen-Sixties):

Exhibit (b): a letter written in 1956 to FBI director J. Edgar Hoover by the editor of a Catholic newspaper, concerning the moral threat posed to America's youth by a young singer named Elvis Presley:

But eyewitnesses have told me that Presley's actions and motions were such as to rouse the sexual passions of teenaged youth. One eye-witness described his actions as “sexual self-gratification on the stage," — another as “a striptease with clothes on." Although police and auxiliaries were there, the show went on. Perhaps the hardened police did not get the import of his motions and gestures, like those of masturbation or riding a microphone.

I do not report idly to the FBI. My last official report to an FBI agent in New York before I entered the U.S. Army resulted in arrest of a saboteur (who committed suicide before his trial). I believe the Presley matter is as serious to U.S. security. I am convinced that juvenile crimes of lust and perversion will follow his show here in La Crosse.

(via Boing Boing, MeFi) ¶ 1950s culture culture war elvis presley history kitsch moral panic racism sex usa 1 Share

Police in the UK are hunting a cranky old person who has been sending racially abusive letters, accompanied by clippings from the Daily Mail:

The letters, some sexually explicit in content, have been sent to schools, hospitals, mosques, universities, doctors' surgeries and private individuals, leaving some recipients "extremely distressed".

Similarities between the letters made it likely they had come from the same author. "The cursive script used in some of the letters indicates that it may be the writing of an older person. Repeat phrases used also indicate this, especially reference to 'working for 50 years' and regular reference to pensions."

Commonly used phrases in the text include "English parliament", "Exit Europe", "repatriation" and "BBC shutdown". Clippings from the Daily Mail have been included in many envelopes, which often also include cartoon drawings.

¶ daily mail psychoceramics racism rightwingers stereotypes uk 0 Share

The Independent's Johann Hari has a lot of things to say about the late Elizabeth Bowes-Lyon (better known as the "Queen Mother"), none of them complimentary:

By the time she died, Elizabeth Bowes-Lyon was treating the British Treasury – our tax money – as her personal piggy bank, with her bills running way beyond the millions she was allotted every year. Even the ultra-Tory Chancellor Norman Lamont complained that "she far exceeds her Civil List and the Treasury gets very het up about it". She used the money to pay for 83 full-time staff, including four footmen, two pages, three chauffeurs (what do they do, split her into three parts for transportation?), a private secretary, an orderly, a housekeeper, five housemaids... the list goes on and on. She even insisted that it was a legitimate use of public funds to maintain a full-time "Ascot office", whose job was to do nothing but keep a register of members of the Royal Enclosure and send them entry vouchers.

The defenders of Elizabeth were left claiming that her drunken inactivity was itself an achievement. WF Deedes, the late Daily Telegraph columnist and editor, claimed: "In an increasingly earnest world, she teaches us all how to have fun, that life should not be all about learning, earning and resting. In a world where we have all become workaholics, there she is... grinning at racehorses. Bless her heart." He was in favour of the dole after all, provided it was worth £3m and went to one single aristocrat.

William Shawcross has won the favour of his fellow monarchists by taking this curdled life and presenting it as the best of British. It's the single most unpatriotic claim I've ever heard. If you don't think Britain can do better – far better – than this nasty leech and her stunted family, then you don't deserve to live in this Sceptred Isle.

¶ class corruption johann hari monarchy politics racism revisionism uk 0 Share

VICE Magazine's latest piece of exploitation journalism: Babes of the BNP, in which they get a number of young female supporters of the far-right party, each of them as thick as two short planks, to disrobe for the camera and answer a few gentle interview questions:

When people say the BNP is a fascist party, what do you think?
Fascist – I don’t understand that word.
Think of Nazi Germany, or 1930s Italy.
I can’t even remember when that happened really, but I’m against them anyway.
You’re against who?
The Germans. I know that sounds evil… I was brought up that way.

