The Null Device
Murray "Muzski" Groat's Tintin/H.P. Lovecraft mashups are made of eldritch, blasphemous win:
(via Boing Boing)
This Saturday is the Victorian state election. For those wondering what's going on there is a summary here:
State politics is a strange, sad, almost cute realm, where those ambitious, energetic people gather who are, on the one hand, far too inept and devoid of personal magnetism to succeed in federal politics, and on the other hand, far too inept and devoid of personal magnetism to succeed at anything else either. Oh the dilemma of the state politician: caught so exquisitely between the pincers of their dual incompetencies. But then, that is the life they chose when they decided to make no useful contribution to the world for their entire lives.
The combatants provide a fascinating study in contrasts. For example. John Brumby graduated from the elite Melbourne Grammar in 1970, whereas Ballieu graduated in 1970 from Melbourne Grammar, which is quite elite. So the sharp ideological differences began early on... And then of course there is the difference in their choice of parties. Whereas Brumby chose Labor because of its strong commitment to social justice, Baillieu chose the Liberals, because he believes in a just society.
What is important to focus on is the potential consequences of voting Green, which have been spelled out for us by trained investigative journalists from the major newspapers, who "went the extra mile" to unearth and expose secret Greens policies by cunningly visiting their website and then sniffing a bunch of glue. Basically, the Greens’ policy platform consists of three major planks:And here is a profile of the inner-city seat of Richmond (where your humble correspondent last lived in Melbourne), which the Greens are hoping to take (though, with the Tories putting them last, that may not happen). It's interesting to see that all the candidates are fairly socially liberal; the religious parties have given up on this seat, and even the Tories are running a gay bar proprietor as their candidate, and jumping through a lot of hoops to balance appealing to affluent small-L liberals in the city whilst not alienating their conservative core:
So we’re not saying don’t vote Green, we’re just saying, think long and hard about just how stupid you are.
- Forcing everyone to be gay
- Murdering old people
- Criminalising electricity
McFeely is not your average Liberal candidate, being an openly gay man from a working class family in Scotland. He also runs one of the best-known gay venues in Melbourne, the Peel Hotel in Collingwood, though the Liberal party website just refers to it as a 'busy Collingwood hotel' and also skips over issues of his sexuality. McFeely previously came to prominence in 2007 when he won a Victorian Civil and Administrative Tribunal ruling granting his hotel an anti-discrimination exemption so that he could exclude heterosexuals. This infuriated radio talkback callers, most of whom wouldn't have actually wanted to visit the hotel in a pink fit. He is opposed to gay marriage (because of its religious connection) but supports civil partnerships, and in 2006 tied the knot with his partner of 18 years at the British Consulate in Melbourne. McFeely briefly withdrew as candidate after a dispute with Liberal headquarters over his campaign, including a dislike of the photo that the Liberal Party suggested he use. The Liberal Party finally relented, McFeely the only Liberal candidate with a non-standard photo.
The Hummingbirds, arguably the greatest Australian indiepop band of the 1990s, are reforming for a one-off set at Sydney's Big Day Out on the 27th of January. Well, so far it's a one-off set; perhaps they'll do some other Australian shows. I imagine that them playing Indie Tracks or the Gothenburg Popfest would be a bit of a stretch, though.
Meanwhile, Mess+Noise also has a two-part retrospective on the Punter's Club, the legendary Fitzroy music venue which closed its doors in 2002 (1, 2), interviewing many of the people involved, who went on to work in other Melbourne live music institutions.
The Punters Club closing was so final, though. We knew it was going to happen and that another business was going to move into the building, so it couldn’t be saved. It might have indirectly inspired the SLAM rally and all the outrage about The Tote, because it proved that people actually give a shit about music venues closing. I actually think The Punters Club was more loved than The Tote, but over the years, people came to realise that they didn’t want to lose another venue.
In hindsight it’s sad, and we miss that venue, but Brunswick Street really sucks these days anyway. I’m pleased that I don’t have to go and see gigs in that area anymore. Johnston Street and The Old Bar is about as close as I want to get. I don’t want to be with all the hipsters there. It’s like the gentrification of St Kilda. I remember when Brunswick Street only had three or four cafes: Bakers, Rhumbarella’s, Mario’s and The Fitz. That said, Melbourne has an extremely strong live music scene, so for every venue that closes, a new one opens somewhere.This weekend, for those in Melbourne, there is a series of Punter's Club reunion shows at the Corner Hotel in Richmond.
The spectre of closure, usually driven by gentrification and the increased rents coming from it, is seldom far away from live music venues; recently, Melbourne's favoured ex-neo-Nazi haunt turned band venue, Birmingham Hotel ceased putting on gigs, due to it losing money. Meanwhile, in London, increasing costs have forced the Luminaire to close at the end of the year. The Luminaire was one of London's better medium-sized venues; it will be fondly remembered, particularly the hand-painted signs on the walls informing punters in no uncertain terms that it is a music venue not a pub, and instructing those who wish to talk to their mates to leave.