The Null Device
And now, for light relief, here's a cow with its head stuck in a washing machine:
(via Boing Boing Gadgets)
WIRED has a piece by Steven Levy looking behind the scenes of Google's Chrome web browser project:
Speed may be Chrome's most significant advance. When you improve things by an order of magnitude, you haven't made something better — you've made something new. "As soon as developers get the taste for this kind of speed, they'll start doing more amazing new Web applications and be more creative in doing them," Bak says. Google hopes to kick-start a new generation of Web-based applications that will truly make Microsoft's worst nightmare a reality: The browser will become the equivalent of an operating system.
Google also brought in reinforcements to implement the multiprocess architecture that allowed each open tab to run like a separate, self-contained program. In May 2007, it acquired GreenBorder Technologies, a software security firm whose technology was designed to isolate IE and Firefox activities into virtual sessions, or "sandboxes," where malware intrusions couldn't mess with other activities or data on your computer. When the deal was announced publicly, tech pundits wondered whether it meant that Google was going into the antivirus business. Only after the acquisition did GreenBorder's engineers learn that their job was to construct sandboxes for the tabs of a new browser. "It was confusing," says Carlos Pizano, one of the GreenBorder hires. "They would not say what they wanted to sandbox."Meanwhile, the Chrome beta's licensing agreement apparently gives Google rights to use anything you create using it for promoting its services. This alarming clause appears, however, to be the result of an oversight; the licensing terms appear to have been copied from Google's web applications, and make little sense for a BSD-licensed open-source web browser (after all, anyone who doesn't like the EULA could produce an EULA-free though otherwise identical version of the browser merely by recompiling it from the source).
In December 1969, a young man from the south of England decided, under the influence of kitchen-sink films, to go to the North with his camera and capture the stark beauty of the old North on film before it disappeared forever. Some decades later, he got a Flickr account, scanned his photos and posted them here. Most of them are in black and white, and many are quite beautiful, in a somewhat bleak, sparse sort of way.this one about lost opportunities for childrens' play and this lengthy meditation on fleeting experience and the beauty in the mundane are simply sublime.