Are most of your friends BNP?
Some of them are. I kind of got into it through my friend Danny. He’s really racist. Everyone calls him “Nazi Danny”. He started telling me about them, and it made a lot of sense.

In terms of the BNP’s repatriation policy on immigration, if you had to choose, who would you repatriate first – Dizzee Rascal or Tinchy Stryder?
Dizzee Rascal. I know this is gonna sound horrible, because he’s the one who’s the most, like… because, my problem is that when immigrants come over to this country, they try and bring in their own churches and languages. And I think he expresses himself more as like an African or whatever he is, whereas Tinchy Stryder is more American. That’s the difference.

Peter Andre – hero or villain?
Aw, hero.
Jeremy Clarkson – hero or villain?
Hero.
Enoch Powell – hero or villain?
Hero.
Nelson Mandela – hero or villain?
Villain.

But would it be possible to maybe come to a compromise with a noble race like the Chinese? Perhaps keep them on as a sort of servant class?
Yeah. I wouldn’t mind them if they actually worked and didn’t take all of our jobs, basically.

(via MeFi) ¶ bnp fascism racism stupidity uk vice 0 Share

The Independent looks at the Tories' new allies in Brussels, or, in particular, the other prospective members of the new right-wing group they're setting up because the standard centre-right is not strident enough:

It is expected to include the Belgian Lijst Dedecker party, some of whose politicians are former members of the far-right Vlaams Belang part, whose candidates backed a statement saying: "We urgently need global chemotherapy against Islam to save civilisation", and used campaigning material featuring an ape with the words "I have not forgotten my roots ... have you?"

The Tories are also in talks with the Dutch Christian Union, which includes the SGP, a Calvinist party which believes the Bible means that women should not stand for parliament but have a "nurturing role" at home. Mr Cameron's party is also wooing the Latvian Fatherland and Freedom party, several of whose MPs marched in Riga with veterans of the Latvian SS in March.

The 25 Tories will be the biggest national team in the new group. Its other prominent members will be the Polish Law and Justice Party, which has 15 MEPs, and the Czech Civic Democrats, which has nine. The Polish party, headed by the controversial Kaczynski twins, is anti-gay, and banned gay-rights processions. In talks on EU voting power, it demanded that Poland's losses at the hands of Hitler be added to its current population so it would have more clout.

¶ eu fascism politics racism rightwingers tories 0 Share

Wikileaks has posted what appears to be the British National Party's "Language & Concepts Discipline Manual, a set of guidelines for party activists to ensure that they don't appear, you know, racist or anything. A few choice excerpts:

Rule #1: The BNP is not a ‘racist’ or ‘racial’ or ‘racialist’ or ‘race-conscious’ or ‘white’ or ‘whitepeople’s’ party. It should never be referred to as such by BNP activists, and anyone else who does so must be politely but firmly corrected. The precisely correct description of what we are, in the standard terminology of international comparative politics, is an ‘ethno-nationalist’ party. That is, we espouse, like many political parties all over the world, the interests of the particular ethnic groups to which we belong. There is nothing fascistic or unusual about this, and we don’t have to apologise for it. If we must describe our attitude towards race, it is ‘racial realism,’ as no-one can admit being against realism.

Rule #15. BNP activists and writers should never refer to ‘black Britons’ or ‘Asian Britons’ etc, for the simple reason that such persons do not exist. These people are ‘black residents’ of the UK etc, and are no more British than an Englishman living in Hong Kong is Chinese. Collectively, foreign residents of other races should be referred to as ‘racial foreigners’, a non-pejorative term that makes clear the distinction needing to be drawn. The key in such matters is above all to maintain necessary distinctions while avoiding provocation and insult.

Rule #17. Britain does not have ‘immigrants,’ a term proper for use in settler societies like Canada, Argentina, and the USA. It has ‘guest workers,’ ‘foreign workers,’ or ‘descendants of foreign workers.’ They are, depending on who they are, ‘racial foreigners,’ ‘religious foreigners’ or ‘persons of foreign religion,’ or ‘ethnic foreigners.’ The last term is meant to apply to persons racially similar to Britons, but ethnically dissimilar, like Dutchmen.

