The Null Device

In Britain, the government is making plans to let artists and community groups take over shops hollowed out by the recession, to sow the seeds of Berlin-style regeneration (which, for all its lack of respect for the sanctity of property rights, is a lot nicer than the alternative, urban wasteland):

Planning rules will be relaxed to allow changes of use which go against local guidelines. For example, a disused clothes shop could become an art gallery or an empty Woolworths an NHS drop-in centre.

Temporary lease agreements will enable owners who want to retain a vacant property in the long term to make it available for community or creative use during the recession. Councils will be urged to take control of empty properties until the recession ends.

"Empty shops can be eyesores or crime magnets," Blears said. "Our ideas for reviving town centres will give communities the knowhow to temporarily transform vacant premises into something innovative for the community - a social enterprise, a showroom for local artists or an information centre - and stop the high street being boarded up.

Of course, as always, the devil is in the details. What exactly "relaxation of planning rules" involves is uncertain. As long as the shopfronts are used for community centres or art spaces and not, say, cut-rate toxic-waste processing facilities or something, that's a good idea.

Not all artists and activists are waiting for Her Majesty's Government to hand them the keys to a disused Woolworths, though; some have taken matters into their own hands:

The slack space movement has echoes in previous slumps when many now successful architects, magazine publishers and artists moved into vacant premises. There is certainly room for creativity again. One in six shops will be vacant by the end of the year, according to the data company Experian. It predicts that 72,000 retail outlets could close during 2009, more than doubling the number of empty units to 135,000 in the UK.

Of course, some artists still haven't shaken off the language of Thatcherism-Blairism, and talk not of "community spaces" but of "business development". Art, you see, is a means to an economic end, and, even immediately after the recessionary shock, in Anglocapitalist cultures, there is the assumption that artists and squatters' role is merely that of the microbes in the soil of commerce, to prepare the ground for the next wave of aspirational consumerism, and hopefully make a few quid at the end of it:

"Rather than letting lots of pound shops appear, we are encouraging people to start up businesses," said Firmin. "We know recessions are awful but can be a good time for artists as creative ideas start appearing while otherwise redundant people are sitting at home fiddling and doing creative stuff."

And here is a profile of various groups of artist-squatters, including the Da! Collective, notorious for outraging the tabloids by having the temerity to move into a disused mansion, rather than a warehouse or something more appropriate; not to mention a chronology of the history of squatting in Britain (and Europe).

Via Momus, who's, understandably, over the moon about this, hailing it as a triumph for the Berlin model (which, for a while, looked like it was going to be ground under the wheels of yuppification):

Since it's a global recession, I also like to think Berlin has now become a sort of template for cities all over the world. Whereas we might once have looked like a museum of crusty subcultures past their sell-by date, this city now looks like the future of Tokyo, the future of London, and the future of New York. We're your best-case scenario, guys, your optimal recessionary outcome. Everything else is dystopia, Escape-From-New-York stuff.

If the major cities of the world all become "Berlins", though, I can't guarantee I'd stay in the actual Berlin, the black flagship, the Big Squat itself. If Tokyo, for instance, got as cheap and cheerfully creative as Berlin -- if it became the kind of city you could simply occupy without having to scuttle around pointlessly making rent -- I'd be there in a flash. Secretly, what I'm doing here in Berlin is waiting for Tokyo to Berlinify.

¶ art berlin culture law slack space society squatting uk urban planning wd2 9

A group of squatters has taken over an opulent property in Mayfair. The Da! Collective plans to turn 18 Upper Grosvenor St., a Grade 2-listed property near Hyde Park, the US Embassy and some of London's most expensive restaurants, into an art installation:

Behind the white pillars and imposing wooden door of the grade II-listed residence, the 30-plus rooms are now scattered with sleeping bags, grubby mattresses, rucksacks spilling over with clothes and endless half-finished art installations. While their neighbours' walls are lined with priceless paintings, No 18 now exhibits a room full of tree branches and another with a pink baby bath above which dangle test tubes filled with capers. Spooky foetuses line one fireplace.

hey had been watching the building for "at least six months" before they decided to try moving in, she said. "We had put tape on the keyhole, and kept looking through the letterbox to see if anyone had been there." Then, one October night, five of the group decided to go in. Some of them wore high-visibility jackets to look like builders; Smith had a clipboard and fur coat. They propped their rented ladder up against the front of the building, and one man climbed on to the dilapidated balcony. "I went across to the window and I couldn't believe it when it was unlocked," said the squatter, who declined to give his name. "I was so happy. We didn't really expect it to be open, so it was a really exciting moment."

The group has had a mixed reception from the other residents of Upper Grosvenor Street. "Our next-door neighbours have been really nice; they've even let us use their wireless internet," said Smith. Another neighbour, a man called Alexander, has offered the services of his maid to cook them food, she added.

From 7pm to 11pm, the Da! gang will be projecting images on to each of the 19 windows at the front of the squat. "It's going to look like a doll's house," said Smith, "and there is going to be a harpist and a cellist and performance artists."

Under English law, the squatters (who have reconnected the electricity and claim to be maintaining the property and paying bills) are entitled to stay until they are formally evicted by the owners. These owners, a concern known as Deltaland Resources Ltd., based in the British Virgin Islands, do not seem to have made any attempt to contact the squatters; they have 11 years and 11 months to do so before the building legally becomes the property of the Da! Collective.

¶ anarchism art culture deception law london squatting 0