The Null Device
WIRED talks to Neil Halstead about the recent resurgence of interest in shoegazer, and it appears that he's still not keen to be part of it:
Halstead: No, there are no plans to get Slowdive back together. We had a lot of pedals, a lot of love and some good grass. When the love ran out, we sold the grass and smoked the pedals.The article also mentions an upcoming documentary on shoegazer titled Beautiful Noise, whose production company's page is here, though contains nothing other than a rather apposite-looking graphic.
The Graun's Alexis Petridis is not impressed with the new Primal Scream album:
More baffling is the decision to foreground the vocals and lyrics of Bobby Gillespie. Never the highlight of any Primal Scream album, here they're inescapable: he is, as a rapper would say, all up in your grill. There's the usual torrent of drug-related cliches - "I stuck a needle in my baby's heart, she looked so hot and sexy," offers Gillespie, who is 46 years old - but the real problems come when he abandons the platitudes about junkies and veins and offers us something of himself, chiefly his famous political acumen. He has a tendency to address listeners as the lobotomised drones of the capitalist system. That sort of thing got a bit wearying coming from Crass, who were at least committed anarchists, squatting in an open house commune and apparently unable to play live without attracting unwanted police attention. Coming from Primal Scream, who are none of those things, but have been heard advertising everything from cars to clothes to Carphone Warehouse, it sounds, at best, pathetic. "Take a drive around the city, tell me what do you see? Empty houses, burning cars, naked bodies hanging from a tree," opens the title track, thus begging the question: where have you seen this, exactly? In Islington, where you live? No wonder property prices in N1 have levelled off.
At worst, however, it's genuinely insulting. "Congratulations, you live in a dream, in the dead heart of the control machine," sneers Gillespie, a man recently spotted confronting the grimy day-to-day reality of life on society's margins by attending the Mayfair launch of a $250,000 diamond and sapphire-encrusted ice dagger designed by Jade Jagger for use in the world's most exclusive bars, including Crystal, the London nightclub run by Prince William's Eton pal Jacobi Anstruther-Gough-Calthorpe. He was probably there plotting the downfall of the dead-hearted control machine with his fellow guests, including noted revolutionary Marxists Alexa Chung and Davina Taylor. These are hardened insurrectionists, who, like Gillespie, know that there can be no social justice until the gutters run red with bourgeois blood. "We've got a noose if you want to hang around," he jeers, "maybe some torture to tousle your hair."In my opinion, Primal Scream appear to be a textbook example of Thatcherism-Blairism as an artistic ideology, a Hegelian synthesis of (the superficial aspects of) bolshy anti-capitalist agitation of the Thatcher era and the whorish mercantility of the Blairite marketing society, a culture, nay, a civilisation built entirely on appropriating and repackaging. And Primal Scream do it well; moving at the speed of spin from trend to trend (from NIN-lite industrial rock to meat-and-potatoes blues-rock that sounds like the Rolling Stones if they instructed their engineer to overcompress everything into a black blob of loudness to the ubiquitous vapid cod-Marxism that makes Sid Vicious look like George Monbiot by comparison), never making the mistake of investing enough of themselves in any one thing to miss the next shift in market research. Soon enough, listeners realise that they've been sold a turd in a can, but by then they've moved on to the next thing.