The other day, the BNP had a political broadcast on the box. I wasn't in my beloved homeland at the time, but I heard about it, via internet chuckles of derision. Fellow geeky types tweeting about the poor production values. I looked it up on YouTube. Sure enough, it was badly made. No surprise there. Extremist material of any kind always looks gaudy and cheap, like a bad pizza menu. Not because they can't afford decent computers - these days you can knock up a professional CD cover on a pay-as-you-go mobile - but because anyone who's good at graphic design is likely to be a thoughtful, inquisitive sort by nature. And thoughtful, inquisitive sorts tend to think fascism is a bit shit, to be honest. If the BNP really were the greatest British party, they'd have the greatest British designer working for them - Jonathan Ive, perhaps, the man who designed the iPod. But they don't. They've got someone who tries to stab your eyes out with primary colours.

(via MeFi) ¶ bnp charlie brooker design fascism politics racism rightwingers uk 0 Share

The UK's National Children's Bureau has issued new guidelines to nursery teachers, saying that expressing a dislike for spicy or foreign food should be considered racist behaviour, and corrected.

The guide goes on to warn that children might also "react negatively to a culinary tradition other than their own by saying 'yuk'".

Staff are told: "No racist incident should be ignored. When there is a clear racist incident, it is necessary to be specific in condemning the action."

Warning that failing to pick children up on their racist attitudes could instil prejudice, the NCB adds that if children "reveal negative attitudes, the lack of censure may indicate to the child that there is nothing unacceptable about such attitudes".

(via alecm) ¶ bizarre culture racism uk wtf 2 Share

There is controversy after London mayor Boris "watermelon smiles" Johnson made the Rise music festival drop its anti-racism message, in favour of a less contentious statement about "culture" and "community". It's not clear what happened there. Was he repaying a debt to the pro-racism lobby? Shoring up his support among Daily Mail readers? Or was this a case of his anti-leftist cold-warrior instincts deciding that "anti-racism" is a codeword for "Marxist socialism" or somesuch? (The latter could hold water, with Johnson banning the Cuba Solidarity Campaign's stage from the festival, though one could argue that such an event could be propaganda for what is a totalitarian regime, albeit one with splendidly good PR.)

(via xrrf) ¶ boris johnson london politics racism 0 Share

Keeping his promise, Australian PM Kevin Rudd officially apologises to Aborigines on behalf of the Australian nation; the apology was delivered at a special parliamentary session, which was (for the first time) opened with an Aboriginal ceremony, rather than the traditional English one usually used. Former PM John Howard, the hard-right nationalist who steadfastly refused to apologise and sent the rottweilers in to hunt down anyone promulgating a "politically correct black-armband view of history", was nowhere to be seen, though the current opposition leader, Brendan Nelson, joined in the apology, though reportedly caused outrage when adding in his speech that the present generation is not guilty. (That can't be good for his career, alienating both sides and all.)

Australia's Aborigines are split on the apology; by reports, most welcome it as a positive sign, though some say that an apology without reparations is not good enough, as talk is cheap; in the words of one, "the blackfella gets the words, the whitefella keeps the money".

¶ aborigines australia culture history politics racism 3 Share

As overt expressions of racism become unacceptable, good ol' boys in the US South have adapted by referring to black people as "Canadians":

Last August, a blogger in Cincinnati going by the name CincyBlurg reported that a black friend from the southeastern U.S. had recently discovered that she was being called a Canadian. "She told me a story of when she was working in a shop in the South and she overheard some of her customers complaining that they were always waited on by a Canadian at that place. She didn't understand what they were talking about and assumed they must be talking about someone else," the blogger wrote.

A University of Kansas linguist said that a waitress friend reported that "fellow workers used to use a name for inner-city families that were known to not leave a tip: Canadians. ‘Hey, we have a table of Canadians.... They're all yours.' "

Stefan Dollinger, a postdoctoral fellow in linguistics at University of British Columbia and director of the university's Canadian English lab, speculated that the slur reflects a sense of Canadians as the other. "This ‘code' word, is the replacement of a no-longer tolerated label for one outsider group, with, from the U.S. view, another outsider group: Canadians. It could have been terms for Mexicans, Latinos etc. but this would have been too obvious," he said. "What's left? Right, the guys to the north."

I work with an American who recently emigrated to Canada from one of the "suh-then" states. He tells me our early stance against the "war" on Iraq left a bad taste toward Canada in the rural south. Raw hate and "we should invade those b*stards and kick them out on an ice flow" rage was quite common in his semi-rural area. Using "Canadian" in this fashion would be a logical progression. They're not being ironic at all.

My friend has parents that used to use the word frequently until she married an actual Canadian. When she told them that he was Canadian they went totally ape-shit. She informed them that they were not invited to the wedding. When they found out he wasn't black (oh the relief... you should've seen it), they apologized. They're still bigots, but possibly one degree less so now.

I live in Pennsylvania, where I've heard a similar practice; many of my father's friends use the term "Democrat" instead of "Canadian" for the exact same purpose. Most of these guys are old, white Republicans, and many of them are also Freemasons.

Actually, the term "Canadian" in reference to black people has been around and in prevalent use for years, like seven or eight of them. It can't have taken that long for the mainstream to have figured that out. The new term is "German" because it was feared that black folks were catching on to the "Canadian" thing a couple of years ago.

(via Boing Boing) ¶ bigotry canada codes culture language race racism society the other usa 0 Share

Irony of the day: James Watson, the disgraced Nobel laureate who recently claimed that people of African descent are less intelligent than those of European descent, is found to have genes indicating recent African ancestry. More specifically, 16% of Watson's genome is likely to have come from a black ancestor of African descent, whereas with the average European, that figure is 1%:

"This level is what you would expect in someone who had a great-grandparent who was African," said Kari Stefansson of deCODE Genetics, whose company carried out the analysis. "It was very surprising to get this result for Jim."

¶ genetics irony james watson racism science 1 Share

I have so far mostly refrained from commenting on the Australian election campaign. In short, it has looked like the Opposition would win by a landslide—much as it has in the previous two elections, in which they got caned. However, now it's looking like the real thing; the much vaunted "Narrowing" of the polls has failed to materialise (the opinion polls, both public and private, have hovered within a margin of error of the 55-45 mark for some months). Even the ABC is biting the hands of its despised master, seemingly confident that the punishment will not be forthcoming.

The Tories, it goes without saying, are panicking. All the rocks they've thrown at the Rudd juggernaut have failed to derail it. It seems that they have been unable to manufacture a "children overboard" or pull any rabbits out of a hat. So now they are resorting to desperate tactics, such as printing pamphlets from a fake, if ominous-sounding, "Islamic Australia Federation" urging people to vote Labor, because of "its support for Muslim causes", such as, say, the Bali bombings:

"We gratefully acknowledge Labor's support to forgive our Muslim brothers who have been unjustly sentenced to death for the Bali bombings," the pamphlet says.

"Labor is the only political party to support the entry to this country of our Grand Mufti Reverend Sheik al-Hilaly and we thank Honourable Paul Keating for overturning the objections of ASIO to allow our Grand Mufti to enter this country."

The trail for the pamphlets appears to lead straight back to various Liberal Party volunteers, who have been sacked. If anything, it's a sign of their desperation that they couldn't wait to get one of their once-removed black-bag outfits like the Exclusive Brethren to do it.

On the other hand, the election is not over. There is still the possibility that Howard will get back in (or that the Tories will get back in while he'll lose his seat). Granted, it's a lot less of a possibility than before, though if anyone can pull off a dirty victory from behind, it's Howard, the Voldemort of Australian politics. I won't be celebrating his demise until I read his concession speech.

¶ australia bigotry dog whistles election fear islam politics racism 2 Share

In what could be a blow to the cause of international xenophobes' solidarity, the far-right bloc in the EU parliament looks set to collapse after five Romanian nationalist MPs threatened to quit over remarks by Italian member Alessandra Mussolini. Ms. Mussolini (the grand-daughter of the Fascist leader) described the Romanian people as "habitual law-breakers", and perhaps more damagingly, claimed to see little difference between them and the Roma (Gypsies), a group which the Romanian nationalist group despise. Oops!

¶ eu extremists racism xenophobia 0 Share

St. Et's Bob Stanley writes in The Times about music critic Sasha Frere-Jones (the one who denounced Stephin Merritt as a racist for not putting any black artists on a playlist he picked for the New York Times) and his one-man crusade against the white-supremacist tendency in indie music:

In a feature published last month entitled A Paler Shade of White, Frere-Jones recalled an Arcade Fire show, which he said was enjoyable, but not exactly funky. “Why did so many white rock bands retreat from the ecstatic singing and intense, voice-like guitar tones of the blues, the heavy African downbeat . . . that characterised black music of the mid-20th century?” he asked.

The question seems anachronistic, and oddly myopic, and, like an inverted Alf Garnett, he has unsurprisingly caused instant offence. Playboy wrote: “Frere-Jones has demonstrated himself every bit the racist for buying into this pathetically regressive set of ideas.” The more gracious Arcade Fire sent the writer an MP3 of chunks of their music to prove that they “steal quite blatantly from black people”.

Frere-Jones’s New Yorker article harks back with fondness to the blues-wailing Seventies rock of Led Zeppelin and Grand Funk Railroad, with Mick Jagger lauded as “an original” and “a product of miscegenation” with apparently no equivalent today. He believes that the intermingled blood began to separate in the Nineties, an argument that would put him at loggerheads with almost any British writer.

“It’s complicated even there,” Tyondai Braxton [of Battles] says. “White America, white Europe, has had no problem assimilating. This is great, but it can be dangerous. You have to remember that this is still a sensitive issue. We are talking about one of the most displaced cultures in the world, trying to create its own foundation. It created blues, funk, hip-hop, and, with hip-hop especially, it’s saying: ‘You can’t copy this ghetto life, this is real truth.’ It’s a flag. Right now I think black culture is going through a preservational state.”

¶ culture music music criticism racism 0 Share

Apparently next Wednesday's International Pop Underground will feature an interview with Bianca Casady of CocoRosie. I wonder whether Carew will bring up the Kill Whitie racism issue.

¶ cocorosie hipsters music racism williamsburg 1 Share

A family in the Northern English city of Newcastle claim that they have been forced to move home twice afrer being violently persecuted for their red hair. WTF? That's insane.

¶ bigotry culture england hair colour hate racism red hair stupidity uk wtf 0 Share

British menswear chain Burton has egg on its face after it emerged that the decorative Cyrillic text on a T-shirt it was selling was actually an extreme-right anti-immigrant slogan, translating as "We will cleanse Russia of all non-Russians":

The shirt's overall design is an odd jumble of ersatz French logo and Russian iconography, but there is no mistaking the nature of the sentiment, which uses the old word for Russia, "Rus" as a way of distinguishing between ethnic Russians and those with Russian citizenship. "I've spoken to a Russian friend," says Mr Shuttleworth, "and she said you would be arrested if you wore it in Russia."

The phrase is typical of those painted on foreigners' homes by Russian neo-nazis.

¶ culture language nationalism oops racism russia translation 0 Share

An African-American woman in Toronto who recently bought a sofa was shocked to find that it was labelled with racial epithets. Packaging on the chocolate-coloured sofa described it as "Color:Nigger-brown".

"She's very curious and she started reading the labels," Moore explained. "She said, `Mommy, what is nig ... ger brown?' I went over and just couldn't believe my eyes."

This is not the only incident of English-language labels on imported products having been written seemingly with ignorance of taboo words. One I heard about involved the assembly instructions for a piece of furniture. Next to a diagram of a screw being driven into a hole was the one-word instruction, "Fuck".

(via m+n) ¶ canada china chinglish language mistranslation racism wrong 0 Share

Last night, I visited the local video library a rather good one in Stoke Newington Church St., which has a lot of art-house/foreign films) and rented a copy of C.S.A.: The Confederate States of America.

This is a mockumentary, presenting an alternate history in which the slave-holding South, rather than the abolitionist North, won the American Civil War, and formed what we know as America. It presents this history from the Civil War (in which the South managed to get British and French support for its cause, in the interest of "private property rights"), through the reconstruction (in which the values of the slave-holders are imposed on the North, successfully, and all non-whites become slaves), wars of conquest across South America (forming a "tropical empire", of the sort envisioned by Confederate leaders, governed under a policy of racial "apartness"), through to the present day CSA. The documentary is framed as an imported British documentary being presented on a CSA TV channel; it is preceded by a disclaimer as to its "controversial nature" and interspersed with ads, which shed some light on life in an early-21st-century Confederate America; these include advertisements for cable-TV slave-shopping programmes and electronic tracking bracelets, Cops-style TV programmes about federal agents hunting down runaway slaves, and public-service announcements urging citizens to beware of the disease of homosexuality and report suspected racially-impure people passing as white to the government.

What does the C.S.A. circa 2004 look like? Well, people with any non-white blood are, by law, slaves, Christianity is the state religion (generously, and narrowly, allowing Catholicism to be considered Christian), women are not allowed to vote, Jews are confined to Long Island, and there is a cold war with "Red Canada", which harbours abolitionist "terrorists" and is the home of rock'n'roll and "race music". (Canada is not alone; virtually everyone but South Africa has imposed sanctions on the C.S.A.) Those are the obvious and spectacular differences; on a more subtle level, the C.S.A. is a much more conformistic and authoritarian culture. The mindset which allows ordinary people, who see themselves as good and decent, to tolerate and participate in slavery is one in which society is organised along strong chains of authority and hierarchy, which are seen as part of the order of nature. (One example of this is in an ad early in the film, for an insurance company, which mentions that the father is "master of the house".) With acceptance of arbitrary authority comes the acceptance of beliefs on the basis of faith in authority, and unsurprisingly, the values of the religious right are dominant in the C.S.A. (in one scene, there is a shot of the front page of "CSA Today", which includes a story about scientists disproving evolution). Not surprisingly, this mindset and the focus on "purity" creates a stagnant, homogeneous culture, one seeming in some ways quaintly archaic (one example is music and entertainment programming on its television stations, where, of course, all black influences are banned). Quoting from a friend, it is Pleasantville meets Triumph Of The Will.

C.S.A. has its lighter moments as well; artistic licence is employed to ensure that the history doesn't diverge too wildly from the world we know, but instead parallels it, mirroring and counterpointing. For example, the C.S.A. enters World War 2 after launching a surprise attack on a Japanese naval base; John F. Kennedy is assassinated, right on cue, for having suspected abolitionist sympathies, and the Clinton sex scandal is echoed, quote for quote, in the investigation into a politician's racial make-up.

All in all, C.S.A. was quite an interesting and thought-provoking film, and is worth a look.

¶ alternate history authoritarianism culture film history politics racism slavery usa 0 Share

A group of British expatriates in Australia, fed up with being stereotyped as hygienically-challenged chronic complainers, is pushing to have pejorative comments about "poms" classified as racial discrimination. British People Against Racial Discrimination (BPARD) has launched a legal action to ban a television advertisement featuring "an overweight, pale, balding man in a Union Jack T-shirt cringing in fear at the offer of a cold beer".

BPARD, which is run by a committee of 14 and claims to have branches in Perth and Melbourne, said yesterday through its spokesman, David Thomason: "The Oxford Dictionary classes Pom as being derogatory, just like wog, wop, dink, dago, coon and abo."

(Btw, are Poms just the English, or would Scots and Welsh be classified as Poms?)

¶ australia culture poms racism uk victimology 2 Share

Slate's John Cook looks at the issue of whether disliking hip-hop makes one a racist, and specifically, whether allegations of racism against Stephin Merritt, who has made statements about his dislike of hip-hop, are justified:

[N]o less an influential music critic than The New Yorker's Sasha Frere-Jones has used that word —"cracker"—to describe him. Frere-Jones has also called him "Stephin 'Southern Strategy' Merritt," presumably in reference to Richard Nixon's race-baiting attempt to crush the Democratic Party. These are heady words, part of a two-year online campaign of sorts by Frere-Jones (also a former Slate music critic) and the Chicago Reader music contributor Jessica Hopper to brand Merritt a racist. The charge: He doesn't like hip-hop, and on those occasions when he's publicly discussed his personal music tastes, he has criticized black artists.

If black artists are underrepresented in my CD collection relative to the frequency with which black people are found in the general population, does that make me a racist? To even begin to believe that it does, you have to first maintain that racial preferences somehow logically relate to music preferences; that racists avoid music made by black people, and that people who aren't racist don't pay attention to the race of the artist when evaluating music. Both propositions are ludicrous. Anybody who has been to a frat party knows that people can simultaneously a) entertain racist attitudes and b) enjoy listening to hip-hop music created by black people. (In fact, Merritt's argument is that the latter tends to reinforce the former.)

The closest thing to a coherent argument that can be gleaned from what Frere-Jones and Hopper are saying is that a genuine respect for our common dignity and humanity requires that we enjoy listening to hip-hop, and that we bend our intuitive aesthetic judgments about music to a political will—like eating our vegetables and avoiding dessert. "Zip-A-Dee Doo-Dah" may be catchy and delightfully mindless, but an understanding of its context requires you to reject its charms. And Beyoncé may be trite and boring, but your subtle racist ideology provokes that reaction, so you must find a way to appreciate her music.

And if you can't? Try harder, cracker.

(Note the quotes around "black" and "white" music. The definition is a slippery one. Is expensively produced, extensively market-researched R&B, which would not exist in its present form without major-record-label investment and a huge market not limited to any one ethnic group, authentic "black" music? What if you replace R. Kelly with Justin Timberlake? Is Jennifer Lopez (who once considered herself entitled to use the N-word in lyrics) an honorary black person for the purposes of musical consumption? Is rock'n'roll (which is based on the blues) "white" music. And then there's Elvis Presley, Al Jolson and so on. In some ways, what gets classified as "black" music is that whose sound hasn't yet melted into the lexicon of the mainstream. The Spice Girls' first single, "Wannabe" (which, at the time, sounded closer to Salt'n'Pepa than the white manufactured all-girl pop groups from PWL and their ilk), could be said to sound more "black" than much of Prince's 1980s output (which, today, sounds more "1980s" than anything racially or ethnically specific.) And rock'n'roll, once seen as dangerously swarthy by pillars of (white) communities everywhere, is now the very definition of "whitebread", almost as much so as country music.

And in this discussion thread, Steve Albini weighs in on the issue:

Having had a distaste for hip hop since its earliest days, I have run afoul of this mentality for twenty-odd years. If you are involved in contemporary music, it is presumed that you appreciate hip-hop, or are at least deferential toward it as an arm of black culture.

I have equivalent genre distaste for almost all heavy metal (hip hop's culture-mirror equivalent), pastiche production pop music like Brintey Spears, Beyonce, Avril Lavigne et al, the REM-U2-Radiohead axis of millionaire dabbling, trash auteurs like Outkast, Beck and the Beastie Boys, teenager fake punk, and melismatic divas like Celine Dion. This is less in service of elitism than in making it possible for me to walk directly to the part of the record store where the good records are. I know what kinds of music speak to me the least, so I don't spend my energy combing through them looking for exceptions.

Picking on a tiny Southern queer for his music tastes and calling him a "cracker" is about as stupid as criticism can get.

(via imomus) ¶ blackness hip-hop music music criticism race racism sasha frere-jones stephin merritt whiteness 1 Share

Reportage of Hurricane Katrina cast a disturbing light on race relations in Louisiana: in news reports, black people "loot", while white people "find".

A young man walks through chest deep flood water after looting a grocery store in New Orleans on Tuesday, Aug. 30, 2005.

Two residents wade through chest-deep water after finding bread and soda from a local grocery store...

(via bOING bOING) ¶ hurricane katrina new orleans race racism usa 0 Share

Among the hipsters of Williamsburg, New York, the next step after freely using the N-word in the knowledge that one's postmodern ironic detachment automatically gives one the level of enlightenment to get out of any accusations of racism is having parties parodying the illest crunk thugged-out sex-nasty excesses of black culture in a safe (i.e., all-white, all-hipster) environment:

What that means, precisely, is debatable, but it has something to do with young white hipsters believing they can shed white privilege by parodying the black hip-hop life. In this way, they hope to escape their uptight conditioning and get in touch with the looser soul within them.

Of course, it's arguable whether it's not just privileged white kids poking fun at (a parody of) black culture for a laugh, reaffirming that they're above it because they can don it as a costume and then take it off, and then going back to their privileged white lives, smug in the awareness of their superiority; much like hipster appropriations of working-class culture (trucker caps and redneck paraphernalia), only with an added racial dimension. The counter-argument would be along the lines of the hipsters in question being sufficiently enlightened, by virtue of their postmodern upbringing, to be exempt from accusations of racism, which is a rather debatable proposition.

A few months ago, 29-year-old Sharda Sekaran was hitting dance spots with friends when she stumbled into a Kill Whitie party. "There was a bunch of white people acting like a raunchy hip-hop video," she said. "I don't get why that wouldn't be a characterization of black people for the entertainment of themselves."

Casady was raised in Santa Barbara, Calif., but quickly notes her worldliness by listing the cities where she has lived along the trail to Brooklyn. A regular Kill Whitie partygoer, she tried the conventional (that is, non-hipster) hip-hop clubs but found the men "really hard-core." In this vastly whiter scene, Casady said that "it's a safe environment to be freaky."

His street fliers come emblazoned with the words "Kill Whitie" across a woman's backside. Another flier offers free admission to anyone with a bucket of fried chicken.

(via indie_djs) ¶ cocorosie hip-hop hipsters irony kill whitey race racism williamsburg 2 Share

It has been confirmed that the tube bombings were carried out by British-born suicide bombers. This is something pretty much everyone was hoping not to hear: for one, it is next to impossible to defend against suicide bombers (the admonitions to look out for unaccompanied bags are, of course, useless; meanwhile, some claim that the body-scanning machines to be installed on the Tube at massive expense will only provide suicide bombers with long queues to blow themselves up near). In Israel, they have metal detectors and explosive detectors everywhere (you can't enter a reasonable-sized public space without being scanned), and that doesn't seem to have stemmed the tide of carnage. And guess what: we're all Israelis now.

The fact that the bombers were British-born, showed no sign of association with Islamist extremists, and were known, among other things, to good-naturedly play cricket at a local club in Leeds is even more chilling. It can't be good for relations between Britain's Islamic communities and the rest of the country; already, those neo-Nazi hatemongers, the British National Party, have been making hay from the tragedy.

¶ extremists london racism terrorism the long siege uk 2 Share